Lightning Bolt consists of a drummer and a bassist, and provides of flurry of electron dissonance. But don't expect music that you would think of when you hear "drum and bass", because this is a ride on a one way bus to India. Warning: there is nothing about the sound that reminds me of India. Sometimes the songs can get a little repetitious, but not as much as the previous album, Ride The Skies. In all honesty, I'd rather listen to Wonderful Rainbow than Ride the Skies in a 747 running on coffee and donuts. Major proppage for doing something very original and unique in such a time of conformity. The finger tapping on the bass (at least that's what I'm assuming it is) in "Crown Of Storms" institutes a raw sexuality, soon interrupted with blaring bass notes, that come out of LEFT field! A headache was provided by "30,000 Monkies", just like one would expect from 30,000 monkeys! Amazing. If possible, see this band live or dead (HAHAH!), but if that's not possible, check out this recording. Read more
Wonderful Rainbow, Lightning Bolt's latest full length, is the much anticipated follow-up album to Ride the Skies that doesn't disappoint. … Read more
Decent record. Just sounds like everything else. Not that that is a bad thing I just didn't see myself saying … Read more
Originality and innovation are two things this record lacks, but if those two things are extremely important to you, you … Read more
I first heard about this band from an associate that doesn't like metalcore, but for the most part, strictly hardcore. … Read more
For a genre such as hardcore, it's hard for a band to sound different... or good, for that matter. I … Read more
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Houseghost sprung up in late 2020, releasing their debut near Halloween. Two years later the ghost returns with more stories from Another Realm. The band features members of other bands and play poppy punk with a lot of harmonies. It’s peppy, catchy stuff that’s more about singalongs and pogoing than spitting vitriol. The band also has a theme or, arguably, a gimmick. The songs are all about being a ghost. Another Realm sees the ghost stories taking a somber look at themselves as they fade and float in the ether. The songs are upbeat while singing about being stuck in limbo. The broad tone is one of longing and observation, with a cheeky, playful tone that makes me think of Geena Davis and Alex Baldwin in Beetlejuice. This isn’t a … Read more
I think I have whiplash. An incredibly addictive hardcore album with infectious riffs and powerful, gut-wrenching vocals are the best random synonyms for "whoah-kick ass" that I can think of at the moment. The vocals play off the guitars beautifully, and everything in between are seemingly endless chances for innovation that Since By Man capitalize upon nearly every time. Much … Read more
Lately, it has been difficult to read a music magazine with out encountering the statement "(Band X) breaks/pushes the boundaries of typical (Genre Y)" I'm sure somebody has already filled in the variables for this one: X = Since by Man and Y = Hardcore. We Sing the Body Electric is Since by Man's first full-length release after a series … Read more
Quite the record. Nothing you are going to sit down and just listen to as background music because it needs your attention. Quivering vocals, electronic drums with random ADD outbursts, acoustic guitars, yet this whole record comes together as being very cohesive. There are some down points to the record though. Walnut House is so incredibly boring. Nothing happens until … Read more
Quite the record. Nothing you are going to sit down and just listen to as background music because it needs your attention. Quivering vocals, electronic drums with random ADD outbursts, acoustic guitars, yet this whole record comes together as being very cohesive. There are some down points to the record though. Walnut House is so incredibly boring. Nothing happens until … Read more
Somewhere between unforgiving and yielding, you'll find Xiu Xiu. This music is something I can't quite put my finger on, but it's similar to Godspeed You! Black Emperor. The difference between the two being Xiu Xiu loves electronics and likes to add spastic noises at random. Furthermore, Xiu Xiu is more unpredictable. They seem to like to screw around with … Read more
Xiu Xiu are a frustrating band in the sense that their originality is quite apparent, but for many people they are difficult to "get into." After coming away from their 2002 release Knife Play without having really "clicked" at all, I decided to give them another chance with A Promise. Almost wiping clean any trace of a riff or melody … Read more
Xiu Xiu are a frustrating band in the sense that their originality is quite apparent, but for many people they are difficult to "get into." After coming away from their 2002 release Knife Play without having really "clicked" at all, I decided to give them another chance with A Promise. Almost wiping clean any trace of a riff or melody … Read more
This 6 song EP is nothing to start a big hoopla over. Sounds like basic, run of the mill hardcore to me. There is probably a little local band in your scene that does hardcore just as well. If you're a hardcore kid, you'll probably like this, if you're not, you probably won't. Read more
I enjoy this record. Coming in fully expecting some new metal-core band, I was surprised with some old school style hardcore. This reminds me of being in high school and fucking ripping up the ole' skate spots years ago. This shit is just fun hardcore. Boasting some ex bands you wouldn't picture to play this music (Against All Authority and … Read more
When people first get into hardcore, they say it all sounds the same. This is understandable, because a lot of it sounds the same. In this case, we are subjected to music that doesn't really have it's own sound. The music reminds me of Sick Of It All and punk rock hardcore straight up with a lack of mosh breakdowns. … Read more
From the first notes of the opener "Farewell Transmission" on the Magnolia Electric Co. experienced Songs: Ohia listeners will immediately pick up on Molina's new direction. On this album, Jason Molina has put aside minimalism in the music of his previous albums and has picked up a steel pedal guitar and has developed a backing band. Molina's melancholy, love-lost crooning … Read more
This is my first Songs: Ohia experience. Outcome? Excellent. Slide guitar, slow to mid-tempo songs, and a sound that can almost be reminiscent to Counting Crows at times (go ahead and flame me), I have found myself going back to this CD more than I expected. The vocals are incredibly laid back and have a vibe that is just incredibly … Read more
After falling in love with songwriter Jason Molina's ensemble last year through the somber and deeply confessional Didn't it Rain, my expectations were set extremely high for both of his 2003 releases, Magnolia Electric Co. and Pyramid Electric Co., which will be released later this year. The first thing that struck me about Magnolia Electric Co. was that it had … Read more
I fall somewhere in between Zed and Shane on this CD. I found some minor enjoyment in it, but there are a lot of musical flaws. It simply doesn't fit together very well. A lot of bands are trying to mix a lot of different sounds, but they shouldn't have to struggle to do it, this band clearly has problems … Read more
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