I thought it a safe bet to listen to any album off Neurot Recordings with care and patience, and expect something great. Amenra is no fragile exception. Their essence taps a well of meaning seemingly endless on all levels of analysis, as much as it taps a particular sound thrust forward first by Black Sabbath, and most recently by Neurosis. Amenra didn’t invent anything new in Mass VI. The themes, moods, and styles point to a definite lineage. In fact Mass VI lives in a common sound rooted in the critique of modernity, and an ultimate search for meaning further rooted in the culture it disappeared from.Primarily, Mass VI sucks the listener in through the individual’s religious urge, for lack of a better term, into a modern quest to establish the meaning of this urge. The production value of their album is honest, and powerful. The album sounds as it would on stage in the best possible way, subtly implying the best experience is to see them live. Explicitly “Mass” confirms getting together in a live show is paramount. (If you don’t think music halls are churches, think again.) This is definitely a winning formula, and since music is a … Read more
With the daring first notes of a church organ, Paradise Lost primes its listeners for a quasi-sermon on the mount … Read more
I generally shy away from track-by-track reviews, because they get long, boring and kind of miss the point of an … Read more
Shortly after releasing their debut full length I had the opportunity to have a chat with Barren Womb. They then … Read more
The world feels like it’s coming apart at the seams, some new scandal or piece of terrible news hits daily, … Read more
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I hate one-sheets. In case you are not as media savvy as everyone else, a one-sheet is a sheet of paper that labels send out with their promo releases to record stores, magazines, and other places that sell or review music. Usually on these one-sheets there is something about how great the band is or what great bands they have shared the stage with. The worst thing is that the one-sheet always compares the band to whatever band is currently the most hip in a selective genre. I've come to point where I will go outside and set the one-sheet aflame in some sort of ritualistic ceremony to prevent bullshit from infiltrating my home. Well before Revolution's one-sheet went up like the tower inferno, I caught two band references: With … Read more
Jeff Gutt has a thankless task before him. Some might say impossible, even. He's replacing Scott Weiland, one of the most loved and recognizable frontmen of the last 30 years, who tragically died far too young.He's also replacing Chester Bennington, Weiland's replacement who, after leaving Stone Temple Pilots and returning to Linkin Park, also tragically died far too young.So what … Read more
Summoning have been at the forefront of Tolkien inspired metal for the twenty five years they’ve been a band. Formed in Austria in 1993, the duo take from the world of The Lord of the Rings – and its extended universe – to create music that is extraordinarily cinematic in scope while feeling rich and earthy at its core. Summoning … Read more
The Great Divide came to my attention four years ago when they released their second release White Bird. At that time The Great Divide reminded me of bands like Stretch Arm Strong (Rituals Of Life era) and Counterparts. It’s been four years since that day. I’ve listened to White Bird a couple of times since and now also pick up … Read more
Aaron Turner and Daniel Menche, two prominent figures of experimental music, meet again after the Mamiffer collaboration with Menche back in 2015. Both have been active recently, with Turner participating in the Thalassa project releasing Bonds of Prosperity with William Fowler Collins, while Menche released his long, immersive Sleeper record earlier this year. With NOX the duo presents a 31-minute … Read more
Royal Brat follow an intriguing trend I see in a lot of queer punk: taking direct and heavy subject matter and addressing it with vitriol, then flipping a switch from anger to singsong and back. It’s fascinating that the two emotions, so different, can jump back and forth without feeling more jarring.Eyesore is the first full-length from Royal Brat, out … Read more
I’ll admit to coming into this one with a clean slate. I don’t know Feral Trash, who predate Chiller and share members Ilisha and Eric. The duo recruited Erin (Black Tower) and Tim (Mother’s Children) and, as the press release says, so began “what has rightly been deemed as a continuation of Feral Trash.”So that’s the history lesson. Because I … Read more
How do you tell a fairy tale using only sound? That's a question seemingly answered by Japanese artist Mokumedori's self-titled album. Utilizing an eclectic variety of instruments, many of the toy variety, this album appeals directly to the imagination of its listener, almost daring you to come up with a story to accompany the music. While some might be tempted … Read more
Wake is a Canadian grindcore act. One of those grindcore-acts that have taken care of me not growing tired of the genre. The unrelenting speed and anger are good fun, but can get a bit samey fast. This is where the great bands differentiate themselves from the mediocre ones: they know how to keep things interesting. Wake is one of … Read more
You know, I’ve never knowingly listened to Miley Cyrus, but I’m pretty sure this record is named tongue-in-cheek and doesn’t include a cover. Full disclosure, I looked up her “Party in the USA” song a couple hours after my first draft of this review. I wish I hadn’t, though it was certainly a learning experience about different lifestyles.For some reason … Read more
After a couple of years of reviewing I’ve got a love-hate relation with genre definitions. I love ‘em because it makes my job so much easier. Just should a genre name and you, my dear reader, should have an idea about the sound of the record in question and if this review is worth your time. It makes my job … Read more
Spain’s Balcanes tread a glorious path through noisy rock with a sound that is as filthy as it is consuming. Although minimally done, Balcanes still force through masses of power by using painful feedback and deep, rumbling bass to create strong textures in their work. Carne Nueva is only a taste of what the band are capable of and on … Read more
While I’ve always enjoyed Mind Spiders, they’ve kind of felt like a side project, an idea that hadn’t really grown into a full-fledged band yet. On each of their releases so far, I listen and think, “I like this, but it’s not really my thing.” Then the next album comes along, I give it a spin, and think, “This keeps … Read more
Though the thought of pairing a shoegazey indie pop band with an anything-goes punk group on a split record may seem odd, in the case of this effort from South Korea's Say Sue Me and Japan's Otoboke Beaver, the results are magical. Say Sue Me's contribution is the sunny “Good For Some Reason,” which finds gorgeously hazy vocals soaring over … Read more
There is no easy starting point with a record such as Ion. It’s an album that’s dense, almost to the point of being utterly impenetrable, with vocals from The Curator that swirl with crawling chaos and drums that march to an inhuman beat. Portal are not an easy band to digest and their music is a claustrophobic head-trip into the … Read more
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