Royal Brat follow an intriguing trend I see in a lot of queer punk: taking direct and heavy subject matter and addressing it with vitriol, then flipping a switch from anger to singsong and back. It’s fascinating that the two emotions, so different, can jump back and forth without feeling more jarring.Eyesore is the first full-length from Royal Brat, out of Minneapolis, following a 2015 demo. A few of those songs are rerecorded here, in better quality. The demo showed a promising, angry punk group. With Eyesore, the energy and spirit remain intact, but the songwriting is tighter and fully formed.Royal Brat mostly plays direct punk rock, with snotty vocals and powerful energy. It’s chord heavy with flowing, descriptive lyrics that establish person and place, then run through an emotional cycle. Tone-wise it’s, well, a little bratty and in your face, but the lyrics are much deeper and cover a range of ideas that range from traumatic moments to personal pride and accomplishment. It’s mostly in a first person perspective, which makes it directly personal with the exception of closing song, “Camisole,” which is either preachy or empowering depending what you like in your lyricism. I’d argue it’s alternately both, … Read more
How do you tell a fairy tale using only sound? That's a question seemingly answered by Japanese artist Mokumedori's self-titled … Read more
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In the darkest recesses of some of our minds lies an unspeakable and unknowable terror, and some artists have brushed against that darkness throughout time (some recent examples might be H.P. Lovecraft, Francis Bacon, and a select few others) and Cacophony is a perfect illustration for the madness induced by such brushes with our inner demons; although nowhere near as well known or lauded by the majority of the punk / hardcore community,Rudimentary Peni has a strident coterie of devoted individuals that swear by the unique musical and aesthetic vision put forth by the band considering them a touchstone of death punk.This reissue of Cacophony is long overdue as the LP versions of this seminal ode to the themes of the aforementioned Lovecraft fetched obscene amounts of dollars, Euros, etc … Read more
Spain’s Balcanes tread a glorious path through noisy rock with a sound that is as filthy as it is consuming. Although minimally done, Balcanes still force through masses of power by using painful feedback and deep, rumbling bass to create strong textures in their work. Carne Nueva is only a taste of what the band are capable of and on … Read more
While I’ve always enjoyed Mind Spiders, they’ve kind of felt like a side project, an idea that hadn’t really grown into a full-fledged band yet. On each of their releases so far, I listen and think, “I like this, but it’s not really my thing.” Then the next album comes along, I give it a spin, and think, “This keeps … Read more
Though the thought of pairing a shoegazey indie pop band with an anything-goes punk group on a split record may seem odd, in the case of this effort from South Korea's Say Sue Me and Japan's Otoboke Beaver, the results are magical. Say Sue Me's contribution is the sunny “Good For Some Reason,” which finds gorgeously hazy vocals soaring over … Read more
There is no easy starting point with a record such as Ion. It’s an album that’s dense, almost to the point of being utterly impenetrable, with vocals from The Curator that swirl with crawling chaos and drums that march to an inhuman beat. Portal are not an easy band to digest and their music is a claustrophobic head-trip into the … Read more
Given their name, it's appropriate that San Francisco's Spiritual Cramp have a sound rooted in the punk rock of 40-ish years ago. I don't think debut EP Mass Hysteria would have the same punch had it featured a more aggressive approach. Alienation figures prominently in the lyrics of opener “All MY Friends Are Out Tonight (Alright),” and the somewhat vulnerable, … Read more
Erstwhile Kaiser Chief Nick Hodgson has spent the past five years penning songs for the likes of Mark Ronson and Shirley Bassey, basking in being out of the limelight and no longer having to endure a punishing touring schedule as part of one of the UK’s most successful indie bands. The 40-year-old spent much of his 20s and 30s perched … Read more
Music with a message has long been a starting point for many bands but for Orphaned Land that message is of the most extreme importance. Spreading the missive of peace and understanding has been at the root of the Israeli band and their output since the very beginning and over the last twenty six years. Addressing the turmoil that has … Read more
Take Back The Night isn’t one of those experiment Dwarves records, like the industrio-tinge of Come Clean. On their latest offering, the long-running band alternates styles consistently between their unique and twisted take on bubblegum pop-punk and screaming, single-vocalist hardcore. For the most part, the hardcore songs are fronted by Rex Everything (Nick Oliveri), with occasional SPB guest contributor Blag … Read more
Every now and then I find it entertaining to randomly pick something out of the promo-bin without overthinking what to review. Sometimes this way I discover brilliant stuff, sometimes I question my choices. Baronen & Satan’s short and snappy promo chatter sounds promising enough. This quartet is from Gothenburg, Sweden. There’s more than enough quality music coming from Sweden. That … Read more
Contemplative and calming, “Delacorta” kicks off Damon Eliza Palermo's Beacon of Maracaibo release with flowing piano and bubbling electronic tones playing under a pleasant, naturalistic bed of chirping birds. Slightly glitchy but undeniably relaxing even when it introduces a cymbal-heavy beat late in the going, the opener transitions into a lengthy title track awash in sweeping synths, seesawing vocal tones … Read more
The Fest is a pretty cool event. The first time or two I went, I went to see the headliners on the big stages, packing a day of well known (by punk standards) into one action-packed 12-hour period. Over time, I’ve come to seek out the newer bands on the smaller stages. The atmosphere is more my vibe, but it’s … Read more
Described aptly by its creator, Barcelona songwriter Daniel Ruiz, as an “ode to misery,” A Cup of Coffee with Two Sugar Cubes, Cream, and a Tiny Drop of Whiskey is a relaxed and dreamlike work built around layers of hazy guitar, warbling organ, and just a hint of piano. Vaguely idiosyncratic lyrics deal with a woman, her particular taste in … Read more
There’s a lot of analysis when listening to Old Scars, New Blood. When singer Rob Huddleston sings, “Nothing ever changes/ Nothing ever stays the same” in “Fairweather,” it seems to epitomize the experience of this record, a re-recording of 13 songs by the recently born again Ann Beretta.I can’t decide if this album is a great idea, modernizing a reformed … Read more
To put it mildly, Otoboke Beaver's Love is Short doesn't beat around the bush, though that phrase seems wildly inappropriate given the origin of the band's name. Following a churning title track that sets off immediately at breakneck speed and features aggressive foreign-language vocal shouts, shrieks, and howls, even -gasp- a bit of melody, the album transitions to the more … Read more
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