Loads of bands that I follow or followed start out pretty heavy and during their career start to get (a bit more) mellow. Sometimes this evolution is only marginal, sometimes a band is almost unrecognisable after a few albums. Abstracter evolved as well over the course of their albums. Instead of mellowing down their sound, they have evolved in another direction. Things have gotten harsher over time. Cinereous Incarnate is their third full length. On their debut Tomb Of Feathers and their second album Wound Empire Abstracter played roughly with the same influences as on Cinereous Incarnate: doom, sludge, death metal and black metal. To my ears the doom and sludge influences were in the lead on those first two albums. I liked them enough to follow the band, but I really only played them when I was looking for sludgy music that wasn't too harsh. In 2016 Abstracter released a split album with Dark Circles. I clearly remember listening to that split for the first time. Abstracter added a load of black - and death metal influences. The whole atmosphere of the music was changed to something really punishing. Partly because the added power in the vocals. Either they … Read more
Let’s get it out of the way: Believe the hype. All of Kacey Musgraves’s records are the real deal – … Read more
Every once and a while there will be an album that pretty much levels the musical plane, one that becomes … Read more
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Yes, End of a Year give us yet another new record into which we can sink our collective teeth (if one so chooses) and its three songs might just be the best work that they can lay claim (outside my favorite song of theirs still, "Harrison"). This Albany, New York, crew truly give three crisp, D.C. hardcore inspired tracks of good punk rock. You know, the kind that sounds urgent and intelligent while being gruff and dance-y enough to make people shake their bottoms on the dance floor (my apologies to all the kung fu practitioners out there as this is not your soundtrack). Is End of a Year a throwback to some bygone era of punk and hardcore or are they some inkling of a bright future for what … Read more
Canadian hardcore is a weirdly veiled style. Like Canadian politics, it is highly deferential, often distinctly so. This means it both blends in with previous hardcore styles at the same time it writes original sounding songs, and it sounds highly derivative and mediocre despite the musician’s individual skill. Split in so many contradictory directions, Baptists newest release, Beacon of Faith, … Read more
For Dimmu Borgir, who haven’t released a full length album in over seven years, Eonian marks a shift for a band that have kind of been the butt of many black metal jokes for the best part of a decade. Dimmu Borgir make no apologies for their bombastic sound and on Eonian they fully embrace their theatrical side. Still, the … Read more
The excitement of We Are the Champions of the Word (Retrospectus) is supposed to be the five new songs at the end of the 29-song collection. It probably is, but given how bands often release a Best Of before they breakup, this record feels more worrisome than celebratory. That’s just a personal feeling that views this as some kind of … Read more
This what pop-punk used to mean. On the record it’s clean and melodic, while the live show feels more aggressive and forceful. Think of those Ramones studio records and compare them to the live experience. Then throw in the pedigree of the band members here, splitting time in The Dopamines, The Slow Death, and The Queers. Two of those three … Read more
Geld’s Perfect Texture is 11 tracks, 23 minutes, 41 seconds: walloping wallaby! I feel like I’m back in my initial stomping grounds of Lethbridge, Alberta, a place that must exist in Geld's stomping grounds of Melbourne, Australia. Back in Canada’s Loyal Order of the Moose community hall, standing in an awkward half circle, ceiling too high, among their powerful nasty … Read more
Do you like to be challenged every now and then? Just so that you are forced out of your comfort zone? Some say the best things in life happen just there: outside of your comfort zone. Although there is reason I like to stay inside that zone (it is quite comfortable there, after all) I enjoy the musical challenge of … Read more
Some bands need a couple of albums to find their sound, their niche if you like. Other bands seem to have stumbled upon their sound from their very first rehearsal. Their career is not defined by a grand steps from album to album, but rather by refining their craft on each album. Small changes to better their music a little … Read more
Whimsical/ˈhwɪm·zɪ·kəl, ˈwɪm-/adjectiveUnusual and alluring. Using imagination in a playful manner.This is admittedly, not a word that would typically be used to describe an album written around final moments before death, but somehow, in the hands of John Erik Kaada, it becomes more apropos with each listen. Closing Statements is about those final words, breaths and thoughts but remarkably eschews the … Read more
What gathered my eyes about Exitmusic’s newest album The Recognitions was not any previous knowledge about the group, but a shared name of a favorite book by William Gaddis. Gaddis’s book borrows heavily from religious text, poetry, opera; even the name borrows from the Clementine Recognitions: a religiously gnostic narrative featuring the Apostle Peter told through one Clement.In the Clementine … Read more
I like this Making the Worry Worth It record. That should be all a review needs, right? I say that in part because this 9-minute EP is all over the place, style-wise. Marriage Material is a new group with members of Summer Vacation, Spokenest, Pinned in Place, and God Equals Genocide. It has some similarities to those bands, but each … Read more
The mysterious figure of Father Murphy appeared as a spectre in the early '00s. Formed by, as the band claims, its children Freddie Murphy and Chiara Lee, the Italy based band has created a mystique around their musical investigations. Through the years, the figure of Father Murphy has remained elusive. Through the different records and EPs various facades have been … Read more
Shake off the trenchant hold Depeche Mode has on dark sounding synth pop and Miracle opens up like a blooming flower. Sure David Gahan delivers more punch in his voice, and sure there’s a lack of Martin Gore's vibrato chilled melodies— aside from genre conventions monolithically constructed by Depeche Mode, Miracle is a more serious, mystical and cinematic variation of … Read more
When the Deal sisters re-assembled the lineup from their seminal Last Splash album for a 20th anniversary tour in 2014, they didn’t know how it was going to go. But, the tour went off without a hitch and any ill-will that seemed to exist between the Deals, drummer Jim MacPerson and bassist Josephine Wiggs appeared to dissipate into the ether. … Read more
Kitten Forever are staples of the Twin Cities DIY scene. They also tour nationally and have received a good share of recognition for their unique merger of party punk and vitriol. Overall, the three-piece plays fuzzy, stripped down ragers that alternate between screaming frustration and bopping good times. Semi-Permanent is their fourth full-length and the general tone over the 11-song … Read more
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