Dinosaur Eyelids may have an bizarre moniker (where did they come up with it?) but their music is far from mysterious. Garage rock may have had its heyday long ago but the influences are still keenly felt through many projects kicking around today, Dinosaur Eyelids being one of them. Stating their main inspirations as Kyuss, Soundgarden, Fu Manchu and a whole host of others, it's clear that for this New Brunswick band the past is still very much alive. Left Turn On Red doesn't stray wildly from the rock path but the songs certainly feel well crafted and filled with passion. "Day Zero" is a crunchy, weighty track that begins on Evan Staats' gravelly voice ringing out in the silence, channelling Chris Cornell - and more his Audioslave project than the aforementioned Soundgarden - before the guitars kick into gear and bring the song to life. The similarities are uncanny and it's a little to Dinosaur Eyelids detriment that on a few occasions during the record you may be thinking that you've heard that song before - "LA Lady" plays a bit like a latter day Rolling Stones track. Still, Left Turn On Red should be seen as a band … Read more
I don’t know much about Chain Cult – and sometimes that’s a good thing coming into a band. Instead of … Read more
Orphanage Named Earth is Polish band that plays romantic crust. I'll explain later on what to expect, but let me … Read more
Courtney Barnett’s output is usually a sure thing – which is why it’s strange her latest, Tell Me How You … Read more
Many have commented about loving the idea behind Teenage Bottlerocket's all-covers record Stealing The Covers, and even though cover albums … Read more
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These last few weeks I've started to notice that the creases in my forehead are deepening. It's a subtle change to my face, but it's progressively becoming more noticeable. My pores are becoming more visible as well, and my skin doesn't have the same spongey, moist quality to it that I remember it having in my early twenties. And of course the other day my partner swears she noticed a grey hair. I asked her to pull it out to show me. She demurred. Pretty emphatically. Like she had accidentally divulged some state secret and when asked to provide proof of her claim, she proceeded to deny all knowledge of the aforementioned facts as they were alleged. That's alright. I could find it myself if I felt so inclined. There … Read more
Powerful, bottom heavy, but good headlamps. She loves to look good, but also can build an engine; loves fancy dress, yet plays in the mud. She’s drive-able in the city, and capable of off-road adventures. As much as country music loves the Daisy Duke, and the General Lee, symbols stereotypically good, The Outsider locks into enough country to forgive its … Read more
John Prine's first album of new material in 13 years is a great place to start with the legend’s career, as it kind of covers the ground of the sometimes funny, sometimes terribly sad songs he’s known for. Working with Dave Cobb (known for producing both Jason Isbell and Chris Stapleton) Prine focuses on the mundanities of everyday life, and … Read more
I’ve been debating how to describe this one for a while. Pinned in Place aren’t exactly happy campers, but compared to most of what I’ve been reviewing lately their music feels downright optimistic with the sunny guitar lines and harmonies that define their sound. That said, the record is named Rubbernecking at the Gates of Hell for a reason.The opening … Read more
There’s something oddly humbling and comforting about listening to the Smith Street Band, it’s like they’re that hometown band you watched put on shows in garages and living rooms growing up. It just feels like you know them—their lyrics are very real and they as people are very much real, which overall creates this very humbling, raw effect to their … Read more
Just look at the name of this band. Any associations? Mine was: ah, Mount Fuji Doomjazz Corporation, Killimanjaro Darkjazz Ensemble, must be working along the same lines. And in a way it is. This band delivers exactly what they promise: a blend of ska and jazz. And in doing so sounds nothing like the other two bands, so you can … Read more
Here we go, something horribly maniacal approaches. An out of focus haunt looking like a Goya sketch funnels all the screaming souls from hell at the threat of a Gatling gun and an itchy trigger finger. In their place we as Listener fall into the gap. Each song features a compendium of heavy drum beats, variations of style and groove, … Read more
DeeCracks don’t reinvent anything, but they don’t regurgitate it either. There’s a lot of Ramones behind the experienced Austrian band, but they utilize familiar techniques like harmonies, solos, and even a surf instrumental to mix it up. It’s the kind of music that many bands try to pull off, but fail. It doesn’t sound like they’re aping their predecessors, but … Read more
Feed The Cat is skatepunk band from Toulouse, France. Never Press Rewind, Except… is their second release after the EP Kick The Fat. Their sound is undeniably skatepunk. For some reason I'm reminded of Smartbomb. Not the most well known of all skatepunk bands, but Feed The Cat has the same vibe. Musically it's slightly different though. Skatepunk in my … Read more
Chicago natives Maps & Atlases first new release in six years shows them down a member and finding that their tightly constructed guitar and rhythm pieces turning up to something a little brighter and buoyant with synths taking more of a larger role in their sound. First single “Fall Apart” sounds just as slick and rubbery as singer/guitarist Dave Davison’s … Read more
Loads of bands that I follow or followed start out pretty heavy and during their career start to get (a bit more) mellow. Sometimes this evolution is only marginal, sometimes a band is almost unrecognisable after a few albums. Abstracter evolved as well over the course of their albums. Instead of mellowing down their sound, they have evolved in another … Read more
Wye Oak have never made the same record twice, and on The Louder I Call, the Faster It Runs, it’s not about to change. Jenn Wasner and Andy Stack grow by leaps and bounds on each release, and this, their first proper studio album since 2014’s Shriek has them taking the synth heavy sounds of that record and Wasner’s excellent … Read more
Let’s get it out of the way: Believe the hype. All of Kacey Musgraves’s records are the real deal – slices of contemporary country that don’t sound like shit and hint at something greater and more progressive. Hint no more. Golden Hour is Musgraves best and most fully realized record, one that transcends country, or any genre really, with the … Read more
Hendrix takes the stage with his band—right-handed guitar upside down, LSD stashed in his headband, visions of blue baize fields and purple skies are immanent. The experience is underway. "Voodoo Child" ends, bongos rip, drums roll, Jimi feedbacks and chaos continues behind him. “Oh say can you see, by the dawn’s early light” Jimi’s acid wash jeans match his acid … Read more
Every once and a while there will be an album that pretty much levels the musical plane, one that becomes an earworm in the most serious of ways, rendering everything else kind of secondary. For me, right now, that is Cocoa Sugar by Young Fathers.It’s hard to classify exactly what genre the Edinburgh, Scotland-based group are, because they encompass so … Read more
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