William Fowler Collins is a very interesting experimental music producer from New Mexico, who specializes in creating abstract and majestic dronalities. Through the years he has released some excellent solo records, including Perdition Hill Radio and the amazing Tenebroso, and he has also appeared in collaborations with Aaron Turner (in their shared project Thalassa), Raven Chacon (in Mesa Ritual), avantgarde noise fiend Gog and shamanic sound designer Daniel Menche. Collins now returns with his first solo full-length since Tenebroso and once more focuses on the dark minimalism that drones can shape. For his new record Field Music, Collins finds inspiration in the history of the atomic bomb, with the album cover displaying the ranch where the first nuclear weapon was constructed. Collins dive further into the lore of this subject, also drawing concepts from his secular reading of the Hindu scriptures of Bhagavad Gita, which was famously quoted by Robert Oppenheimer. As a result, the guitars and electronics that produce the soundscapes of the new record feature a more ominous and threatening flavor, a feeling of dread and impending doom. In all his previous works, Collins features a cinematic narrative that journeys through the soundscapes of his tracks. Field Music … Read more
It’s ironic that an album entitled World’s Strongest Man should show Gaz Coombes at his most vulnerable, but that’s precisely … Read more
Taking a page from bandmate Jonny Greenwood’s songbook, Radiohead’s Thom Yorke has thrown himself into the breach of film scoring … Read more
Starcrawler vocalist Arrow De Wilde is one of the most arresting vocalists I’ve had the pleasure of witnessing in the … Read more
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Formed by Khanate's vocalist after the demise of the legendary drone band, Gnaw doubled down on the extreme sound of Khanate, filling the drone/sludge hybrid sound with noise injections and industrial pacing. This post-apocalyptic vision was first introduced through This Face, a wretched work of heavy, experimental music, containing all the extreme weight, glacial pace and misanthropic philosophy the band could muster. This path was further explored with the follow-up album, Horrible Chamber, another testament to the band's sadistic approach when it came to extreme music and sonic tolerance. Cutting Pieces now arrives, signaling Gnaw's return after four years. With the line-up extended now to feature the great Dana Schechter (Insect Ark, ex-Angels of Light) on lap steel guitar, next to usual suspects Alan Dubin, Brian Beatrice, Carter Thornton, Eric … Read more
Roll Credits is an 8-song “mini-album” homage to the classics. Night Birds--the now veteran band of 10 years--says it was made thinking of short-play classics like Negative Approach’s Tied Down and Minor Threat’s Out of Step. Short, fast, loud.It’s a good starting point for their approach, but first, more about the release. In addition to being a 12” EP, Fat … Read more
Regardless of which band Maynard James Keenan is recording, promoting or touring with - he is usually the one unfairly maligned for holding up the proceedings, but make no mistake...A Perfect Circle is the brainchild of guitarist Billy Howerdel. And until he was ready to record again (in this case, 14 years after the band’s previous effort, Emotive) - it … Read more
This deviant punk/industrial hybrid sprout onto the scene in 2014 with their EP Gentrification I: The Morning After the Night We Raped Death, introducing their aggressive, noisy and extravagant sound. However, it was their debut record End Position that saw them produce a succinct and complete offering presenting their full vision. Street Sects arrived with an intense and furious perspective, … Read more
2017 saw the release of Dödsrits' self titled debut album. I was impressed by the quality that I discovered on that album. Had I found it earlier it would have made my yearlist, no doubt. It is also an album with staying value. I still come back to it on a regular basis. I could not be happier to hear … Read more
The fanfare that surrounded 2014s The Satanist was not an unwarranted reaction and for Behemoth it marked a significant turning point. Hailed as a modern classic almost immediately and allowing the Polish band to reach the upper echelons of the extreme metal scene with huge tours both in Europe and America, headlining festival appearances where they played the record in … Read more
Boston’s Fórn have been making slow, emotional music that rips your heart to pieces since 2012 and in that time the band have progressed into an entity that can make a simple guitar phrase induce introspection on a massive scale. “Manifestations of the Divine Root,” the first track after album intro “涂地,” places gorgeously fluid guitar lines alongside Chris P’s … Read more
Across the board Maniac reminds me of several bands. The vocal timbre of lead vocalist Zache Davis recalls Mark Ryan (Marked Men) and so does the rhythm section, though it’s not nearly as hyper. Justin Maurer, who also picks up the mic at times, has a darker tinge to his songs. The tempo is fast, I guess you’d say in … Read more
Four sixes, four fists, two rappers and some punchy production that’s equally space age and heavy hitting. It’s my own interpretation here, but the group name is more a reference to solidarity and kinship between rappers P.O.S and Astronautalis than it’s a statement of anger or frustration. The group is built on the fluid, and often laid-back raps of Astronautalis … Read more
Editors first appeared as part of the British indie music scene in 2003, when there was a swell of guitar bands dominating the charts. They released their Mercury-nominated debut album The Back Room in 2005, which has endured over the years thanks to its anthemic songs and dark lyrics, and since then their albums have traversed genres and attracted an … Read more
Tristan Shore, the man behind the Author & Punisher project, has been on a warpath since the release of his debut, self-released record The Painted Army. By drawing inspiration from his background as a mechanical engineer Shore has created his own range of instruments for Author & Punisher, his infamous Drone Machines. As a result, these machines have allowed him … Read more
Last year White Russian Records made me very happy by releasing Travoltas’ comeback album Until We Hit The Shore, which ended up being my favourite record of last year. Next to a couple of interesting up and coming bands White Russian Records is now releasing another comeback album of another Dutch punk legend: I Against I. Legendary in part because … Read more
Monika Khot has been exploring the realm of experimental music both as one half of the avant noise/prog duo Zen Mother, but also with her solo project Nordra. Just last year, Khot released her self-titled record through SIGE, displaying her adventurous ethic towards electronic music. Now SIGE turns back the clock and presents Nordra's first work in Pylon II, originally … Read more
There’s angry music that’s angry in tone, and there’s angry by trope. Chain Whip is just plum angry. When Josh shouts, the first instinct is to take a step back and watch for spit. It’s blunt, brutal and literally in your face. This EP rips through 5 songs in 6 minutes. While it’s all short, fast, and loud, it’s also … Read more
Austrian touring machine Astpai are ready to release their sixth full length album unto the world. Astpai has held a low profile recently. Their previous album Burden Calls is from 2014. Ok, there was 7” somewhere between these albums, but still. Astpai once started out as a punk band in the Strike Anywhere camp. Over the time this band has … Read more
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