ALBUM HIGHLIGHTS – “Brand New World”, “12 Strings and Tambourines”, “Adams Street”, “Temple of Madness” It’s rare to find these days. A band (or maybe supergroup, in this case) that defies all genre boundaries and just…creates. Alfie Agnew (Adolescents, D.I.) and Sean Elliott (D.I., Mind Over Four) are familiar names from Orange County’s early 80s hardcore and psych-punk scenes, but first teamed up as a multi-instrumental duo in 2014 (Agnew is actually a maths professor for Cal State Fullerton by day, presumably rendering Elliott the “madman”). A year into this partnership, whilst playing in Southern California, who should they spot watching them in the crowd? None other than Rat Scabies (The Damned, the Sinclairs, the Mutants, One Thousand Motels). Not missing their chance, the “opportunistic bastards” – as Rat affectionately refers to them – quickly snatched him up and later, via Facebook, drafted in bass ace Paul Gray (the Damned, Eddie and the Hot Rods, UFO) to secure one of punk’s trustiest rhythm sections of all time. The Cali pair were both fans of the first Damned album, but it was The Black Album that really cemented their affinity with the band, thanks to its longer, diverse experimental pieces. Agnew … Read more
On the tail end of Autogramm’s 2018 tour of Mexico (what little I remember of that week now is a … Read more
I feel like this may be the first 12", 10-song release in my collection from Real Numbers, a dreampop meets … Read more
The one-man band of Alien Nosejob continues to crank out short, angry hardcore in quick bursts. I've lost count of … Read more
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This has been one of the hardest reviews I have ever written simply because I do not like this album whatsoever, yet I still feel compelled to review it. Instead of writing a wordy explanation let me draw out a Comeback Kid timeline for you. 2003: Turn It Around is released on Christian label Facedown Records. Record is embraced by hardcore community and band gains huge following. 2004: Hardcore kids realize Facedown is a Christian label and assume that Comeback Kid are a band of bible humping maniacs. They proceed to throw their "Turn It Around" CD's into the nearest garbage can. Metalcore kids (who tend to be a tad slower by comparison) start hearing about Comeback Kid due to the horrible roster of Facedown Records. Said metalcore kids start … Read more
ALBUM HIGHLIGHTS – “Bright Eyes of Gold”, “Give Me Dirt”, “Long Tooth”, “Fools Like You” Almost exactly two years ago, on 8th August 2024, Cancer Bats played Conne Island in Leipzig – a choice they would live to regret. Unbeknownst to them at the time, the centre had slowly become renowned for its radical politics and, more recently, the ban … Read more
When I saw The Dead Milkmen at Toronto’s Diamond Club back in the late 1980s, the floor was a volatile, beautiful mess of colliding subcultures. It was like different species of house flies bumping into one another, wondering what the hell you were doing in the mason jar. You had suburban high school pocket-pen-protector pencil-neck nubile nerds, college radio snobs … Read more
ALBUM HIGHLIGHTS – “Come Over, Do Me Wrong”, “The Sweet Goodbye”, “I Have to Shine My Sunday Shoes”, “Crucify!” Opus Kink sound like nobody else. To call them “jazz punk” is to massively oversimplify it. In fact, there’s not much traditionally “punk” about them. If anything, it’s “noise rock”, but with traces of almost every other genre you could name. … Read more
I never got very into Screeching Weasel and the extended family tree. Ignoring the politics of the matter, the music never really hit that sweet spot for me either. But Sludgeworth were an exception. The band released just one album, that I discovered at least 10years after its release, but seemingly disappeared -- only to resurface after a 2022 reissue … Read more
Rating: 🍸🍸🍸🍸🍸🍸🍸🍸🚬 / 10 (8 Tipped Martini Glasses and a Cigarette) Remember that movie Fantastic Voyage, where a miniaturized submarine gets inserted into a person's bloodstream on a mission to clear a blood clot in the brain? Well, consider yourself in luck: I’m infiltrating your brain with my own fantastic journey with Social Distortion, which goes all the way back … Read more
There are plenty of supergroups that exist largely because of the names on the marquee. Big Circle feels different. While Glenn Mercer (The Feelies), Mike Watt (Minutemen, fIREHOSE), Dave Weckerman (The Feelies), and Dan Francia (Speed the Plough) all bring decades of musical history to the table, this debut EP isn't interested in nostalgia or individual spotlights. Instead, it succeeds … Read more
I’ve been reading Cory Doctorow’s latest book “The Reverse Centaur’s Guide to Life After AI” a scathing review of the current state of artificial intelligence wherein he seeks to pop the AI bubble. In the book’s central metaphor Doctorow identifies the centaur as someone whose work is improved upon by technology vs the reverse centaurs who are competing with and/or … Read more
There’s a form of folk punk that treats every song like a drunken campfire confession with all its ragged shouting and romanticized self-destruction. Then there’s the version that feels mature and more reflective. It’s less interested in glorifying collapse and more concerned with figuring out what comes after it. Kyle Burnett’s Glory Days firmly belongs to the latter category. Best … Read more
“Rufio?! Like from back in the day Rufio?” Those were the words out of my mouth while claiming my next review. I wore out Perhaps, I Suppose as a teenager and my curiosity piqued. It has been 25 years since that album was released and 16 years since we have heard from Rufio at all. Regardless of these facts, we … Read more
The self-titled album from Oddfellows was a long time coming. As in, the band formed in 1994. Now in 2026, they return with founding members Chris Pulliam, Mark Ryan, and Mike Throneberry, plus new addition Peter Salisbury to release their debut album just 32 years later. This lineup means you're going to get a Marked Men reference right away, but … Read more
I don’t remember how, but I stumbled across Chicago’s Cel Ray in 2023 on the heels of their debut EP, Cellular Raymond. I was immediately hooked. After another EP and a single, the band finally brings us their debut long player, Cel Rayzer. To no surprise, it’s excellent. Cel Ray plays a brand of post-punk that’s lo-fi and streamlined. Singer … Read more
God loves Nick Saloman, and from the heavens, the expulsion of the beloved archangel fell and spawned Horrorful Heights. A 20-track double-album behemoth. Eighty-eight minutes of musical mayhem. Who does that anymore? nobody. As they edit themselves down to make nice, safe Spotify playlists, Nick just dumps the whole glorious attic on your head like the wicked witch of the … Read more
For nearly forty years, Nine Pound Hammer have occupied a strange corner of American music that very few bands have ever managed to touch. They're too loud for traditional country, too country for most punk bands, too dirty for radio rock, and frankly too stubborn to care where anyone thinks they belong. That's exactly why Too Outlaw For Outlaw Country … Read more
There are plenty of bands capable of writing crushing death metal. There are plenty of bands capable of writing punishing hardcore. Very few can occupy both worlds without sounding like they're simply alternating between genres. Fuming Mouth have spent years refining that balance, and The Ringing Bell feels like the moment where every piece of their identity locks together. Anyone … Read more
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