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Various Artists

Tightwire / Canadian Rifle - Nietzsche
Red Scare Industries (2026)

Available in a black and white print gatefold sleeve, this is a 2-band, 6-song split 7". The gate fold is a nice touch to a classic split 7", complete with full lyric sheets. When the needle hits it's cleanly produced pop-punk in the vein of Lookout Records, built on crisp melodies and harmonies. While it's bright and sunny in sound, … Read more

Sweeping Promises

You Say I Romanticize
Sub Pop (2026)

What strikes me foremost about this record are the vocals. As the father of a 13 y.o. daughter I feel qualified to say that this person could be a pop singer. I mean I don’t really know what it takes to be one, although I’m sure that it’s more than a voice good enough to win a game show, I’ve … Read more

Moonraker

Me and the Bells
Punkerton Records (2026)

I have probably talked about this before, I knew of Moonraker through split EPs and things like that, but they didn't fully pop into my consciousness until The Forest. Me and the Bells, four years later, is their follow-up full-length and it continues the trajectory from that record while still capturing its own distinct vibe. Musically the band is heavily … Read more

Dreamwell

Hymns for the Denial of God
Prosthetic (2026)

Some records make their intentions obvious from the very beginning. They use the same structure that countless bands have for decades: verse, chorus, breakdown, payoff, and the blunt force of explaining what you are supposed to feel. Hymns for the Denial of God does something much more complex. It’s a series of difficult questions no one wants to answer, proposed … Read more

Wine Lips

TV Dinner
Stomp Records (2026)

ALBUM HIGHLIGHTS – “Leech”, “Semi Detached Furnished Home”, “Strip Club DJ”, “Static On The Radio” Toronto’s garage-psych punks Wine Lips bring us album number five. Aside from the awesomely colourful, off-the-wall humanoid artwork, TV Dinner takes a sharp turn from the sonically trippy toppings of previous entries – particularly 2024’s Mushroom Death Sex Bummer Party. Tracks are punchy fuzz-bombs, as … Read more

Psycho Beets

Horrendum
Trash Wax, White Riot Records (2026)

ALBUM HIGHLIGHTS – “Mam w sobie diabła”, “Zombie”, “Listopadowa noc”, “Porque te vas” Fancy some Polish psychobilly punk? Well, you’re in luck. This is for anyone who takes their classic rock ’n’ roll swing with a heavy dose of horror and dark Western twang, blending rockabilly elements with Slavic folk and chaotic yet mysterious post punk -– all as the … Read more

Manicdotes

Eight Lives Down
Independent (2026)

The chemicals are rushing right out of the gate on this one. You start with a cigarette and dive straight into Diphenhydramine (Benadryl, to the lay person) to calm your nerves from that nicotine rush. This album starts off with a raucous acoustic punk number that will leave you craving more. So, it’s a good thing it’s only the first … Read more

Maruja

Pain to Power
Music For Nations (2025)

ALBUM HIGHLIGHTS – “Look Down on Us”, “Born to Die”, “Break the Tension”, “Trenches” Ahead of their 100 Club appearance this September, Maruja’s latest release, 2025’s debut album Pain to Power – following a slew of six EPs, reveals awe-inspiring experimental rock clashed with muddy yet always melodious free jazz. Eclectic would be putting it mildly. In amongst all that, … Read more

Onelinedrawing

RAINBOWMACHINE
Iodine (2026)

I grew up listening to the acoustic side of onelinedrawing. Those stripped-down Jonah Matranga songs had a way of making everything else disappear, often needing little more than a guitar, a voice, and an honest melody to completely pull you in. That's still the version of onelinedrawing that immediately comes to mind for me, so with Matranga having been relatively … Read more

Professor and the Madman

Dreamworld
FullerTone Records (2026)

ALBUM HIGHLIGHTS – “Brand New World”, “12 Strings and Tambourines”, “Adams Street”, “Temple of Madness” It’s rare to find these days. A band (or maybe supergroup, in this case) that defies all genre boundaries and just…creates. Alfie Agnew (Adolescents, D.I.) and Sean Elliott (D.I., Mind Over Four) are familiar names from Orange County’s early 80s hardcore and psych-punk scenes, but … Read more

Chat Pile

Who Loves The Sun
Flenser (2026)

If Chat Pile were a film, they would be a dark thriller. The kind that builds tension until the end and, once we reach the third act, still might not ever show the killer. It's plodding and intense and, while I just pulled out a genre reference, the best thing about the band is how much they defy conventional musical … Read more

Generacion Suicida

Hombre Nuevo
Vitriol (2026)

On the tail end of Autogramm’s 2018 tour of Mexico (what little I remember of that week now is a lot of pulque and not a lot of sleep) I visited the one punk record store in CDMX that I found via googling where to buy bootleg punk t-shirts. I’d already visited Venas Rotas Discos earlier on the trip and … Read more

Karen Dió

Fugaz
Hopeless (2026)

Six songs. That's all Karen Dió needs on this EP. Considering the title translates roughly to fleeting, brief, or transient in Portuguese, maybe that's exactly the point. Dió's second EP doesn't hang around long enough to overstay its welcome. It arrives, makes a hell of a lot of noise, throws some gigantic hooks at you, and disappears. But there's considerably … Read more

Real Numbers

Was It Always This Way
Slumberland Records (2026)

I feel like this may be the first 12", 10-song release in my collection from Real Numbers, a dreampop meets jangle-indie rock band from Minneapolis. I'm not going to fact check my statement, because I mean it as a metaphor. Real Numbers play exactly what you'd expect based on my short description so far, but there's always something just a … Read more

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