Hopefully everyone reading this already knows that Eater was one of the early British punk bands. Forming in North London in 1976, Eater was one of the youngest bands in the burgeoning UK punk scene, with the members being aged 14-17 at the band’s inception. Eater issued a series of singles and one album for The Label between 1977-1978 before splitting up in early 1979. Their sole long player, aptly titled The Album, was underappreciated upon its initial release. Critics originally considered Eaters’ music as average and adolescent. Over time, the band and the album became more highly regarded as fans of the UK ’77 punk sound started digging past the Damned, the Buzzcocks and other better-known contemporaries to realize that Eater had a chaotic tunefulness and penchant for singalongs that early listeners didn’t quite catch. Eater has reformed a few times since their initial break up, with Andy Blade relaunching the band full time in 2022. Eater's latest archival release, Wasting Time – The Lost 1978 Sessions, features 4 tracks originally recorded for the band's unfinished second album. Blade recorded vocals and finished up the tracks just last year. Of the 4 tracks, fans will recognize an alternate version … Read more
Spark Of Life hails from LA and has been around since the early 2000s. Their debut album dropped in 2003, … Read more
Sunshine, Lollipops & Rainbows is a live studio recording from 1989, released on picture disc earlier this year on limited … Read more
Lutheran Heat have one of my favorite band names, a distinctly Minnesota tongue-in-cheek nod to local culture and mannerisms. But … Read more
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Finally. This record has taken forever to actually see the light of day. Rainer Maria is normally consistent (at least that is the way it seemed) with their time between releases. For those who are unfamiliar with the band, Rainer Maria is a three-piece based out of Brooklyn, New York by way of Wisconsin, and they play poppy indie rock. Catastrophe Keeps Us Together is their fifth and latest proper full-length album. It was produced by Malcolm Burn, who has produced Bob Dylan in the past. The production, by the way, is extremely crisp and well done. Catastrophe Keeps Us Together has several tiers of songs. There are the great ones like "Already Lost", "Life of Leisure", and "Clear and True". There are the good ones like "I'll Make You … Read more
Ava Mendoza appeared in the avant-rock scene in the '10s, and throughout the decade, she defined many works with her adventurous guitar playing and tonality. She made her mark through projects like Unnatural Ways, the trio with Tim Dahl and Sam Ospovat, and her split release with Sir Richard Bishop of Sun City Girls, Ivory Tower. Along her journeys, she … Read more
Calling themselves "Fevermooon," FVRMN is led by J Holmes and Suicides is the second album in as many years. In a broad summary, I thought Back To The Whip was like a drawn out Leatherface or Jawbreaker record. Similar gruff vocals, personal lyrics, but paced with slower tempos and longer songs. Jumping to the present, Suicides has captured the tone … Read more
I ramble, at length, about basically everything. Word limits fear me. My friends dnf my texts. I think I may have single handedly crashed Twitter. Straight to the point, I am not. However, in the spirit of things, I’m going to dive right in. Who Let The Dogs Out is Lambrini Girls’ first full length album. 11 tracks, 29 minutes, … Read more
Best thing about writing reviews is finding out about new stuff that I otherwise might not have heard. Also writing reviews for bands that aren’t friends of mine is pretty cool but when I hear a band I really like, like Sex Faces, it makes me want to be friends with them, I can't help it! I’m not even halfway … Read more
What does Unseemlier sound like? I've been mulling that question as I listen to I Have A Screw Loose, Somewhere for a while now. As I listen to more and more Sell The Heart releases, The band is from Boston, but seemingly influenced by late '80s DC. It's heavy, but more with hardcore-like vocals shouted over moving, building guitars and … Read more
I had a hard time starting this review. I can’t help coming back to the fact that it sounds like Marked Men. It does, maybe intentionally so, as Dilated is the second of Personality Cult’s albums that is produced by Jeff Burke of Marked Men and Radioactivity. But I don’t necessarily like to say a band sounds like another band … Read more
Her Head’s On Fire (NY, NY) and Arms Like Roses (New Haven, CT) team up on this split 7” with two new tracks (one each band) of post-hardcore tunes that are both massive and melodic in their own distinct ways. "Universal" is the track from Her Head’s On Fire. Recorded by the band’s guitarist Jeff Dean, "Universal" came from the … Read more
Dead Bars has a unique talent of taking the everyday, the experiences you see and live all the time, and shining a new light on them to make them personal and interesting. I've written about it before, yet it's my job to say this again and to make it interesting. It's what Dead Bars does, so it only seems fitting … Read more
Painkiller, the trio of John Zorn, Bill Laswell, and Mick Harris shows no signs of slowing down. The Great God Pan is their third full-length, since their reunion in 2024, and in many ways it is an unexpected offering. In keeping with their interests in the metaphysical realm, Painkiller find inspiration from the famed Arthur Machen horror novella. Here, the … Read more
Painkiller sees three absolute masters of extreme music join forces. John Zorn of Naked City and a billion other projects, Mick Harris who transcended from Napalm Death drummer to illbient guru with Scorn, and producer extraordinaire Bill Laswell. Their first two records, Guts of a Virgin and Buried Secrets are strange meditations traversing between free-jazz, grindcore and dub. Still hungry … Read more
The lazy approach would be to call Dauber "ex-Screaming Females," but that barely scratches the surface. If I had to pick one band to namedrop a comparison to, it would be labelmates Night Court. They play a familiar style but with a lot of quirks that set it apart from the genre standard-bearers. It's driving and energetic -- more importantly, … Read more
Aesop Rock has a reputation for esoteric and abstract raps. It's certainly an earned reputation, but that background makes it interesting when you peel off the layers of his latest, Black Hole Superette and realize that many of these dense songs are actually about the mundane: walking the dog, cohabitation... hell, even fishkeeping. While there's a lot of day-to-day routine … Read more
Haley Fohr's artistic vehicle, Circuit des Yeux, defies categorisation. Stamping the indie folk label on her was superficial, something dispelled easily once you have experienced the lo-fi distortion of "The Girl With No Name." It might be that under the layers of sonic disfigurement, a folk ethos is present in Fohr's narrative sensibility, but it is no longer the same. … Read more
Sometimes you can just hear the passion in a voice. ZEPHR is one of those bands. They defy convention a little bit, in that I associate gravelly voices with harsher, heavier sounds, but ZEPHR use sore-throat vocals to great effect with midtempo, emotional and melodic 3-chord chugging punk rock and some DC sound. In few words, it's raw, both musically … Read more
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