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Luxury Teeth

DCxPC Live & Dead, Vol. 3
DCxPC Live (2024)

There’s something inherently appealing about a record that doesn’t try to hide what a band actually sounds like. DCxPC Live & Dead, Vol. 3 captures Luxury Teeth in two very different settings and more importantly, shows that neither version feels like a compromise. Side A, the “Live” portion, was recorded at the Ottobar in Baltimore while opening for GBH, and … Read more

The Heads

Yourprettyplaceisgoingtohell
Independent (2026)

This record is a sprawling, smoke-covered, raging slab of feedback. After decades of lurking in the Bristol shadows, The Heads haven’t just returned with Yourprettyplaceisgoingtohell; they’ve brought the sound of the walls closing in as fingernails scratch at brick. It’s a dense, suffocating, and majestic mess of a record—a jagged middle finger to the sanitized, algorithm-friendly "psych" scene. I like … Read more

Lethal Limits

Elevate EP
GhettoBlaster Productions (2025)

The archival hunt for the "missing links" of first-wave California punk usually leads through a trail of grainy handbill Xeroxes and tape traders' overdubbed copies. But with The Flyboys, the story has always been a bit more elegant—and a lot more colourful. Long before they were swept into the gravity of the Hollywood scene, frontman John Curry was already performing … Read more

The S.E.T.

Self Evident Truth
Flatspot Records (2026)

Hardcore doesn’t need reinventing; just needs conviction. On Self Evident Truth, Baltimore’s The S.E.T. come out swinging with a debut EP that’s built on exactly that. It’s got groove, urgency, and a clear sense of purpose. Clocking in at around fifteen minutes, the EP wastes no time establishing its identity. From the opening moments of “This Chain,” it’s all forward … Read more

Dashed

Self Titled
Independent (2026)

When a band describes themselves as surf punk, it usually conjures a certain image. Reverb drenched guitars, sunburnt melodies, maybe even a sense of looseness that leans more carefree than chaotic. Dashed doesn’t really fit that mold. On their self-titled LP, they take those familiar elements and run them through something colder, sharper, and far less predictable. Across eleven tracks, … Read more

The Sleeveens

National Anthem
Goner (2026)

National Anthem is the second album from The Sleeveens, a Nashville, TN band fronted by an Irishman. The band play that perfect mix of protopunk and classic rock 'n' roll that's built on a verse/chorus/verse structure and melody without any frills. It's leather jacket music for the common folk. The debut grabbed me by my collar and spun me around … Read more

The Flyboys

Complete Flyboys 1979-1980
Frontiers Records (2026)

The archival hunt for the "missing links" of first-wave California punk usually leads through a trail of grainy handbill Xeroxes and tape traders' overdubbed copies. But with The Flyboys, the story has always been a bit more elegant—and a lot more colourful. Long before they were swept into the gravity of the Hollywood scene, frontman John Curry was already performing … Read more

Ultrabomb

The Bridges That We Burn
DC-Jam Records, Virgin (2026)

Ultrabomb just detonated. The Bridges That We Burn isn't some polite "heritage act" victory lap. It smells like a hand-rolled cigarette lit with a blowtorch in a damp Minneapolis alleyway. No reunion uranium glow here—just three lifers who’ve spent their lives in vans and aren’t interested in anything but the friction prediction. The DNA is legendary, but they aren’t coasting … Read more

Sweat

Tear it on Down
Vitriol (2026)

Tear It On Down is the third record from Sweat and it picks up where the last two left off. It's aggressive hardcore punk, but with a playful groove or swagger that really makes it feel uplifting, even when the content is not. Case in point: "Surveillance State," which rolls kind of like a call-and-response song, except that lead vocalist … Read more

Latchkey Kids

Years Of Summers
Pathetic Pinky Party (2026)

Growing up is rarely cinematic in real time but when you look back, it can feel mythic. On Year Of Summers, New Jersey’s Latchkey Kids frame heartbreak, identity, and grief through something closer to epic storytelling than simple emo confession. It’s a record that understands the drama of youth without romanticizing it. Frontman Hanny Ramadan positions the album as a … Read more

200 Words Or Less

Mental Gymnast

Mental Gymnast
Say-10 (2026)

Recipe: Mental Gymnast Self-Titled Creator: Mental Gymnast Cookbook: Say-10 Recipes Copyright: 2/27/26 Ingredients: 1 Very Ripe Adam Gecking on Vocals 1 Stick Unsalted Erica Clayton on Bass 2 Slices Scotty Sandwich (1 Slice Guitar, 1 Slice Drums) 1 Dash Chris Ruckus on Synths Directions: *Preheat the recording studio to 65 degrees. Add all of the ingredients together in “One Big … Read more

The Crosses

Outlier
Rushmor Records, Spectragram Records, Triple Eye Industries (2026)

There’s always a risk when a band forms out of legacy. Especially one tied to something as influential as Die Kreuzen. Lean too hard on the past and it becomes nostalgia. Push too far away and you lose the thread entirely. On Outlier, The Crosses manage to thread that needle, delivering a debut EP that feels less like a revival … Read more

Sealer

Sealer
The Ghost Is Clear Records (2026)

Some bands aim for controlled chaos. Sealer sound like they’re actively trying to lose control and then figuring out how to weaponize that moment right before everything collapses. Their self-titled debut lands somewhere between hardcore, noise rock, and something far less stable, pulling from each without settling into any one comfortably. From the opening seconds of “Seeing/Peeling,” Sealer makes their … Read more

Palette Knife

Keyframe
Take This To Heart Records (2026)

There’s a fine line between being a quirky emo band with scene references and something that actually sticks. On Keyframe, Columbus trio Palette Knife don’t just flirt with that line but sharpen it, name it after a Final Fantasy item, and build ten huge choruses around it. The band’s self-described “Nerd-Core-Mid-West-Emo” tag could easily read like a gimmick, but this … Read more

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