For nearly forty years, Nine Pound Hammer have occupied a strange corner of American music that very few bands have ever managed to touch. They're too loud for traditional country, too country for most punk bands, too dirty for radio rock, and frankly too stubborn to care where anyone thinks they belong. That's exactly why Too Outlaw For Outlaw Country works. Clocking in at only six songs, the release feels less like a stopgap between full-lengths and more like a mission statement. As the title suggests, Nine Pound Hammer have no interest in today's polished interpretation of "outlaw country." This isn't Nashville trying to manufacture grit. This is Kentucky-born, beer-soaked, barroom music made by people who've been living this life long before it became fashionable. The title track lands with all the confidence you'd hope for. Equal parts middle finger and celebration, it's an unapologetic declaration from a band that's spent decades refusing to soften its edges. "Burn The Whole World Down" follows with the kind of snarling, hard-driving groove that reminds you why Nine Pound Hammer have always fit just as comfortably on punk bills as country festivals. The two covers deserve special mention because they never feel like … Read more
There are plenty of bands capable of writing crushing death metal. There are plenty of bands capable of writing punishing … Read more
Time Thieves, of Chicago, IL, bill themselves as power pop in the vein of The Rentals or Fountains of Wayn … Read more
When Horror dropped last year, it was well worth the privileged price of entering the collected world of The Mekons. … Read more
Six blokes who survived the Mark E. Smith sausage-squeezing meat grinder, plus a beautiful Blue Orchid for good measure. But … Read more
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After lying in bed with scenery consisting of drifting ceilings and absent eyelids, this year can finally end with a night of sleep soaked "z"s. Over three hundred days spent and not many left to live (for 2006) and FINALLY Sabertooth Zombie drops Midnight Venom: eighteen tracks of metallic hardcore that sound like seventy-two hours of no sleep and snakes tonguing with broken tongues. If you've been following Sabertooth Zombie since their initial demo dropped in 2004, you've been carrying around blue balls for two years. The wait was worth it. Instead of throwing together a bunch of tracks as an excuse to have a higher price and an excuse for a longer set, what we have here is a genuine full-length. The tracks flow together. Midnight Venom sounds like … Read more
Sometimes post-hardcore stops feeling emotional and just becomes noise for the sake of noise. If I Die Today understands that line better than most bands operating in this space. Their newest albume, I Felt Nothing is undeniably aggressive, messy, loud, and volatile, but underneath all the abrasion is a band with a very clear sense of purpose. This Northern Italian … Read more
Australian Neo-proto-punk garagerockers ECSR released 11 new songs in May without much, if any, fanfare and not as some marketing or PR stunt but because they seem to actually give zero fucks. If anything they are making a bit of effort to curb their success which includes multiple award nominations on their home turf including the Australian Music Prize for … Read more
This isn't a hologram dancing, marionette corpse, tap-dancing nostalgia trip. It’s a jagged pill, a necessary taser jolt. Jowe Head-- one of the sole surviving architects of the original Solihull Syndicate -- just dropped a record handling legacy like a hot, glowing BTU ember. An organ grinder’s monkey's comeback? Completely antithetical to reality, this is a well-orchestrated calculation of intelligent … Read more
Some pop punk records feel made for playlists and algorithms. They’re polished into oblivion, emotionally vague, and afraid to get messy. Silver Proof clearly didn’t get that memo. The Buffalo trio’s debut full length, Even If It Hurts, leans heavily into the emotional core of early 2010s emo pop and melody while still sounding energized rather than nostalgic. Across the … Read more
This EP released kind of suddenly, back in March, right before a bunch of stuff hit the fan in my life outside of SPB. Which means the EP felt sudden, but this review has been stewing for nearly three months with a lot of repeat listening along the journey. At eight songs in length, it's short but sweet, and as … Read more
The late, great Jay Reatard was a prolific master of rock n roll gems. Whether it be with his earlier budget-punk act of his namesake, Reatards, his synth-punk projects Lost Sounds and Angry Angles, or his solo material as Jay Reatard, Jimmy Lee Lindsey Jr. was an incredible songwriter. Those aforementioned bands are just a smattering of units he’s been … Read more
The Dwarves first cut me off on my path with their 1986 garage-rock debut, Horror Stories, on Voxx Records. Been a fan since. Over the forty years they've been around, some albums hit, some didn't connect as much. Their last main outing, Concept Album, bloated into a 26-song deluxe CD. Jenkem returns to familiar territory: 14 tracks screaming by in … Read more
Sometimes musical circles take decades to close. Just ask Fleur De Lys and their catchy cover of The Who’s '60s freakbeat rarity, "Circles." For those of us digging through dusty crates at the margins of post-punk, a first introduction to mid-century mystic Eden Ahbez didn't come from a Nat King Cole hit. It came straight from the liner notes of … Read more
F.Y.P is one of the rare bands that I'd say nobody sounds like -- but in the past two months I've caught myself making that comparison twice. First while listening to the new Dumpies LP (spoiler alert: they cover F.Y.P on that same record) and now as I listen to the Physicalist debut EP. The interesting thing here isn't the … Read more
When bands spend months slowly piecing together an album with cheap gear, limited time, and apparently an alarming amount of terrible beer, it’s kind of romantic. Not romantic in the polished indie film sense. More romantic in the sense that you can actually hear people chasing a feeling before life pulls them in different directions. That tension sits at the … Read more
Adam Steiner doesn’t just break the earth with a spade with this book; he actually digs deep into the fertile soil to enter the cobwebbed crypt. He approaches the catalogue like a forensic scientist examining the maggots on a corpse—meticulously analyzing the rot and the details of decay to chart exactly how long the body has been decomposing. He gets … Read more
Late 90s post hardcore and emo feels impossible to recreate now. That’s not because the sound itself is gone, but because the tension behind it was so specific to that era. Six Going on Seven’s Human Tears, their first full length in roughly twenty-four years, captures that feeling perfectly. Having a wonderful history by having done a split with Hot … Read more
I got kind of obsessed with reviewing this record after I heard the first single “Watching The Omnibus” which they released digitally earlier this year. I could probably just write a whole thing about how hard it was to get an advance download of it for review, but I try to keep my reviews positive so I will steer clear … Read more
The Cascadian Divide is a Washington state based melodic skate punk band that formed during the infamous COVID lockdown. Although it started as an experiment, it soon became a passion project for the band members. The band has seen its share of line up changes over the years, but the commitment to maintaining the sound and integrity of the band … Read more
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