This EP released kind of suddenly, back in March, right before a bunch of stuff hit the fan in my life outside of SPB. Which means the EP felt sudden, but this review has been stewing for nearly three months with a lot of repeat listening along the journey. At eight songs in length, it's short but sweet, and as deep as you'd expect from the combo of Aesop Rock and Homeboy Sandman. As a very casual indie hip-hop fan I'll come right out and admit that I don't know Sandman's backstory and have only heard him with Aesop. But I'll add that he gives Aes a run for his money. The man can flow and he can drop abstract lines with just enough pop culture flair to make you pause and hit that rewind button on your virtual music playing machine. Miami Lice 4 covers everything from frankenfood to misogyny to spirituality to puzzling and sports -- all set to synthy beats that give off equal parts stoner vibes, rave energy and sensory deprivation chambers. It's all over the place. It's everything, everywhere, all at once. And, against all odds, it works spectacularly. "Who Sent You?" is anxious and … Read more
The late, great Jay Reatard was a prolific master of rock n roll gems. Whether it be with his earlier … Read more
The Dwarves first cut me off on my path with their 1986 garage-rock debut, Horror Stories, on Voxx Records. Been … Read more
F.Y.P is one of the rare bands that I'd say nobody sounds like -- but in the past two months … Read more
When bands spend months slowly piecing together an album with cheap gear, limited time, and apparently an alarming amount of … Read more
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With their sophomore album, Sky Burial, Inter Arma released one of the best metal albums of the past year. Their style of playing brought to mind the earlier days of Mastodon and Baroness, but Inter Arma was not merely borrowing ideas from the two great acts. The vibe that Sky Burial had was much darker and bleaker than any of the works of the so called “progressive sludge” scene, with Inter Arma adding on top of all that their love for Americana, progressive rock as well as black metal. That was a recipe for success, no doubt about that. Today they are back with their EP, although length wise it could probably be still classified as an album, The Cavern.The forty-five minutes long song that Inter Arma is putting forth, … Read more
Adam Steiner doesn’t just break the earth with a spade with this book; he actually digs deep into the fertile soil to enter the cobwebbed crypt. He approaches the catalogue like a forensic scientist examining the maggots on a corpse—meticulously analyzing the rot and the details of decay to chart exactly how long the body has been decomposing. He gets … Read more
Late 90s post hardcore and emo feels impossible to recreate now. That’s not because the sound itself is gone, but because the tension behind it was so specific to that era. Six Going on Seven’s Human Tears, their first full length in roughly twenty-four years, captures that feeling perfectly. Having a wonderful history by having done a split with Hot … Read more
I got kind of obsessed with reviewing this record after I heard the first single “Watching The Omnibus” which they released digitally earlier this year. I could probably just write a whole thing about how hard it was to get an advance download of it for review, but I try to keep my reviews positive so I will steer clear … Read more
The Cascadian Divide is a Washington state based melodic skate punk band that formed during the infamous COVID lockdown. Although it started as an experiment, it soon became a passion project for the band members. The band has seen its share of line up changes over the years, but the commitment to maintaining the sound and integrity of the band … Read more
Twelve albums and more than three decades into their career, Jungle Rot remains one of death metal's most reliable institutions. While countless bands have spent years chasing technical excess, progressive experimentation, or whatever trend happens to be dominating the underground now, the Kenosha veterans have remained committed to a simpler mission. Writing memorable riffs, locking into crushing grooves, and leaving … Read more
Some instrumental records create atmosphere while others create movement. Fruits of the Decision Tree feels like it creates an entire environment. It’s unstable, mechanical, strangely beautiful, and constantly in motion. The solo project of Nick Skrobisz (Multicult, The Wayward), Overcalc exists somewhere between electronic experimentation, prog-level guitar precision, ambient drift, and full on sci-fi hallucination. Trying to pin it cleanly … Read more
The needle drops, and there’s no introductory sweaty handshake. Fangus doesn’t care for niceties; they’re ready to get down to brass-knuckle business. With their debut full-length, Emerald Dream, the Montreal quintet has exhumed a sound that feels less like a tribute to the early '70s and more like a master tape found rotting in a damp basement behind a stack … Read more
I’m assuming Midnight City is the “fictionalized New York-esque metropolis” where the band/gang members of Drakulas survive(d in the mid to late 70's;). It’s also the third album by this Austin TX based, concept driven supergroup. Not really sure if I’m supposed to out these dudes but their secret identities include members of Riberboat Gamblers, Rise Against, High Tension Wires … Read more
As far as I can gather Jeff Corso has been playing in bands in the Bay Area for the past 20 years but seems like exclusively hardcore until now. Full disclosure: I’m only reviewing this because Aesop from Hickey plays drums. That said, I generally only review stuff I like, so go figure. This doesn’t sound like Hickey but since … Read more
Dealbreaker popped onto my radar as part of a package tour with Pro Wrestling, who cold called me with a Penske File namedrop. This story is a bit of a Canadian roundabout, but their methodology worked: I listened to their music and dug it enough to review it. And I'm mentioning it because, at times, Dealbreaker reminds me of The … Read more
There’s a certain kind of band that never quite fits the moment they arrive in. Sometimes too jagged for one scene, too melodic for another. The Library Is On Fire were one of those bands in the early 2000s, hovering somewhere between indie-punk urgency and power-pop instinct without fully settling into either. On Degeneration Elegies, their first full-length in over … Read more
There’s a fine line between stripped down music and so stripped back that is sounds empty. On Mirrors and Smoke, Nicole Alexis lands comfortably on the right side of that line, delivering a debut EP that leans into simplicity without losing its emotional weight. Built around acoustic arrangements and minimal production, the EP feels intentionally close. It feels like these … Read more
There’s a certain kind of punk band that doesn’t overthink things. No reinvention, no genre-bending manifesto, just fast songs, big hooks, and enough attitude to carry it all. Indianapolis’ The Remote Controls lean hard into that tradition on Too Tough, a record that feels less like a statement and more like a well-earned victory lap. Built on a steady diet … Read more
For those of us who spent the mid-to-late 1980s navigating basement community halls, churches, and loveable, armpit-smelling dive bars, the name Die Kreuzen was a permanent fixture on the punk rock radar. They were the sound of the Midwest underground --too fast for the goths to do their spooky Bela Lugosi "shoo the bats away" interpretive dance, too technical for … Read more
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