Some pop punk records feel made for playlists and algorithms. They’re polished into oblivion, emotionally vague, and afraid to get messy. Silver Proof clearly didn’t get that memo. The Buffalo trio’s debut full length, Even If It Hurts, leans heavily into the emotional core of early 2010s emo pop and melody while still sounding energized rather than nostalgic. Across the record, the band pulls from the anthemic urgency of Knuckle Puck and the melodic weight of The Story So Far, but the songs never feel stitched together from obvious influences. There’s a sincerity here that keeps everything grounded. What immediately stands out is how committed the band sounds. Nothing about this record feels half-hearted or detached. Every chorus swings for something bigger, every guitar lead pushes itself slightly further than necessary, and every vocal line sounds like it’s being forced out in real time instead of carefully assembled in a studio. That kind of earnestness can either elevate a band or completely sink them. Here, it works in Silver Proof’s favor. The guitars carry much of the album’s momentum. Thick, melodic layers crash into sharper post-hardcore textures without losing their sense of immediacy. Tracks like “Polarity” especially showcase the band’s … Read more
This EP released kind of suddenly, back in March, right before a bunch of stuff hit the fan in my … Read more
The late, great Jay Reatard was a prolific master of rock n roll gems. Whether it be with his earlier … Read more
The Dwarves first cut me off on my path with their 1986 garage-rock debut, Horror Stories, on Voxx Records. Been … Read more
F.Y.P is one of the rare bands that I'd say nobody sounds like -- but in the past two months … Read more
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Interesting little slab we got sent to SPB by a Mr. Ed Young. Two originals and a cover, recorded in Jay Reatard’s living room back in 2005 as the title suggests. So that would be around the time of The Reatards’ Not Fucked Enough for anyone keeping track. Jay had apparently just switched from analog to digital recording but it didn’t change his production style- preserving the raw in punk rawk. Ed tells me they were really proud of the recording but couldn’t find anyone interested in putting it out at the time. “Too Punk for the metalheads, too rock n roll for the garage scene, etc…” My favourite thing about this band is that they’re from Normal IL. I feel like it should be the setting for the next … Read more
When bands spend months slowly piecing together an album with cheap gear, limited time, and apparently an alarming amount of terrible beer, it’s kind of romantic. Not romantic in the polished indie film sense. More romantic in the sense that you can actually hear people chasing a feeling before life pulls them in different directions. That tension sits at the … Read more
Adam Steiner doesn’t just break the earth with a spade with this book; he actually digs deep into the fertile soil to enter the cobwebbed crypt. He approaches the catalogue like a forensic scientist examining the maggots on a corpse—meticulously analyzing the rot and the details of decay to chart exactly how long the body has been decomposing. He gets … Read more
Late 90s post hardcore and emo feels impossible to recreate now. That’s not because the sound itself is gone, but because the tension behind it was so specific to that era. Six Going on Seven’s Human Tears, their first full length in roughly twenty-four years, captures that feeling perfectly. Having a wonderful history by having done a split with Hot … Read more
I got kind of obsessed with reviewing this record after I heard the first single “Watching The Omnibus” which they released digitally earlier this year. I could probably just write a whole thing about how hard it was to get an advance download of it for review, but I try to keep my reviews positive so I will steer clear … Read more
The Cascadian Divide is a Washington state based melodic skate punk band that formed during the infamous COVID lockdown. Although it started as an experiment, it soon became a passion project for the band members. The band has seen its share of line up changes over the years, but the commitment to maintaining the sound and integrity of the band … Read more
Twelve albums and more than three decades into their career, Jungle Rot remains one of death metal's most reliable institutions. While countless bands have spent years chasing technical excess, progressive experimentation, or whatever trend happens to be dominating the underground now, the Kenosha veterans have remained committed to a simpler mission. Writing memorable riffs, locking into crushing grooves, and leaving … Read more
Some instrumental records create atmosphere while others create movement. Fruits of the Decision Tree feels like it creates an entire environment. It’s unstable, mechanical, strangely beautiful, and constantly in motion. The solo project of Nick Skrobisz (Multicult, The Wayward), Overcalc exists somewhere between electronic experimentation, prog-level guitar precision, ambient drift, and full on sci-fi hallucination. Trying to pin it cleanly … Read more
The needle drops, and there’s no introductory sweaty handshake. Fangus doesn’t care for niceties; they’re ready to get down to brass-knuckle business. With their debut full-length, Emerald Dream, the Montreal quintet has exhumed a sound that feels less like a tribute to the early '70s and more like a master tape found rotting in a damp basement behind a stack … Read more
I’m assuming Midnight City is the “fictionalized New York-esque metropolis” where the band/gang members of Drakulas survive(d in the mid to late 70's;). It’s also the third album by this Austin TX based, concept driven supergroup. Not really sure if I’m supposed to out these dudes but their secret identities include members of Riberboat Gamblers, Rise Against, High Tension Wires … Read more
As far as I can gather Jeff Corso has been playing in bands in the Bay Area for the past 20 years but seems like exclusively hardcore until now. Full disclosure: I’m only reviewing this because Aesop from Hickey plays drums. That said, I generally only review stuff I like, so go figure. This doesn’t sound like Hickey but since … Read more
Dealbreaker popped onto my radar as part of a package tour with Pro Wrestling, who cold called me with a Penske File namedrop. This story is a bit of a Canadian roundabout, but their methodology worked: I listened to their music and dug it enough to review it. And I'm mentioning it because, at times, Dealbreaker reminds me of The … Read more
There’s a certain kind of band that never quite fits the moment they arrive in. Sometimes too jagged for one scene, too melodic for another. The Library Is On Fire were one of those bands in the early 2000s, hovering somewhere between indie-punk urgency and power-pop instinct without fully settling into either. On Degeneration Elegies, their first full-length in over … Read more
There’s a fine line between stripped down music and so stripped back that is sounds empty. On Mirrors and Smoke, Nicole Alexis lands comfortably on the right side of that line, delivering a debut EP that leans into simplicity without losing its emotional weight. Built around acoustic arrangements and minimal production, the EP feels intentionally close. It feels like these … Read more
There’s a certain kind of punk band that doesn’t overthink things. No reinvention, no genre-bending manifesto, just fast songs, big hooks, and enough attitude to carry it all. Indianapolis’ The Remote Controls lean hard into that tradition on Too Tough, a record that feels less like a statement and more like a well-earned victory lap. Built on a steady diet … Read more
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