Recent reviews

More album reviews

Fontaines D.C.

Dopamine Chamber
XL Recordings (2026)

ALBUM HIGHLIGHTS – “Tongue”, “Where Is Gone?”, “You Miss Me”, “Japan”If you’ve been here from the start, Fontaines D.C. will always conjure up gritty, political poetry and clashing, driving rhythms. Third album Skinty Fia, the defining breakthrough moment and fan favourite, gave them their first number one record in the UK and Ireland in 2022 – but can they improve … Read more

DeeCracks

True Nothing
Pirates Press (2026)

Let’s get crazy and out of control! That’s what the opening line of the album instructs us to do and I’m inclined to listen. I am new to the DeeCRACKS party and I’m not sure how I missed them. Celebrating 20 years in 2023, the band released 20 Years. A Frantic Effort, and I’m sure this newest release fully delivers … Read more

Massive Nightmares

Ain't My World
Black Numbers (2026)

Massive Nighmares debuted in 2024 with a short EP. Now they return with a full-length. The band plays a somewhat even blend of punk, emo, and alt-rock. As an example, check out "Up In Arms," which is like Dear You era Jawbreaker with a boost of power-pop and maybe some Lemonheads mixed in as well. While it's easily the poppiest … Read more

Contention

Nuclear Summer
Daze (2026)

Contention, I would argue, has spent the last few years at or near the top of the heap of the return to 90's styled Straight Edge Metalcore. I am being specific because there is no mistaking Contention's influences nor their message. This is a STRAIGHT EDGE band that is far more indebted to Morning Again that anything that uses a … Read more

A Secret Revealed

The Ruin I Summoned Forth
Lifeforce (2026)

There are albums that use heaviness as an assault and others that use it to create an atmosphere. On The Ruin I Summoned Forth, A Secret Revealed manage to does both. The German quintet’s fourth full-length is an enormous, bleak piece of post-metal, but calling it post-metal only gets you part of the way there. Black metal cuts through its … Read more

Time Spent Driving

Lost Leaves
Thirty Something Records (2026)

There's a particular challenge facing bands that came out of the late '90s and early '00s emo scene. You can recreate the sound people remember and risk becoming your own nostalgia act, or you can abandon it entirely and risk losing whatever made the band matter in the first place. Time Spent Driving choose neither on Lost Leaves. More than … Read more

Alien Chicks

Toys Taken at Birth
Alcopop! Records (2026)

EP HIGHLIGHTS – “5/4” & “I Killed Uncle Ben” Those who haven’t heard of Alien Chicks by now are sorely missing out. The Brixton trio have been consistently dropping singles and EPs since at least 2022, with funky frenetic energy and a sonic nebula of art punk, jazz, math rock, rap and a whole lotta noise. Released on 2nd October … Read more

Drink Deep

In Reverse EP
Thirty Something Records (2026)

Upon first listen, those close to my age and who may share similar musical tastes may suspect that Drink Deep might be a band from Washington, D.C. For starters, the band takes its name from a Rites of Spring song, wears its influences on its literal sleeves (a brief glance at their social media presence will reveal members wearing official … Read more

Uncle Acid and the DeadBeats

Shapes of Midnight
Killer Candy Records (2026)

Stoner rock is one of the most astounding and incredible genres emerging in the rock scene today. It's a global phenomenon with countless bands across the world, plus various subgenres such as desert rock, stoner doom and psychedelic (heavily influenced by the original psychedelic bands of the '60s and '70s). At the forefront of this genre and in the vanguard … Read more

Various Artists

Tightwire / Canadian Rifle - Nietzsche
Red Scare Industries (2026)

Available in a black and white print gatefold sleeve, this is a 2-band, 6-song split 7". The gate fold is a nice touch to a classic split 7", complete with full lyric sheets. When the needle hits it's cleanly produced pop-punk in the vein of Lookout Records, built on crisp melodies and harmonies. While it's bright and sunny in sound, … Read more

Sweeping Promises

You Say I Romanticize
Sub Pop (2026)

What strikes me foremost about this record are the vocals. As the father of a 13 y.o. daughter I feel qualified to say that this person could be a pop singer. I mean I don’t really know what it takes to be one, although I’m sure that it’s more than a voice good enough to win a game show, I’ve … Read more

Moonraker

Me and the Bells
Punkerton Records (2026)

I have probably talked about this before, I knew of Moonraker through split EPs and things like that, but they didn't fully pop into my consciousness until The Forest. Me and the Bells, four years later, is their follow-up full-length and it continues the trajectory from that record while still capturing its own distinct vibe. Musically the band is heavily … Read more

Dreamwell

Hymns for the Denial of God
Prosthetic (2026)

Some records make their intentions obvious from the very beginning. They use the same structure that countless bands have for decades: verse, chorus, breakdown, payoff, and the blunt force of explaining what you are supposed to feel. Hymns for the Denial of God does something much more complex. It’s a series of difficult questions no one wants to answer, proposed … Read more

Wine Lips

TV Dinner
Stomp Records (2026)

ALBUM HIGHLIGHTS – “Leech”, “Semi Detached Furnished Home”, “Strip Club DJ”, “Static On The Radio” Toronto’s garage-psych punks Wine Lips bring us album number five. Aside from the awesomely colourful, off-the-wall humanoid artwork, TV Dinner takes a sharp turn from the sonically trippy toppings of previous entries – particularly 2024’s Mushroom Death Sex Bummer Party. Tracks are punchy fuzz-bombs, as … Read more

• First
• Previous
• 1 (current)
  Page 1 of 312
• 2
• …
• Next
• Last