Volume 22 of DCxPC Live, a live album vinyl record label for punk, hardcore, ska and metal bands, features Sticky Steve, Borrowed Sparks, Jacob Danielsen-Moore and Dougie Flesh and the Slashers. This iteration leans heavy into folk punk and psychobilly sensibilities. Think Laura Jane Grace if she was obsessed with Spirit Halloween and B-horror movies. The vinyl itself didn’t seem to mind my near death, rescued from a dumpster, record player so that’s already one major pro for the album. I don’t know if it’s just me, but physical albums covers catch my eye far more than the digital ones. This could be my poor vision talking but the tiny squares on Bandcamp and Spotify don’t do much for me. DCxPC Live: Vol. 22 keeps things simple in black and white with each bands’ stylized logo emblazoned on the front. The clash of styles and fonts makes it feel like the gig poster for a bill of local bands at your favorite dive bar. Content wise the album is split evenly in four- each group performing three songs. First up, Sticky Steve. Opener ‘Cathedrals’ includes a spoken word intro and warm acoustic guitar. It’s very Against Me! But it’s also … Read more
Some artists slow down as they get older. Who knows if that’s because of day jobs or family or something … Read more
One of the rare instances of a band getting more raucous with time (and success), Mannequin Pussy’s third studio album … Read more
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Sound the Alarm is the latest in a crop of super-young musicians getting a major label deal. And on their debut full-length effort, Stay Inside, they serve up twelve tracks of pop-rock with an emo tinge that bring to mind acts like Jimmy Eat World and The All-American Rejects. And while the first couple of songs of this album had my head bobbing along, I must say that by the time I hit the midway point, I was rather bored. The sound is very formulaic and doesn't stand out one bit. I'd heard this band a hundred times before I even heard them for the first time. And while this isn't the band for me, if you're a teenage girl you'll probably fall in love with the lead singer and … Read more
“I’m a real band!” When you write about an artist a billion times, sometimes your head goes to strange places -- leading to references that probably only make sense inside your own head. With Par For The Curse, the third album from the Todd Congelliere founded project, Clown Sounds has evolved from solo origins to a collaborative effort. The results … Read more
There are a lot of ways to find new music, from word of mouth to opening acts to algorithms. For the better part of the last 20 years, The Fest has been a way I’ve discovered new artists. One the biggest surprises for me at FEST 21 was The Dreaded Laramie. With a name that makes with think Wyoming and … Read more
Post Scriptvum’s works are defined by their hypnagogic quality, and ability to construct a harsh dreamscape and lead the listener through. Take the start of their newest record, Eisstoß, as an example. “Frazil” unfolds slowly, the beeping sound mimicking a faraway radar trying to slowly cartograph the unknown space. This anchoring quality is vital in any noise and power electronics … Read more
No Future are unleashing their debut record, following many short-fused, chaotic EPs and demos. The hardcore punk band from down under subscribes to the genre’s noisier, most extravagant, and brutal sub-division. Mirror’s energy is outright belligerent, capable of inflicting maximum damage with its minimalistic tendencies. The electrifying effect of “Silent Morality” is explosive, with a hi-hat sound capable of literal … Read more
You should never judge a band by their name alone, but it’s impossible to ignore it too. Carly Cosgrove is an emo-style band that chose a band name that sounds like a person’s name -- it seems to be a long-running tradition in the genre. I point that out because Carly Cosgrove the band has a lot of traditional elements, … Read more
Extinct is a meeting of giants, seeing the breakbeat-fueled leftfield industrial electronic of Meat Beat Manifesto clashing with the noise onslaught of Merzbow. As the first of the record’s two tracks, “¡FLAKKA!” settles in, it is the intricate and layered rhythmic backbone of MBM prevails, setting the tone. It is a post-club application, the staggered percussion forming complex structures and … Read more
Grumpster is just one of those bands. The first record caught my attention, the second was a “whoa” moment, and now it’s already album number three, five years later. It’s been a relatively quick progression and there’s a big jump in sound between the first and last albums, but it’s also linear and it makes sense. The band come from … Read more
Calling your record Past Our Prime and then having a song named “Past My Prime” is messing with my head as I write this. But while there is no arguing that SPELLS are a self-aware band, that’s about as much as they’ll really mess with the listener on this record, titled (again), Past Our Prime. Musically speaking, the band play … Read more
We Are Horror Records are back, after a brief hiatus, and are better than ever. To celebrate this fact label founder, Dan Phillips, has truly outdone himself and put together the third bloody horror-fuelled instalment of the Horrorpunk's Not Dead compilations. These compilations are the finest collection of what's what and who's who from modern horrorpunk today. Volume 3 boasts … Read more
Doctor, Doctor give me the news…. Some of you might pretend you don’t have a winking brown starfish on the bottom of your nether region but Urgent Care is here to tell you that Colonoscopies can save your life. Get your pack of Pico-Salax and let the chocolate fountain bubble and flow. The colonoscope is a thin catheter with a … Read more
On her second solo album Laura Jane Grace throws back, looks ahead and reminds us why we should be grateful for the present. Against Me! frontwoman Laura Jane Grace released her solo album, Hole In My Head, earlier this year. A foil to pandemic times Stay Alive, it reaches out with retro tinged punk tunes that catapult her from sounding … Read more
Sex Organs is a duo based between The Netherlands and Switzerland, formed by members of The Anomalys and The Jackets who play scuzzy garage-punk while dressed as genitalia. Obviously, it’s a gimmick where the band has a focus on their fun, sex positive message rather than breaking new artistic ground. That’s a short way of saying this record reminds me … Read more
Something about this guitar tone always picks me up. Add in the raspy vocals and it really only takes me a few seconds into this record to know that Distants are my kind of band. Honestly, I’ve seen them before too, so I already knew that, but that was just a half set at The Fest, not a deep dive … Read more
As a generalization I’d call vacation garage-punk, but the band has just as much grunge to their sound as those other styles -- and a whole lot more too. It’s raw ‘n’ straight-forward rock ‘n’ roll in a balance that pulls from the classic structures, balancing emotion and fuzz within melodic and building structures that ebb and flow for powerful … Read more
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