Kreiviskai's origins are deeply rooted in the neofolk sound and ethos. Their debut record, Zemmis : supnãi, focuses on the musical lineage of Tver, embracing the traditional instrumentation to produce a somber and moving piece. Their follow-up record, Nonregnum expands outward, focusing on various historical events and introducing further influences. The pull of neo-classical is palpable, while the abrasive industrial and darkwave sounds also appear. Thus, we have arrived at this year's Motinai, a record that looks even further than its predecessor, while at the same time paying homage to tradition. The foundation still lies in the folk tradition, the final part of "Creation" slowly blossoming toward a powerful crescendo. In this mode, Kreiviskai are formidable, stripping down to just an acoustic guitar, vocals, and drums to produce some of their most moving moments. The start of "Anthropocene" holds this deliberate procession and movement. It is this exact modus operandi that Kreiviskai can then morph into a tribal manifestation. Here, they are guided by Wardruna's precision; their percussive mathematical dedication is hypnotic through "Old Europe." Still, Kreiviskai move further away from the Scandinavian heritage, and dig their heels in the Slavic sphere through the bayan in "To Horizon." It builds … Read more
The debut album from Florida punk band Miller Lowlifes features a vintage baseball theme, best enjoyed with a can of … Read more
Few bands have as fitting a name as The Slow Death. They play forlorn, self-deprecating punk that’s heavily influenced by … Read more
People in the indie punk scene in Canada can usually be linked by six degrees of separation. I’ve never met … Read more
The Raging Nathans are a unique band. They play '90s influenced punk that checks a ton of familiar boxes. It … Read more
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This trio of sweetness comes from the Northeast and resides in a place called Providence, Rhode Island. Dave Martinka (guitar/vocals) and Jay Mayoh (drums), after playing in bands off an on in high school got together with bassist Hilary Jones, who played guitar in two previous bands. She had been a frequenting customer at a local guitar shop where she was asked to join Sweetthieves. Everything worked out and the trio has been together since the summer of 2003. Sweetthieves are an experimental indie-rock band bringing together the rawness and production of bands like Shellac, The Jesus Lizard, Slint, and Drive Like Jehu, all while combining beautiful intricate melodies into the mix. Jones and Martinka are dual vocalists, they go back and forth with each other, and when Jones layers … Read more
Rodeo Boys play in the punk circuit but there's so much going on in their music. I'll broadly summarize it as guitar music. This description, of course, might be biased from my first impression when I caught the last 5 minutes of a set at Fest which was basically just Tiff Hannay shredding on the floor in an impressive close … Read more
What makes a gruff vocal melodic punk band stand out? That's the question I'm asking myself as I listen to Errth's debut on repeat. I've been playing this record for probably a month straight and I dig it. It checks the heart-on-sleeve style I enjoy but I'm struggling to figure out why, exactly. I think on this, it's the tones … Read more
If you read enough press releases, you start questioning if you even know what genre names mean. Post-punk has been one of the most abused terms of the past 2-3 years and it seems to mean wildly different things to different people. To me, it’s always meant an ear for angular guitars and noise atop more traditional song concepts. 1186 … Read more
Li Jianhong's philosophy surpasses the direct relationship of a musician with their instrument of choice. Instead, Li has advocated for Environment Improvisation, where the urge to create and improvise is established by the artist's surroundings. Looking at Li's website you can find numerous instances that inspired him to settle down and start improvising, drawing energy from the surroundings. The music … Read more
Some reviews are written after years of listening to a band and knowing nearly everything about them. Sometimes I listen to a record on repeat for weeks before I even look up the correct song titles – Deseos Primitivos (Primitive Desires) is the latter. This promo came to SPB as literally a one sentence quote about the band and its … Read more
I wanna say the first time I heard Brooklyn NY’s The Men was back in 2010, ironically around the time I moved back to Vancouver, Canada from Brooklyn. I don’t recall having seen or heard of them when I lived there but that is not surprising. One of the reasons I moved back was that I wasn't going out much. … Read more
Life ain’t so easy in the detention home- Dead Boys. Emerging from the underbelly of Jersey, made up primarily of three brethren. Raised on rock and roll and sipping from the chalice of early punk rock stalwarts like Da Bruddahs from Queens, Hey Ho! and the Pistoleros of Sexual Nature screaming banshees from across from the large pond. Thus forging … Read more
Semi-feral punk outfit NightFreak are back with a self-titled LP filled with breakneck riffs and 70s metal bombast. The Chicago group haven’t slowed down since 2022’s Speed Trials but they have filled out. NightFreak the album is lousy with warm back beats and melodic guitars; although, hardcore vocals and tight drums still reign supreme. Album opener “Blackout” is dead serious … Read more
I’m pretty sure I became aware of Mike Krol when The Whiffs posted about playing some shows with him. Krol is a bit of an anomaly. Not only is he on Merge and collaborates with Mac Superchunk- a dream scenario imo- but he’s also been elusive of my fan boy attempts at cold dm’ing him about stuff even tho we … Read more
I get a lot of music here at SPB and, unfortunately, my memory isn’t perfect. But I consider it a good sign when my first thought on hearing a new release is that, “Hey, I need to go back and relisten to the last one again.” It’s not a slight about the old stuff at all, but it means they’ve … Read more
When The Sketch opens, I find myself quickly thinking of “Got The Time” by Joe Jackson. For the most part, that comparison fades by the time the power chords kick in at 10 seconds, but I also bring it up because (at least in my mind) that’s a classic track that doesn’t get enough fanfare. No artist wants constant “sounds … Read more
The great American experiment has a wide range of experiences, but it tends to focus on the coasts. There are countless dystopian pieces of art, often culling from a Warriors-esque concept of urban grit. Chat Pile play dystopian, brutal noise-punk, but from a distinctly middle American point of view where instead of civilians shadowed under dense skylines, their anonymity instead … Read more
If I have to give the elevator pitch, I’ll call The Anomalys garage rock with an ear for surf and psyche rock -- turned up to 11 and blasted through blown out speakers in an old 1980s sedan. It’s high-energy, no-frills rock ‘n’ roll with attitude. While it’s short, loud and fast, there’s also quite a bit of nuance and … Read more
Pinhead Gunpowder began in 1990, recording a 7” in 1991. The band last released a 7” in 2008… Until late 2024 when the band returned with the 14-song full-length Unt. So congratulations if you had “we get a new Pinhead Gunpowder record before a new D4 record on your bingo card. (These two bands released a split 7” in 2000 … Read more
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