There are a few basic moods to punk. American Television fall into the singalong category. This is short, fast, and predictable melodic punk – and I don’t even slightly mean that in a bad way. Scars tears through 10 songs in probably 20 minutes, balancing whoa-ohs, harmonies and punchy power chords. It all culminates in “Bittersweet” with a refrain of “Broken bones and boiled blood/ Still I come back for more.” It’s about living in a harsh world and finding resolve to come back day in and day out. Like most modern pop-punk it’s about finding time to celebrate the good times amidst the ongoing struggle. Yes it’s poppy, but the songs have real meaning from an adult perspective that balances personal experience with universal emotions. Think a base of Descendents mixed with some Off With Their Heads-like big choruses and a dose of Plow United energy. One thing that really makes this record work is the powerful vocals from Steve Rovery. He’s actually singing, but it’s harsh and enthusiastic, layered atop those big chords in a ‘90s-style mix that puts the vocals at the center. The instrumentation sets the mood but it’s the emotive impact from the microphone that … Read more
Raspberry Bulbs are an act that is seemingly allergic to bullshit. Since their inception, they have bounced between different scenes … Read more
Oh, hail Richmond, Virginia !. Occasionally regional bands became lauded on compilations for greedy grabbing sweaty secretive nerdy evil record … Read more
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Ryan Groat should be presented with some sort of award for the riffs he came up with on The Most, Down to Nothing's third full-length and first for Revelation Records. Seriously, not only are the riffs thundering and inventive, they get stuck in your head for weeks, even months on end. Mr. Groat I award with this Riffy for Most Mosh Compelling Riffage on a Hardcore Album for 2007. Before the release of The Most, Down to Nothing was always a band that was almost there with me. They were always just one good song shy of greatness or just one mosh part away from me to be fully into them. Down to Nothing's first two album, For the Birds and Splitting Headaches always showed some promise but always got … Read more
The line between dark ambient and dungeon synth has always been blurry. Since Mortiis’ departure from Emperor and his stellar, first-era works in Født til å Herske and Ånden som Gjorde Opprør, many have traveled the same path. Amongst the newest additions to this merry group is Old Tower, the obscure project from the Netherlands. Since the mid-10s, Old Tower … Read more
You know those bands whose music you enjoy, but each record sort of sounds the same, just a little fresher? Well, Cheap Grills is the third LP from Sincere Engineer and it continues exactly as you’d expect from the Deanna Belos led band. The first five seconds of the album feature the lyric, “I’m a walking open wound,” in her … Read more
The History of Metal and Horror is an extensive dip into a world where two defining genres of audio and visual come together so perfectly it's difficult to imagine one without the other. Music and film have had a long and happy marriage and both play a big parts in each others existence . Rom Coms and pop music, action … Read more
Most music fans were stunned when Joe Strummer passed away in 2002. I’d recently skipped out on a Mescaleros show, thinking I had plenty of time to see the legendary musician. I honestly wasn’t all that into his work with the Mescaleros at the time, but Streetcore is one of the records of that era that’s still in heavy rotation … Read more
Grischa Lichtenberger’s works are defined not only by their experimental foundation but also by relentless energy. Be it through glitch and EBM components, or jazz injections, there always is a volatile core. This is now changing with Works for Last Work. While the abstract mindset still defines Grischa as an artist, this time around it is applied over a minimal … Read more
Making their first appearance in 2007 with The Other Side of the Island, it felt like The Stargazer’s Assistant would just be a one-off. Luckily, David Smith, David Knight, and Michael J. York found something worth revisiting through the drone and ambient layers of their early release. Returning with their third record since 2016 in Fire Worshipper, The Stargazer’s Assistant … Read more
I saw Spanish Love Songs before I ever dove into their catalog. And it was immediately clear they’re the type of band where fans really connect, singing along to every word, not just the choruses. In truth, the band doesn’t really use choruses much, but that’s not really the point here. Their sound is rooted in melodic and emotional midtempo … Read more
It is always difficult to balance between creativity and immediacy. For Jason Anthony Harris, and his project Public Speaking, this is a much-welcomed challenge. Indeed, Harris’ new work An Apple Lodged In My Back does not shy away from its pop sensibilities. As “Swollen Feet” comes in, the soulful and intimate approach usually produced by mainstream artists comes through. It … Read more
There can be many reasons to pick an album to review. Sometimes it is the description, sometimes it is a connection with another band and sometimes it is the artwork. Upon seeing this for the first time I thought: “This better be good, ‘cause artwork like this deserves something good!”. This thought got stronger and stronger after I discovered every … Read more
I’m not going to pretend I know any French, but I can tell you that the rhythm of the language is perfect for Les Lullies. Mauvaise Foi (“Bad Faith,” according to google), begins with the title track, a barn burning guitar rocker with big licks and a repetitive chorus in 4/4 time. It’s immediately familiar in that garage rock way, … Read more
Retrospective genre creation by both grizzled music critics and TikTokers has had many victims, from the constituents of Twee to Yatch Rock; however, the rebranding of 2005 garage rock and punk to indie sleaze has to be one of the more egregious. Half aesthetic movement and half musical umbrella for any 2000s band with smudged eyeliner (that hadn’t already been … Read more
Wax the boards, Everybody Lets Go Surfing, Surfing US-DECAY. On the crest of a sea of plastics, discarded textiles. Built to replace and ready to feed the ever-reaching loving chubby sweaty dirty fingernailed hands of many a landfill. Discard, Destroy and Forget and repurchase. Articles of Waste Forget Faith! Bondi spits shards of coloured sea glass upon canvas recreating, rebirthing, … Read more
Worriers, fronted by Lauren Denitzio, is an ongoing evolution. It’s earnest, personal and explorative, and the newest album Trust Your Gut continues that journey as Denitzio puts everything out there for their audience. The music is consistently emotional and relatable while being clearly rooted in personal experience. The magic of the entire Worriers catalog is how Denitzio manages to be … Read more
Earlier this year I reviewed In The Midnight Hour, the second album of Perennial, and I liked it. In fact, I liked it enough to check out their debut album The Symmetry Of Autumn Leaves. A debut that was nice, but pales in comparison with their sophomore record. If you ask me it missed focus in the song-writing and lacked … Read more
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