Aptly-titled, Monumental brings together a legendary producer and two of the underground’s most revered MCs: Pete Rock—half of the duo (along with CL Smooth) responsible for early ‘90s classic Mecca and the Soul Brother—has been the monster behind the boards of your favorite rapper’s favorite rapper for a long-ass time; and Boot Camp Click members Tek and Steele— known collectively as Smif n Wessun—have been rhyming for some twenty odd years. Yes, the collaboration sounds good on paper but, believe me, it sounds even better on record. Pete Rock—who does drop a few verses here and there—produced the entire album. His beats—whether well-crafted soundscapes or simplistic loops—are delicious slabs of head-nod shiz. As well, he flexes his DJ skills on nearly every track; revealing an impeccable attention to detail, as he drops samples from the Smif n Wessun back catalog into cuts throughout the record. SnW aren’t the only ones that get special treatment though. When Raekwon shows up to spit a few bars on “Prevail”, Pete flips the script to a Wu-appropriate beat that perfectly matches Rae’s signature flow. On the topic of guest spots; there is a plethora. Memphis Bleak, Black Rob, Styles P, and SnW’s fellow BCC … Read more
I'd like to invite you to look at the cover art of Forge of Clouds for just a moment. This … Read more
A dramatic turn of events, indeed. Anyone who's been following the soap opera that has been Dream Theater's existence over … Read more
We all have artists we love, artists we want to emulate. That's part of what makes each person's music unique: … Read more
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Three years in the making since their praised-to-the-heavens self-titled debut, Helplessness Blues is a masterpiece of a sophomore offering, consisting of everything that made Fleet Foxes a standout record for its generation - let alone year - and at the same time expanding upon the band's signature sound.Frontman Robin Pecknold's painstaking adherence to songwriting during production of Helplessness Blues has been well documented and his persistence shows: at just under fifty minutes long, the record flows from choral folk to Southern Gothic ballad, right on through to free jazz and fingerpicked blues. Opener "Montezuma" features rolling electric guitar reverberating alongside Pecknold's rich, definitive vocals. The perfectly-mixed backing chorus are less ubiquitous than on Fleet Foxes, perhaps wisely, as the band avoid being pigeonholed as "that band with the harmonies". Followed … Read more
Reclusa has joined the ranks of the crucial blaze releases and take little time to make their intentions known. While the group released a few short run cassettes this is their first big project. Their style matches seamlessly to the labels' general modus operandi revelling in a strained and disturbed combination of noise, industrial and black metal. The press release … Read more
At the rate I'm going, I'm going to seriously depreciate the value of the phrase "like Mogwai, only better." Then again, it's not exactly my fault that it's such an easy status to obtain (*zing*). The latest band to fall under this label, Kent-based post-rockers up-c down-c left-c right-c abc + start (thank god they're now going by simply UpCDownC), … Read more
Even in this so-called digital age of information where anyone can have anything delivered right to their mobile phones in the blink of an eye, there are still moments where items, music, movies from outside of your physical domain slip by completely unnoticed; and, quite frankly, this whole circumstance is proof to me that there is still some mystery left … Read more
Gloomlights appears as a double disc spectacular. One hour forty-two minutes, and eighteen tracks of pure pop/shoegazey/synthy melancholia - each disc bringing a distinct taste and sound to the table. Airs are a duo based on opposing sides of America, making music in the rawest sense and recording everything themselves. Each release being something a little bit special considering the … Read more
With guest spots from Brian Fallon (Gaslight Anthem), Chris Phillips (Squirrel Nut Zippers), Frank Turner, Audra Mae, Rick Steff and Todd Neene (Lucero), and Christopher Thorn (Blind Melon), it would be easy to think of Covering Ground as one of those records that builds itself around special appearances and musical specialties that can’t be re-produced live. Instead, Chuck Ragan’s lengthy … Read more
How the hell do you take a genre as overworked as pop music and make it interesting? If your name happens to be Jonathan Bates, then you do this “by purposefully doing everything slightly wrong.” The result is his debut album, Big Black Delta's BBDLP1.This stems mainly from Bates's insistence on mixing styles in ways that don't always make sense. … Read more
Choose Your Own Adventure is the latest offering from Midwestern hardcore punk four-piece Get Rad.“Be the Wave” is the first track. Seeing as how Get Rad is from Milwaukee, WI I’m not convinced the song is about surfing though. I suppose it could be a metaphor for skateboarding. Perhaps the wave is actually made of concrete? That means if you … Read more
You know there are those moments in songs where everything is just so perfect that you don’t want it to end? You do? Fantastic. Light Bearer have this in spades and none more so than on "Prelapsus," a track so soaring in tone that the sense of elation is enough to make even me crack a smile. But let’s not … Read more
Nekrasov as an artist has made a name for himself over the past few years. Working in a rather limited, hard to define genre (Black Noise) and managing to inadvertently become one of the flagship artists in the current crop of artists in this genre. Black Noise itself is best defined by the over arching characteristics of it. That being … Read more
Don't be turned away by the album cover! I assure you, this review has absolutely minimal content involving werwolves. Probably. I'm actually writing this introduction prior to finishing the last fifth or so of the review, so it's entirely conceivable I could change my mind. Let's assume I don't so that I can talk about the excellent debut from the … Read more
Approaching the closure to their set last weekend at the Electric Factory in Philadelphia, the London born Alberta Cross kept spirits alive, playing “…one from the new album.” The rejuvenating “Money For the Weekend” boosted energy throughout the venue, and does just that as the opener to the band’s recent EP, The Rolling Thunder.Opening for Portugal. The Man in support … Read more
You, Me, & Everyone We Know came to my attention with the announcement of their break-up earlier this year. I didn't give them a listen until their post-humous EP, Things Are Really Weird Right Now. I was taken aback, as I wasn't expecting something as poppy as this from Topshelf Records. That isn't necessarily a bad thing though.The first song … Read more
Ah, another offering from A Death Cinematic in the form of an “EP” (I put this in quotes because it plays longer than some LPs by some bands) entitled Your Fate Twisting In Its Crushing Moments; and just as with previous releases, this comes with some of the most intriguing packaging, again, hand made cover consists of a hand printed … Read more
You can stop staring at your watch with misplaced optimism; there's still no news from Tool on their fifth album, and A Perfect Circle have reiterated their vow not to work on an album-length project again. So then what exactly, you might ask, is everyone's favourite rock-star-turned-vintner doing, if not fronting one of his established bands? As it turns out, … Read more
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