Seabuckthorn is the one-man solo acoustic project of UK guitarist Andy Cartwright. He's listed as similar to artists like Grails, John Fahey and James Blackshaw, but I hear him almost as an instrumental version of Splinterskin. Even though his debut album In Nightfall is only slightly over twenty minutes long, there is an unexpected amount of maturity to the material.Cartwright takes what would otherwise be ordinary acoustic folksy stylings and twists a slightly darker life into them. His music is labelled as “psych-folk,” but it's still intensely difficult to describe the exact nature of the music he creates. It sounds like walking through an empty forest during fall with leaves gently descending on either side of a path and the sun slowly beginning to set on the horizon. It sounds like sitting alone in a graveyard at three in the morning with a cool breeze whistling softly behind your back. It sounds like Andy McKee if he started channelling the soul of H.P. Lovecraft.What I'm trying to communicate is that this music sounds unexpectedly eerie. It's a rather enjoyable aesthetic, actually. It makes you want to sit alone and experience the sense of autumnal longing the music tries to convey. … Read more
After 10 years since their last release, Grey Area returns with 2 new songs. They’ve brought along Go Rydell—the melodic-hardcore … Read more
Much has been said about this project - spanning a vast ocean, two continents and many genres in between - … Read more
This two person project that spans continents has gotten a bit more attention in the past year or so. Having … Read more
Taking Back Sunday were once the face of the new alternative underground movement often labeled as “emo” but over the … Read more
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If the name Ace Enders sounds familiar, it should. He’s been the voice behind The Early November, one of Drive-Thru Records’ cornerstone emo bands in the early 2000s. While that scene exploded, Ace carved his own path with that band, as well as solo experiments under the name I Can Make a Mess, and the occasional record as Ace Enders and a Million Different People. His fingerprints are all over the emo/post-hardcore canon with equal parts confessional whispers and teeth-bared anthems. Ace Enders returns with his fourth solo album, “Posture Syndrome”. Now don’t get it twisted. This isn’t a soft solo detour. It’s a full-throated confession; a bleary diary covered in chords and breath. Over fifteen tracks, Enders wrestles with ghosts like the weight of past choices, the creeping fear … Read more
Jesuit is the kind of band that your older brother (I would say sister, but women should hate this band now just like they did back then… for more information get a physical copy of this and read the ridiculously humorous liner notes) shows you when he catches you listening to some terrible pop or even the latest trend of … Read more
When The Riverboat Gamblers released their last full length, Underneath the Owl, many fans were put off by the cleaner production and poppier approach. Their newest EP, Smash/Grab, was a return to the raw sound and more aggressive song writing, but offers something different by blending in a bit of Garage-Rock.The first of the 4-song EP is arguably the weakest … Read more
Before your red flag goes up, we are not talking about the "crab-core" group, Attack Attack. Don't worry; I was wary of the same thing. No, Attica! Attica! is the complete opposite. It's the moniker undertaken by De La Hoya and Marathon vocalist, Aaron Scott, for his solo folk-punk project. In September of 2009, he released his second full length, … Read more
Few bands have the creative power, material, and time to put out an album annually since its inception. Portugal. The Man do just this, having released their sixth full length album since their 2006 debut, Waiter: “You Vultures!” For such little time between each release, lack of evolvement is of no concern. P.TM have gradually developed from early rockers with … Read more
My money is on the simple fact that it will take you longer to read this than it will to actually listen to Orphan, the latest album from the estimable grind group Gridlink (their pedigree alone is enough to warrant paying attention to the music this outfit is creating now) and that is not a knock on the album at … Read more
Thievery Corporation has always been a bit of a musical Janus: one face obscured in the revolutionary stylings of Subcommandante Marcos, the other the visage of one of the most commercially successful acts in their scene. Their lyrics and album art all call for an end to the economic slavery of the international monetary system. Yet, they’ll still cash a … Read more
Chalk up another one for the misleading band name file—Something Fierce makes me think violent and brutal, which definitely isn’t what this Houston group is after. The walking bassline and jangly guitars of the opening track on Don’t Be So Cruel establish a mood of calculated cool that relies on bounce and rhythm instead of aggression. To borrow from the … Read more
The Duo of Herra Terra seemed to come out of nowhere when their signing was announced by The Mylene Sheath. Seemingly no prior releases could be found and just the usual myspace was available to see online. What was noted early on is that Herra Terra were going to be the odd band out on the label. Known generally for … Read more
Gifts From Enola should be fairly recognizable to anyone into the post rock scene at this point. The Virginia based band have been putting out music and logging road time for the better part of 6 years at this point. The band have worked hard to progress their dynamics-laden post rock sound. So it comes as little surprise that after … Read more
Hands That Pluck is uncompromising. The final album under the Caïna name for (one man) band leader Andy Curtis-Brignell is intense. Vocally, musically, and lyrically. This is an album dealing with the subject of finality - even more so because it will be the last Caïna release - with ideas of religion and will making numerous appearances."Profane Inheritors" gives you … Read more
Admittedly, I was knocked off my seat when I first heard Iroha (their split with Fragment, Bittersweet was an engaging listen) and immediately began awaiting the release of their first LP; but herein lies the problem, there was waiting and waiting and more waiting until I literally forgot about this record coming out at all (which certainly is a shame). … Read more
This album begins with a short acoustic introduction. With tense melodic vocals leading to background screaming. this song lasts for under a minute and does little to really prepare one for the rest of the record. This California band tends to traffic in semi melodic hardcore blasts. This belies their name for certain as most would attribute the band name … Read more
Dream Theater is beginning to stagnate. Queensrÿche has jumped the shark. Nobody even knows what Devin Townsend is on anymore. In fact, it would certainly seem that Symphony X is one of the gracious few progressive metal acts that's actually been getting better as of late. While The Divine Wings of Tragedy or V: The New Mythology Suite will always … Read more
Spraynard hail from Pennsylvania and they play a style of punk that blends the varied melodic subgenres of punk rock (East Bay, beard punk, pop punk) to create their own identity—there’s a familiarity from their influences, but it doesn’t squarely pigeonhole them under a specific label. The band utilizes up-front bass that delivers the melody while the gruff, gruff vocals … Read more
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