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Dirge

Elysian Magnetic Fields
Division (2011)

Dirge, the self-described 'neurotic post-core' band from France, may have gotten just a bit big for their britches. Ever since Blight and Vision Below a Faded Sun was released in 2000, Dirge have been pushing the limits of how much space they can cram into their music and get away with it. 2004's And the Sky Shall Descend saw this … Read more

Isis

Live.05
Independent (2011)

A year after their dissolution, post-metal powerhouse Isis is preparing to digitally re-release its entire live discography on a fortnightly basis throughout the summer of 2011. The set of five albums unfortunately does not contain any new material, but for those of you who skipped acquiring them while the band was still active, some of these albums may satiate your … Read more

My Morning Jacket

Circuital
ATO (2011)

My Morning Jacket’s latest release titled Circuital, especially because of the first single “Holdin on to Black Metal,” has been called something of a long departure from their previous album, but Jim James and company remain consistent where it counts: in making great, rounded, listenable records. Circuital is chock-full of repetitious, exhaustive lyrics and chord progressions, but it more than … Read more

Kingdom

Threads
Dead Truth (2011)

In a time where the only things that garner a hardcore band’s attention is how heavy they are, it’s hard to find bands with an actual proactive message. Everywhere you turn, the next hype band has little to nothing to say lyrically but are the most talked about based on their music, which is usually beatdown at its most basic … Read more

Janelle Monáe

The ArchAndroid
Wondaland Arts Society / Bad Boy (2010)

When music historians look back on the first decade of the 21st century, they'll no doubt highlight the dazzling array of pop musicians daring to innovate. Those producing music which both reinvents and creates, challenging conventions and spinning concepts and long-term constructions around their work. Except, of course, they won't. Pop has been sadly lacking of late, with depressingly little … Read more

Amateur Party

Truncheons in the Manor
Rorshach (2011)

There are a lot of names that could be dropped when talking about Amateur Party—in fact, I did so when I reviewed their EP back in 2009. However, the band really stands as a completely different kind of monster than the members’ other work. As such, I’ll delay the biographies until later. Truncheons in the Manor is their first full … Read more

Mauser

End Of The Line
Vinyl Rites (2011)

While eventually churning out some less than desirable material late in their career, there is no arguing the impact early Discharge made in both the punk and metal scenes—going so far as to create their own sub-genre in the process. D-beat, as it is aptly titled, signifies thick, lumbering guitars matched with an intensely repetitive drum beat, and shouted vocals, … Read more

Altar Of Plagues

Mammal
Profound Lore (2011)

Ireland's Altar of Plagues play a style of black metal so atmospheric in nature, that you can't help but be completely taken in by the sounds you're hearing and the thoughts the music conjures in your mind. Mammal is only their second full length offering, and whilst White Tomb was unquestionably fantastic, this new record is on an entirely different … Read more

Gangpol & Mit

The 1000 Softcore Tourist People Club
Ipecac (2011)

It’s a great thing when bands can mesh cartoon visuals with their music. It in turn enhances the listening experience, and Gangpol & Mit’s, The 1000 Softcore Tourist People Club, is quite the listening experience. This French duo created these characters that manage to represent their synth-pop music perfectly. Although it’s mostly synthetic, you somehow feel like you’re listening to … Read more

August Burns Red

Leveler
Solid State (2011)

August Burns Red have become the face of American metal over the last few years with their unique brand of metalcore, but Leveler is poised to redefine the genre all together. Tactically bending genres with ease, they’ve crafted a truly ambitious album of unparalleled diversity and precision.Constellations, ABR’s last release, had shown a tremendous amount of growth with a more … Read more

Isis

Live.04
Independent (2011)

A year after their dissolution, post-metal powerhouse Isis is preparing to digitally re-release its entire live discography on a fortnightly basis throughout the summer of 2011. The set of five albums unfortunately does not contain any new material, but for those of you who skipped acquiring them while the band was still active, some of these albums may satiate your … Read more

Integrity

Thee Destroy+orr
Holy Terror (2011)

Yes, please peel my face off with the punishing blackened hardcore (that only Integrity can provide), please because life might be too comfortable otherwise! A new record from Integrity is both unexpected and completely welcome; so, having Detonate VVorld’s Plague (and the compilation CD that includes Detonate VVorld’s Plague as well as a collection of compilation, singles, and split release … Read more

The United Sons of Toil

Until Lions Have Their Historians, Tales of the Hunt Shall Always Glorify the Hunter
Flannel Jammies Music/Sector Five (2008)

 The United Sons of Toil probably won’t ever receive the distinguished honor of a 7.1 rating from Pitchfork, but anyone who has seen them live will tell you all you need to know. These guys are something to see. The ’Sons sound like a more aggressive Unwound, giving a sort of mathy post-punk vibe with some hints of chaos thanks … Read more

Deafheaven

Roads To Judah
Deathwish Inc. (2011)

When I initially read about San Francisco’s Deafheaven, I didn’t expect to be surprised by their recordings. Anytime I see the “black metal” label, even when citing a slight influence on a band, I instantly believe that the label is misused and have no interest in checking the band out. Unfortunately I am guilty of this with Deafheaven, and their … Read more

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