Following the strange intriguing experience of Oneirmantical War, I felt that I had to check out Myrmidon from WRNLRD once it arrived; but instead of diving right into Myrmidon, I avoided it like the album was some dark door that I just did not want to open. Myrmidon sat for months on my desk as it sat, always visible out of the corner of my eye simultaneously taunting, threatening, and begging me to listen to it. When I finally put this record on, not only did it not disappoint, but all of my fears regarding my playing it turned out to be completely warranted. Myrmidon is a wholly disconcerting listening experience with sounds coming from all over the place, and while I still am not completely into the production of WRNLRD, the filling of every nook and cranny of audible space goes a long way in drawing my interest. WRNLRD takes the instrumentation up to another level adding what sounds like horns (check "Girl", "Genital", and "Moaner / Revelator" for example), (while not technically an instrument) more choral aspects and operatic vocals (listen to "Black Dress"). The creepy factor rises to new levels on Myrmidon and that is a great … Read more
3 disc release of their debut, which was 20 years old last year. Remastered by original producer John Leckie and … Read more
Now this is a shock, another Hayaino Daisuki release by which to have all of our brains melted in short … Read more
One of the biggest thrills that I still get from music and writing about music is being smacked up side … Read more
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This record is so funny I almost shat my pants. Not ha-ha funny, mind you, but "fuck, this is so fucking old school" funny. Well, maybe not even that. Maybe more like "god, this is so old" funny. If you were hoping for innovative or experimental, you will not get it from A New Chapter. One might say this is not a chapter, but rather a sequel to an age of hardcore long thought dead, or perhaps one might say this is a different chapter in hardcore, but certainly not a new one. Either way, instead of waiting for the next mind-blowing, earth-shattering, revolutionary thing to happen, I was sitting alone; shitting my pants with laughter, wondering when hardcore became a joke. Thanks Triple Threat, for giving us this record, … Read more
Laudanum are a 3 piece band. I opened with that sentiment solely because once you hear what they do it becomes hard to believe. What Laudanum do musically is act as a noisey power electronics group that decided to play doom metal or vice versa. Everything is grimey, filthy and painful in Laudanum's collective world. This almost acts as someone … Read more
Deep Elm has, over the past few years, been relying more on their internet presence rather than being a label that releases records in a physical manner. While this is not a bad thing it is kinda sad. This new dynamic means that less people will be hearing this EP. Ryan Mallot is best known as the frontman of alt … Read more
Having never heard of this band before, I had no idea what to expect. Thankfully I was pleasantly surprised by the music on this EP length release. Taking the best guitar effects from 80's pop and welding it to a fierce backbeat, this one emerges from the morass and rises above. Lyrics you can make out and actual songwriting chops-absolutely … Read more
New release from Rockford IL's finest shows that these guys have not lost a step, and in fact, continue to reach new heights as songwriters. Will this end up on the radio? Probably not, but it certainly should. One song-"When The Lights Are Out" is a previously unreleased song from back in the day. But everything else is fresh off … Read more
Being an objective reviewer, I will try and ignore the grossly overboard hyperbole contained in their press sheet. But this is fairly serviceable post-emo rock release from the mid-west. The guitars have flashes of hooks here and there throughout this record. The lyrics seem to have a very focused target on doctors, drugs, and the lack of healing in this … Read more
We Chase the Waves is the second release from Lawrence Arms singer/guitarist Chris McCaughan. While technically his second solo release, this one is truly an individual effort, with McCaughan handling all the instrumental duties except for a few peripherals. His Lawrence Arms bandmate Neil Hennessy handled the majority of the production. Waves has a more stripped down, personal feel than … Read more
2 disc greatest hits collection of Keene's work over his entire career. Disc #1 focuses on his eighties period of work. The most significant advantage to owning this release is having everything remastered here. The sound update is fantastic. Early crowd favorites like "Places That Are Gone" and "Nothing Can Change You" are here and should keep your stereo speakers … Read more
Digital release available for free off their website. But don't consider this a throw-away. This Brooklyn trio offers up free-wheelin' rock and roll songs that will feel good with a cold Busch in your hand and a breeze blowing your hair back. "Under The Sun" kicks things off with a shuffling backbeat and things only perk up from there. 'Lost … Read more
New record from the band blasts off with the first single "Think I Need It Too" and doesn't look back. Will Sergeant's guitar is prominent throughout, and Ian's vocals still impress after all these years. "Do You Know Who I Am?" may be the hardest rocker on this collection, with driving drums powering the song along. But the quieter moments … Read more
After a long hiatus, the band is back with a stunning new release. Skillfully produced again by Hugh Jones (Echo & The Bunnymen, Dumptruck), this record is the perfect mix of both sides of the band's sound. By this I mean that fans of the more brooding early 4AD material will be pleased, as well as fans looking for new … Read more
Many hardcore bands go one way or the other. Either they play ridiculously heavy to an almost numbing degree. On the other hand there are the overly melodic bands that almost sound too clean or almost like screaming pop punk bands. Yes, these are broad generalizations and I do love hardcore of both types. Most bands do very little to … Read more
Sometimes one can be anticipate something too much. Expect too much from something so as to nullify anything enjoyable from said thing. Sadly Expectations are like that. The Warlocks have had a long career of playing spacey over driven rock songs. It seems only right that they are signed to Tee Pee records. They've always carried a psychedelic vibe couples … Read more
Some bands exist both inside a scene and outside the sound of the given scene. Beaten Alive are one of those bands. They are a band from Ohio identifying with the garage scene of their state sharing friend The Black Keys. This is where most of the normal characteristics end. While there is a touch of garage rock and some … Read more
Psych rock is a mixed up genre. Ok, yeah it is spacey it technically rocks without really being rock per se. The part where i have issue is that sometimes these bands find it more interesting to write songs that don\'t go anywhere. They just stay locked in their moment in time and space never truly building on a riff … Read more
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