Considering the make up of this musical project, my interest is rather high with several questions bubbling to the surface, mainly concerning what Bad Secrets sounds like. In any event, being made up of Evan Patterson (Young Widows, Breather Resist, Black Cross, and The National Acrobat) and Dan Davis (of Kodan Armada) will certainly turn some heads when Bad Secrets comes up in conversation. In reality, this debut (maybe a one-off record) is really a kind of weird mix of lo-fi garage rock, Young Widows sounding guitars, layered guitar atmospherics that create an almost shoegaze type sound, some Ennio Morricone experiments with the guitar, and dry vocals. My first and immediate reaction to this record from Bad Secrets is shock and equal measure unimpressed due to its extremely lo-fi nature. But thankfully first impressions are not always lasting, as subsequent record spins show that there is much more to this record than a static sounding recording quality and schizophrenic nature of the music. Bad Secrets is a blink and you miss it type of record, so that works for the duo in two ways: for one its short and sweet nature does not give the recording enough time to grate … Read more
Normally it would concern me seeing the amount of hype leveled at a band, let alone one with only three … Read more
My Lover, My Stranger is the first solo record from David Moore, formerly of Chamberlain and Split Lip. It is … Read more
Do not confuse this Louisiana band with the Tennessee band of the same name. Otherwise you will find yourself looking … Read more
Taking black metal by storm, or maybe pushing black metal out of the basements and into the conscious of many … Read more
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Can a band sound too personal? Too local? These are my burning questions as I break down the latest EP from Night Jobs of Minneapolis. The lyrics of these five songs are highly personal, from adopting pets to local transit routes to calling out people, by name, who have caused strife. They say to write what you know, and Night Jobs absolutely takes that to heart. Last time I saw them live they talked about the stories behind some of these songs, and I’ll simplify by stating that these are about past experiences over many years, cultivated into 3-minute reflections, memoir-style. It’s personal, it’s local -- but it’s inviting instead of insider. It works. Think The Lawrence Arms meets Jawbreaker, but maybe slower or just a lot of “Bivouac” on … Read more
When first opening this record, I glanced at the cover art, track titles, and album length and made the assumption that this band must sound pretty damn cocky and aggressive. And I was right for the most part. The fact that there are only two songs on the whole record that are over two minutes and considering the first track … Read more
We are off to Portugal for this five-piece female-fronted hardcore band. Reaching Hand play mid-tempo to fast chunky hardcore with nasally high pitched vocals. All the photos looks like the audience is having the time of their lives singing along and getting sweaty as the band jumps around on stage. If you liked Comeback Kid or even Have Heart and … Read more
Dumbwaiter is a decent enough EP from this Boston four-piece. The first track, "Watch and Ward" is the best one as it recalls a fuzzed out Pixies mixed with any catchy latter day Replacements songs. After "Watch and the Ward", The Cold Beat go through the motions of being your average indie/college rock bar band with their roots firmly planted … Read more
This eight-song EP is completely and utterly awesome. I really wasn't expecting much from former Christie Front Drive guitar player Eric Richter since last I heard he was in the coma-inducing Antarctic. However, Golden City is just great. I'm having a hard time expressing just great these eight songs really are, but I'm going to try, really, I am. Imagine … Read more
We head off to the land of pizza and the Pope for this full-length release by Locked In. I never thought of Italy as a hotbed of hardcore bands and Walk the Plank does nothing to deter that as I'm forced to review yet another run of the mill hardcore band. Locked In play metal influenced hardcore with high-pitched yelled … Read more
Driving on City Sidewalks is a Canadian duo who play a heartbroken strain of indie post-rock, with a few heavy nods to folk. This five-song EP begins with "To Finish the Race," which has instrumentals heavily ripping off The Appleseed Cast. This band uses simple and slow vocal patterns, drawing out every lyric with a melancholy tone in this particular … Read more
New live E.P. from these DC music legends. Featuring an earlier line-up than on their last live record (Strange Wine), this fits neatly on your shelf sandwiched between that record and Finale. Besides John Stabb on vocals and Tom Lyle on guitar, this release sports Marc Aberstadt (sans headband) on drums and Mitch Parker on bass. Two different live shows … Read more
I tried to listen to this one with an open mind. I know The Wallflowers never did anything for me. And Bob Dylan? Listening to his vocals is like having all your hair pulled out with pliers. I do have to admit that the musicianship is solid throughout on this release. But nothing here piqued my interest. "I Told You … Read more
Most people who listen to Owen are all-too-aware of what I like to call the Kinsella continuum. Chicago-based brothers Mike and Tim are responsible for some of the more infamous 90's Midwest bands, being the minds behind Cap'n Jazz, American Football, Owls, and the ever-revolving doors of Joan of Arc. Their prolific nature has even brought in younger brother Nate … Read more
Owen made being a self-deprecating, guitar-playing romantic a cool thing again. But its 2009 now, and maybe it's a little played out. Yeah, there will always be a sense of comfort in Kinsella's wistful melodies and twinkling arpeggios. However, the works of Owen were starting to sound too alike, predictable, or reused. Surprisingly, Owen expands its sound with its fifth … Read more
Over the course of a period of time, Chris Wollard (of Hot Water Music, The Draft, Blacktop Cadence, and Rumbleseat fame) and a gaggle of friends (George Rebelo of Hot Water Music sits in on drums on some tracks) recorded a batch of songs composed by Wollard that were basically front porch jams that got fleshed out into more realized … Read more
All right, might as well just get this done and over with. There's been a lot of hype surrounding this three-piece Jersey group and I for one never thought it warranted. Then again, I'm not a hipster and never cared about the hype that came with any band. Hype is for people that need to think what they are about … Read more
Album number eight from the band now renowned for their genre-shifting and reinvention. Three years in the making, three producers in the studio, and twelve tracks long (given the band's penchant for Lost-esque symbolism, there's probably some deep significance to these numbers). What new style will be unveiled with Crash Love? Nothing too thrilling, is the answer. Opener "Torch Song" … Read more
For whatever reason, it took me a little while to warm up to hip-hop. Maybe I was too into that guitar and percussion sound to really give hip-hop a fair chance. And I guess the whole "rap is crap" thing sort of rang a bell back then. Yeah, I fucked up. I'll admit that I never gave hip-hop a close … Read more
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