Lewd Acts finally release their debut full-length in the form of Black Eye Blues. And with their first long-player, the San Diego outfit makes good on all the promise of their early recordings. But in addition to their classic-hardcore inspired approach, we also get a few other musical nuances that showcase influences that weren't readily apparent on their previous recordings. Black Eye Blues eases in with "Know Where to Go," a brooding introduction with mid-tempo pace - Alex Jacobelli's slow-churning riffs are of a Neurosis variety - while vocalist Tyler Densley picks at the scabs of his personal life. After the fairly toned down introduction, Lewd Acts blasts into action with "Wide Black Eyes." The minute and a half that comprise the song are fueled by a visceral fury of guitars, pummeling drums, earthquake-inducing bass, and the pissed off throat of Densley. This is easily the most volatile the band has been to date. The "You Don't Need Me" / "I Don't Need You" tandem works as a call and response lyrically, further showcasing the reflective nature of Densley. Musically, they're fairly similar, though the later features a mid-song dropout with makes it way into a rock-infused segment. It's pretty … Read more
The Swellers decision to sign to Fueled By Ramen Records was very confusing to say the least. Many were expecting … Read more
With the release of their self-titled debut in 2005 Nightmare of You made it a point to distance themselves from … Read more
Necrophobic are one of the classics of the legendary old school Swedish death metal scene, along with underground titans such … Read more
There's always a lot of different opinions surrounding the band Every Time I Die. A lot prefer the more chaotic, … Read more
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Martha has been building a name on the DIY scene for quite some time. I know I saw them, probably close to 10 years ago, opening for Toys That Kill or some related band. But they don’t play scrappy punk. They dabble more in power-pop that’s built around tight songwriting chops and melodies that stick with you. Britpop meets the basement scene. While they have quite the discography already, Please Don’t Take Me Back is my first deep dive review from their catalog. And it has me regretting that I didn’t do this sooner because, not only is the record really good, it’s the kind of songwriting that just gets better on repeat. “Beat, Perpetual” starts out like a classic pop song, from back when pop music was played with … Read more
What much can I really say? This style has been done numerous times. The Creeps play infectious, upbeat punk, born of the Ramones and sculpted by Screeching Weasel. Somewhere in the genre's history, bands like the Groovie Ghoulies shifted the concept from straightforward silliness towards specific niches. The Creeps carry that torch onward. On These Walls The Creeps play their … Read more
Cycles marks a couple of firsts for Soul Control. After a slew of releases (an EP, a split 7", a comprehensive CD release also featuring several new songs, and a 7" singles series) the Rhode Island hardcore outfit ventures into the land of a proper full-length album. But that's not the only first for the group as they also have … Read more
Considering the make up of this musical project, my interest is rather high with several questions bubbling to the surface, mainly concerning what Bad Secrets sounds like. In any event, being made up of Evan Patterson (Young Widows, Breather Resist, Black Cross, and The National Acrobat) and Dan Davis (of Kodan Armada) will certainly turn some heads when Bad Secrets … Read more
Normally it would concern me seeing the amount of hype leveled at a band, let alone one with only three short releases to their name. The demo was released only two years ago; it was energetic and capable but not truly breaking any ground. Then they got signed to Reaper Records and released Stay Cold, a short EP that was … Read more
My Lover, My Stranger is the first solo record from David Moore, formerly of Chamberlain and Split Lip. It is difficult to imagine Moore extricating himself completely from a self-imposed anonymity in order to refashion himself as some indie country troubadour, but from the sounds of this, at times, intimate album, he is attempting just such a feat. Considering the … Read more
Is it strange that Jesu is finally releasing something new after a gap of some time longer than two months (a small exaggeration surely)? Infinity is an interesting direction for Justin Broadrick to go considering the trajectory of recent releases under the Jesu moniker, but his publicly proclaimed predilection for EP's and the opportunity for experimentation that they provide explain … Read more
Do not confuse this Louisiana band with the Tennessee band of the same name. Otherwise you will find yourself looking at a very nice flash based website with a band that has some really bad hair. Louisiana's We are the Living seem to have decent do's and play 90's influenced indie hardcore that you wouldn't be surprised to see on … Read more
Taking black metal by storm, or maybe pushing black metal out of the basements and into the conscious of many whom have ignored the genre thus far, Wolves in the Throne Room give the listening world their third full-length album, Black Cascade, as further evidence of their genre label being too constrictive. Wolves in the Throne Room seem to subscribe … Read more
When first opening this record, I glanced at the cover art, track titles, and album length and made the assumption that this band must sound pretty damn cocky and aggressive. And I was right for the most part. The fact that there are only two songs on the whole record that are over two minutes and considering the first track … Read more
We are off to Portugal for this five-piece female-fronted hardcore band. Reaching Hand play mid-tempo to fast chunky hardcore with nasally high pitched vocals. All the photos looks like the audience is having the time of their lives singing along and getting sweaty as the band jumps around on stage. If you liked Comeback Kid or even Have Heart and … Read more
Dumbwaiter is a decent enough EP from this Boston four-piece. The first track, "Watch and Ward" is the best one as it recalls a fuzzed out Pixies mixed with any catchy latter day Replacements songs. After "Watch and the Ward", The Cold Beat go through the motions of being your average indie/college rock bar band with their roots firmly planted … Read more
This eight-song EP is completely and utterly awesome. I really wasn't expecting much from former Christie Front Drive guitar player Eric Richter since last I heard he was in the coma-inducing Antarctic. However, Golden City is just great. I'm having a hard time expressing just great these eight songs really are, but I'm going to try, really, I am. Imagine … Read more
We head off to the land of pizza and the Pope for this full-length release by Locked In. I never thought of Italy as a hotbed of hardcore bands and Walk the Plank does nothing to deter that as I'm forced to review yet another run of the mill hardcore band. Locked In play metal influenced hardcore with high-pitched yelled … Read more
Driving on City Sidewalks is a Canadian duo who play a heartbroken strain of indie post-rock, with a few heavy nods to folk. This five-song EP begins with "To Finish the Race," which has instrumentals heavily ripping off The Appleseed Cast. This band uses simple and slow vocal patterns, drawing out every lyric with a melancholy tone in this particular … Read more
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