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Our latest album reviews, featuring the records we've most enjoyed (or not) over the past few weeks.

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Browse our album reviews according to score: Highest (9.5/10 or more) or Lowest (2/10 or less)

Pelican

Ephemeral
Southern Lord (2009)

I'll be honest. I hadn't really listened to Pelican all that much since City of Echoes was released in 2007. In fact, I think I gave that album two or three plays total; since then their discography has seen limited plays. I really have no logical explanation for my lack of listening. I think the "post-metal" craze got overblown and I fizzled out on the whole sound. Two years removed, Pelican returns with a brand new EP for Southern Lord Records, their first release since departing from longtime home Hydra Head. Ephemeral is just a three-song EP but Pelican accomplish a lot. Since their untitled EP release, Pelican has slowly been infusing their sludgy metal-driven rock approach with more accessible explorations. With "Ephemeral" and "Embedding the Moss" we find the band regressing slightly from this mainstream influence. Leading off with the title-track, Pelican demonstrate their early incarnation isn't as far removed as fans and critics play it out to be. Bryan Herweg centers the opening sequence on a nice fluid bassline. This is partnered with some stoner-inspired riffing by Trevor de Brauw and Laurent Schroeder-Lebec and a basic drum beat. After a few repetitions, the bassline continues, but the riffs … Read more

Indian

Slights and Abuse / The Sychophant
Seventh Rule (2008)

"Apocalyptic" is a word thrown around a lot in reviews, to the point where readers could really stop putting any … Read more

GREYMACHINE

Vultures Descend
Hydra Head (2009)

What do you get when you toss members of Jesu, Isis, Godflesh, House of Low Culture, The Lotus Eaters, Mamiffer … Read more

Swamp Thing

In Shame
6131 (2009)

Rob Gordon's first lines uttered in High Fidelity are What came first, the music or the misery? People worry about … Read more

The Mars Volta

Octahedron
Warner Bros. (2009)

Throughout their eight-year tenure as a band, The Mars Volta has never been timid about doing whatever they please. The … Read more

The Red Baron

My First Love
Blood & Ink (2009)

Christian hardcore isn't exactly my thing but I was willing to give The Red Baron's debut album, My First Love, … Read more

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One from the archives

Lipona

Pigeonholed
Independent (2009)

In what's already been a solid year for punk releases, Lipona's new self-released EP, Pigeonholed might fall under the radar to most listeners but if you do come across it, I would strongly suggest giving it a listen. Pigeonholed is a short but sweet EP of some nicely executed punk rock with a bit of a hardcore edge. The lyrics are probably the most noticeable aspect when you listen to this record as they reflect on the band's views towards the current music industry, pop culture, and moral ethics. They definitely don't hold back with how they write and deliver these lyrics and it's a very redeeming quality on this EP. Lipona makes good use of all seventeen minutes of this EP by delivering solid melodies, strong lyrics, and fairly … Read more

More album reviews

Comadre

A Wolf Ticket
Bloodtown (2009)

Ever since their conception in 2004, Comadre has been a ridiculously prolific punk band. They tour constantly and release a new album or EP practically every year. You'd assume that it wouldn't give enough time for the band's sound to change and evolve, but I'm impressed with the growth in each of their releases. Their latest EP, A Wolf Ticket … Read more

Everyone Everywhere

A Lot of Weird People Standing Around
Evil Weevil (2009)

Everyone Everywhere is a relatively new group from Philadelphia that loves to wear their influences plainly on their sleeve. Sounding somewhere between Nothing Feels Good-era Promise Ring and the bouncy guitars of Braid, they bring us four tracks of this 90's style that I don't hear very often anymore. This seven-inch turns out to be an interesting exploration of a … Read more

The Stills

Oceans Will Rise
Arts & Crafts (2008)

The third record finds this Canadian five-piece returning to the smooth atmospheric rock of their debut. But with more songwriting maturity to show for it, this is actually a stronger release. "Snow in California" and "Being Here" are the stand out songs, but really this CD works well as a whole. I've never been to Eastern Europe, but I think … Read more

Robyn Hitchcock & The Venus 3

Goodnight Oslo
Yep Roc (2009)

On this outing Robyn Hitchcock is backed by Scott McCaughey (Young Fresh Fellows) on bass and vocals, Peter Buck (some big band from Athens?) on guitar and Bill Rieflin (Ministry) on drums. A lush recording with a lot of texture makes this record a lot to take in. But once you enter, you may never want to leave. "Saturday Groovers" … Read more

Outclassed

This Might Be Coincidence...
Forcefield (2009)

Outclassed's This Might Be Coincidence is a five-song escape from tranquility. Their satisfyingly raucous punk is filled with energy and misshapen tempos. Song titles like "Kick God in the Face, Hail Satan" and "Fuck Mark" are almost impossible to hate. Their label Forcefield Records is also home to City of Ships, Triac, and Cannabis Corpse. The one-sided LP release of … Read more

imadethismistake

It's Okay
The Cottage Records (2009)

imadethismistake play catchy folk-infused punk. It's a simple concoction, but it works well for the band. It's Okay is an eleven song LP with awesome artwork done by EMY (aka Bughead). Kylewilliam Campol's vocals match the music nicely, and the music is never too overbearing or haughty. It's evident that imadethismistake have found their niche. It's Okay is a pleasant … Read more

Who Calls So Loud

Who Calls So Loud
Protagonist Music (2009)

…Who Calls So Loud features ex-members of Funeral Diner and Portraits of Past, but that's not the only reason you should listen to their self-titled release. Their label, Protagonist Music, is well known for its incredible acts such as In First Person, Pyramids, Osceola, and Suis La Lune. The band plays emotional hardcore that breathes with quieter ambient sections. Heed … Read more

Stella Dawes

Contrasts
Independent (2008)

Stella Dawes sent us a promo of Contrasts with a press sheet on which they wrote too much about themselves. In all honestly, it turned me off to their album before I even listened to the twelve songs. They say their influences are "Poison the Well, Underoath" and "'screamo' bands." Thankfully, the music isn't exactly what I anticipated. The vocals … Read more

A Death Cinematic

A Parable on the Aporia of Vengeance and the Beauty of Impenetrable Sadness
Simple Box Construction (2009)

Limited to a number of 250, A Death Cinematic's most recent release features two discs and impeccable packaging. Comparisons can easily be made to certain output by A Silver Mt. Zion or Godspeed You! Black Emperor, but A Death Cinematic's sound is someplace else. It is distant, eerie, and always brooding. The long song titles such as "Their Blood Crawls … Read more

Lymbyc Systym

Carved by Glaciers (Reissue)
Magic Bullet (2009)

Magic Bullet reissued Lymbyc Systym's first release, but with two bonus remixed tracks. The five original songs sound as good as ever. Lymbyc Systym's brand of ethereal electronic noodling has grown since Carved by Glaciers, becoming even more cohesive and brilliantly layered. However, to be able to revisit the band's earliest material is a treat. It's good to learn about … Read more

Drain the Sky

Haunted by Rivers
Level Plane (2008)

"Haunted by Rivers" begins Drain the Sky's first release on Level Plane Records. Use of repetition, low vocal pitches, and no percussion make the song oppressive. However, the rest of Haunted by Rivers does not follow in the same fashion. "Sightless" increases tempo and dabbles in hardcore punk. I really like the juxtaposition between the first two tracks. Everything about … Read more

The Thucydidean Theory

Chapter III: World Reclamation
Independent (2008)

Chapter III: World Reclamation is a bizarre release. The Thucydidean Theory combine punk and trance arrangements that are heavily bass-driven. This four song release features female vocals that mingle with vocal-like synth sounds. "Please Stop Calling My Office and Yelling 'Cunt' at Whoever Answers the Telephone" is the most upbeat track on World Reclamation. Although the band's hybridized ideas are … Read more

Eksi Ekso

I am Your Bastard Wings
Magic Bullet (2008)

Eksi Ekso is a group of six musicians from Boston. Their debut, I am Your Bastard Wings, highlights a musical prowess that dances between free-form and orchestrated. The breadth of instruments - viola, oboe, violin, flugelhorn, trumpet, bass, guitar, keys, drums - adds to Eksi Ekso's complex sound. Easy comparisons might be Ghastly City Sleep and Godspeed You! Black Emperor, … Read more

Birushanah

Akai Yami
Level Plane (2008)

Three songs, forty minutes. Akai Yami was my first introduction to Japan's Birushanah. The band uses two metal percussionists as well as a drummer, a fretless bassist and guitarist. "Jyodo" is a calm and intriguing opener that features traditional Japanese percussion. However, this doesn't last long, and the twenty-minute track, "Akai Yami," begins. Vocals vary greatly during this song. Long-held … Read more

Reviews by score
Browse our album reviews according to score: Highest (9.5/10 or more) or Lowest (2/10 or less)