Three songs, forty minutes. Akai Yami was my first introduction to Japan's Birushanah. The band uses two metal percussionists as well as a drummer, a fretless bassist and guitarist. "Jyodo" is a calm and intriguing opener that features traditional Japanese percussion. However, this doesn't last long, and the twenty-minute track, "Akai Yami," begins. Vocals vary greatly during this song. Long-held bellowing notes, mixed with short bursts, are sure to surprise any listener. The eponymous song changes greatly, from traditional Japanese movements to sludge to quicker technical sections. The singing changes into furious shouts, and the pace picks up without warning. The final song "Kairai" continues in the same way "Akai Yami" ends, but it takes the listener on a journey through space as well. Read more
Light Yourself on Fire combine hardcore and death metal on Intimacy, their second release. Ex-Reversal of Man vocalist Matt Coplon … Read more
It doesn't look like a man. It doesn't talk like a man. But does it fuck like a man? Does … Read more
People make it a point to search far and wide for new music. I'm not against this by any means; … Read more
Most bands that are signed to No Idea Records have a sound that's usually expected from them. That, of course, … Read more
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For the most part I tend to think of hardcore as the last bastion of true emotional outpouring for contemporary music. Hip hop and rap seems to be more concerned with stuff they want or stuff they are going to get. Metal either wants to bellow about goblins or how much their girlfriend sucks. Country music is a running joke that never seems to stop. Indie rock only wants to get laid for their art. Punk is dead. And rock 'n roll just doesn't exist anymore. That leaves us with hardcore, a place where the disenfranchised and the lonely can pick up a guitar and scream their lungs red raw. Hardcore seems to be only place where you can still be heard and can connect with strangers on emotional levels … Read more
Okay, I must say that Sunn 0))) lost me with Oracle, particularly after some mild disappointment in Altar. My eventual listening of Domkirke came quite a while after its release, but it did revive my interest in the band. Now, finally delivering a new studio album (it has been quite a while since their last studio album Black One), Sunn … Read more
Never wasting a moment, the Bay Area's Skin Like Iron has brought forth yet another new recording with this seven-track 12" EP. All Human Failings is another blast of gritty, raw, and noisy hardcore punk from one of the genre's top bands. They didn't leave much room for improvement with their last go-around, but that doesn't seem to stop them … Read more
Sometimes there is something which goes by the reference of historical revisionism whereby people go back and alter the place of a person, place, thing, or idea into a more vaunted or lower position in the historical record. I bring this topic up because it does happen frequently in the world of music, independent music particularly as artists go in … Read more
Even though Rules is the second full-length from Erlend Øye, I still have a hard time disassociating his airy voice from prior folk duo, Kings of Convenience, Øye's Belle-and-Sebastian-esque alma mater. However, the more I listen to the Berlin-based The Whitest Boy Alive, the more I can appreciate Øye singing similar, heartbreak lyrics over a funky bass line rather than … Read more
The Number Twelve Looks Like You have always been a very unorthodox band to say the least. They've been trying something new with each album and it's no different with their latest album, Worse Than Alone. Pinning them to one genre is difficult because they incorporate so many different sounds into their music. A basic description of it can be … Read more
Only Thieves pay homage to the Boss with their cover to Greeting from Levy Park, T.L.H., but the tribute doesn't stop at the artwork. From the get go of "Hammered for the Holidays" there's a clear striving toward outspoken, plainclothes guitarman at the center. However, there's a more of a band feel to it, and more Gaslight Anthem than Springsteen. … Read more
Even though he took up the same moniker, all-caps not withstanding, it's unlikely anyone is going to mistake the artist formerly toting metal fingers for the legendary crust band. One decade after the landing of Operation Doomsday, Danielle Dumile re-emerges with a modified alter-ego, and perhaps a bruised original ego. The reinvention of MF Doom to DOOM comes after a … Read more
Wow, just seriously wow, even though Black Moth Super Rainbow has been on my list to check out for a while now, I am glad that their latest album, Eating Us is my first exposure to the group because it is a breath of fresh air at just the right time. When trying to describe the band to people (as … Read more
As a long-time Iron and Wine fan, I was intrigued by the announcement of this double-disc release that spans the spectrum of Sam Beam's musical career. What most call a rarities and b-sides album, I see more of an insight into the progression of Beam's collaborative sound, compiling many of his strongest tracks that never made it onto his full-length … Read more
By a stroke of luck, my Last.fm did something good for once and recommended me this band called Church of Misery. I usually don't pay close attention to these recommendations as they are usually a bit off (seriously, stop recommending me stuff like Bon Jovi), but the name sounded dope and they apparently fell somewhere into that doom metal category. … Read more
Every so often you hear a record and it instantaneously floors you. All Teeth's debut full-length I Am Losing is one of those records. The thirteen songs that make up this album are filled with such passion, aggression, and emotion - it is as though anger, frustration, resentment, and bitterness actually fuel the songs. The lyrics and music perfectly match … Read more
A great deal of hyperbole flies around regarding re-issues, which in it of themselves can be very tricky propositions, particularly ones that may or may not be integral to have a re-issue. Gore no longer exists as a unit, but the three piece's legacy resonates today in heavy (be it metal, be it some other genre) music and serves as … Read more
The first thing that's going to strike you about The Paper Chase is that they're a quirky indie band. What you get in the first song is what you're going to get in the next nine: John Congleton's wavering voice and keyboard-driven epics. The band relies predominantly on synthesizer instead of big guitars to make their statement. When it comes … Read more
A first record for a band taking their first steps is both exciting as well as potentially harrowing when putting one's work out for others to hear. Monolith make that leap with their debut album, Eclipse, and to be completely honest, I admire the fact that this Pennsylvania four-piece put the record out themselves. Monolith is one of those "post-rock" … Read more
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