There is a caustic, angry, and somewhat aimless feel permeating Swear to Me that convinces me that Brainworms is a good name for the band. They remind me of a lot of 80s punk where the band does one dissonant thing while the singer goes off into his own world. Every so often the two different styles converge, bringing a powerful nexus as a result, but in the meantime what you hear is a meandering wall of anger. The record generally utilizes this approach in every song, but Brainworms keeps from redundancy with an instrumental track in the middle and "Whatever, That's How You Get Famous," in which singer Butler begins the song with a spoken word delivery that falls between Jello Biafra and Lee Raback of Warsawpack, continually speeding up until the song is a beautiful clusterfuck of frustrated noise. Butler comes across as a sweaty, ranting madman and I imagine a lot of broken items flying through the air while he howls into the mic like an ADD David Yow. For as little range as he shows as a singer, the songs differentiate themselves very well, relying not only on the record's arrangement, but also the rhythm section's … Read more
When it comes to live albums, it has to be a band I love or a band that puts on … Read more
Currently recording their eighth studio album, California punk quintet, Strung Out decided to put together this little compilation album full … Read more
It has been two years since Broadway Calls last graced us with a full-length release. But in that time the … Read more
Shoegaze and psychedelics just naturally go hand in hand. Sure, you can have one without the other, but you'd probably … Read more
Ideological stances are polarizing. They come with a set of existing concepts and reference points that are often hard to … Read more
Choose a year to view reviews of albums released in that year.
750 reviews
42 reviews
25 reviews
300 reviews
4948 reviews
19 reviews
The Blind Shake have honed their sound over the years, always identifiable yet always moving it forward and with a keen difference between records. It’s pretty impressive considering they write 2-3 minute stomp-garage tracks with a big emphasis on beat and hook—a style where repetition and sameness run rampant.Where Fly Right stands out is its variation from that tradition. The 9-song EP mixes some laid back surfer wash like “A Clock, A Window,” A Pyramid,” their normal stomp heavy goodness (“Tar Paper”) and psych romp (“Holy Road”), and then the closer “Salt,” which mixes those styles with a more explorative and melodic side. There’s even some acoustic flourish in “Diamond Days,” which has a different volume but the same familiar feel. This record shows all their angles, sometimes stripping the … Read more
When you review as many generic melodic hardcore bands as I do, you do whatever you can to try to find things that make one band stand out from another. Believe me, it wasn't easy to as I listened to Voyages. Tall Ships sounds like just another hardcore band going through the motions of being a new school hardcore. They … Read more
Yes, Nadja continues to be a frustratingly prolific group that pumps out records faster and more geographically spread out than most bands could ever dream of producing. And while that is exciting for fans of the group, it is also difficult to keep up with at times. Quite literally, Clinging to the Edge of the Sky is the newest recording … Read more
Boston-based shoe-gazing space-rockers Constants return with their second full-length and follow-up to 2006's The Murder of Tom Fitzgerril EP. With The Foundation, The Machine, The Ascension Constants continues to make waves in the rock world as they showcase their talent towards writing intricate, dynamic, and ominous rock music. The Foundation, The Machine, The Ascension is ultimately broken up into three … Read more
By now, everyone should know the story of Wilco: Chicago alt-country pioneers-turned-alt-rock gurus record the most ambitious record of their career, their record label turns it down, it sits in limbo while the public consumes leaked copies on the web, another record label owned by the same entertainment giant as their previous one snatches it up, and suddenly it's one … Read more
There's something very important one has to keep in mind when reviewing a Coreline album, or indeed merely when listening to it. And that is this: The brain that gave birth to this is one fully capable of rickrolling an entire festival audience, in amongst a performance that also delivers a theater troupe performing in cardboard robot costumes. Tongue in … Read more
Before I begin, let me get this off my chest: I wasn't a big fan of Cult Ritual's EPs. I don't mean to offend. It's very possible that the glowing reviews from punk blogs across the web had me convinced that I was about to experience some sort of musical enlightenment. Listening to Cult Ritual would somehow turn my life … Read more
Texas natives Iron Age return with their second long-player, The Sleeping Eye, after making quite a name for themselves with 2006's Constant Struggle. The band's debut was highlighted by an onslaught of blistering crossover accented by classic hardcore undertones. With their new release, Iron Age builds on that foundation and adds some depth to their sound. What continues to strike … Read more
Venture deep into the desert of the Southwest and you'll find Black Hell, a doom metal quartet featuring ex-members of Wellington and Unruh who have just released their second album, How the Rest was Lost. Black Hell show show a bit of a split personality on their sophomore effort. On one half, they play fast, groovy stoner-influenced doom metal with … Read more
Unholy returns with a brand new full-length effort, and with it comes a number of new beginnings. First off, the band has seen a major lineup shift, trading out vocalists and its rhythm section. Secondly, the band has upgraded to a more high profile home at Prosthetic Records. In spite of these changes, Unholy has continued to deliver a quality … Read more
When I heard Punish and Destroy for the first time, Weekend Nachos easily became one of my favorite punk/metal bands. I was positive that these guys, along with Trap Them, would be the leaders of the next wave of great extreme music. Then Trap Them released Seizures in Barren Praise, a significant drop-off from their first two releases, in my … Read more
The liner notes for Sigillum Luciferi are emblazoned with the phase "tune down, smoke up," which really ought to be the motto for any self-respecting stoner/doom/sludge band. Cough definitely fits that sound to a "t," and the packaging of the album, adorned with naked chicks, occult symbols, and pot leaves, does as well. But how does Cough stack up with … Read more
At Our Heels is yet another in the ever growing list of bands to emerge from the Bay Area's excellent hardcore scene. Alex Pulisci began piecing together what would come to be At Our Heels following the breakup of Love, Hope and Fear. Musically the group treads similar water, fast-paced hardcore with a rock swagger. Pulisci, who enlists the drumming … Read more
Scranton, PA's Tigers Jaw has really captivated listeners since releasing their second full-length album last year. Sure, they released their first full-length two years prior, a release that A LOT of people missed, but sometimes it just takes time for a band to have an impact. Spirit Desire is a three-song 7" that follows through on the direction the band … Read more
Night Minutes is the latest release from New Zealand's Strangers. The group made quite a splash with their 2007 debut, Holding., and the subsequent full-length, Weight. This six-song 7" release continues Strangers destructive and abrasive metallic assault, beginning with "Voyeur." It's fast and raw; the guitars are loud and the low end is extremely powerful. Fans of Jane Doe-era Converge … Read more
Looking for the SPB logo? You can download it in a range of styles and colours here:
Click anywhere outside this dialog to close it, or press escape.