Only Thieves pay homage to the Boss with their cover to Greeting from Levy Park, T.L.H., but the tribute doesn't stop at the artwork. From the get go of "Hammered for the Holidays" there's a clear striving toward outspoken, plainclothes guitarman at the center. However, there's a more of a band feel to it, and more Gaslight Anthem than Springsteen. The record starts with frontman Jeremy Barnes strumming his guitar and singing into the mic in a conversational, beseeching "Come on, come on, come on." The song is pretty straightforward guitar-driven rock with a few rhythm changes to guide Barnes' inflection. He is a singer, not a vocalist, and it's clear that he's comfortable standing front and center. It's an enjoyable song and a solid way to start of the EP. Three minutes later, as Barnes proclaims "You got me all wrong," the song ends and the record begins to change, eschewing the tribute in favor of a more modern sound. "I Got Left Behind" features a more prominent bass, interplaying with the guitar to create a sound fuller than you'd expect of a three-piece. The song offers a danceable hook and emotional vocals softly over the top, but it … Read more
Wow, just seriously wow, even though Black Moth Super Rainbow has been on my list to check out for a … Read more
As a long-time Iron and Wine fan, I was intrigued by the announcement of this double-disc release that spans the … Read more
By a stroke of luck, my Last.fm did something good for once and recommended me this band called Church of … Read more
Choose a year to view reviews of albums released in that year.
749 reviews
42 reviews
25 reviews
300 reviews
4868 reviews
19 reviews
Have you heard the myth about prisoners stubbing out cigarettes into a bucket of water in order to create enough poison to use on their fellow inmates? Evidently, someone slipped a copy of the mastertapes to Ulver's latest sonic delivery into that foul brew as well. Opening with the slow-burning near opera of "Dressed in Black," the stage is thoroughly set for one of the most mind warping listens you're likely to encounter this year. Which is saying something, considering this is an Ulver album being discussed. Never ones to allow genres or definitions to affect their sound, mainman/audio-saboteur/messiah complex sufferer Kristopher Rygg has once again allowed his apocalyptic vision to run free into any and all realms available, be it veering from monastery chants, trip-hop, and ambience, to even … Read more
A great deal of hyperbole flies around regarding re-issues, which in it of themselves can be very tricky propositions, particularly ones that may or may not be integral to have a re-issue. Gore no longer exists as a unit, but the three piece's legacy resonates today in heavy (be it metal, be it some other genre) music and serves as … Read more
The first thing that's going to strike you about The Paper Chase is that they're a quirky indie band. What you get in the first song is what you're going to get in the next nine: John Congleton's wavering voice and keyboard-driven epics. The band relies predominantly on synthesizer instead of big guitars to make their statement. When it comes … Read more
A first record for a band taking their first steps is both exciting as well as potentially harrowing when putting one's work out for others to hear. Monolith make that leap with their debut album, Eclipse, and to be completely honest, I admire the fact that this Pennsylvania four-piece put the record out themselves. Monolith is one of those "post-rock" … Read more
This may be going out on a limb here, but Dinosaur Jr.'s reunion album in 2007, Beyond was one of the best albums of said year, if not one of the best reunion albums ever. Bands reuniting is always seen as a lame cash-in attempt by artists going bankrupt, but with Beyond it felt more like Dinosaur Jr. were making … Read more
California's most intriguing current hardcore outfit, Sabertooth Zombie, returns with their latest full-length effort. Since they've last released Midnight Venom in 2006, the group has released a dual-EP 10" and a 7" EP as well as re-recording and re-compiling a few recordings for CD releases. Needless to say, Sabertooth Zombie has kept themselves busy. And You Fathers are Dead in … Read more
Ah, summer in full swing. For those of you attempting to battle high temperatures, I empathize as I sit in my apartment with my blinds closed and fight off the forecast 105-degree heat. But I try not to be bitter despite my preference for cold weather, and keep in mind the more exciting facets of summertime. One of these is … Read more
Now on their third album, Shook Ones already have a pretty solid reputation. After the melodic hardcore masterpiece that was Facetious Folly Feat, I thought it would be difficult to make another record that was as fast and energetic as that one. Well, what does the band do instead? How about make one of the catchiest records of 2009 while … Read more
Chicago natives Oceans offer up nine tracks with sixty minutes worth of music on their debut effort. The five-piece maintain a post-rock inspired craft throughout the bulk of the full-length but also find ways of incorporating mid-90's emo and post-hardcore sounds into their songs. Nothing Collapses begins with "Lit Up Under Streetlights" and you get eight minutes of light-footed post-rock … Read more
Phoenix has always been successful at lifting spirits and making people dance. Based out of Versailles, Phoenix has been going at it for almost a decade now, and their fourth full-length, Wolfgang Amadeus Phoenix, came at the perfect time for Summer. And no, it's not a Mozart cover album. Apparently, the somewhat egotistical sounding title was a product of the … Read more
It's always great to find all of these new breeds of punk bands coming about lately. There have been so many that I've found out about the last couple of years. And the funny thing is, nearly all of them have stuck with me. I still listen to all of these bands on a pretty frequent basis. Another band to … Read more
I'll be honest here. I was never a huge Outbreak fan. You Make Us Sick was fairly decent, but I was never really sold on the group. I have a lot of friends that swear by that record and the subsequent release of Failure. but I'm just not one of them. Anyway, Work to Death is a new 7" single … Read more
Hailing from Oregon, this four-piece outfit has brought forth a four-song EP titled No Help. The title of the EP is fitting as the band has recorded and packaged the entire release themselves. Granted, it's limited to screen printed cardboard sleeves, but that's still cool. I appreciate the DIY effort. "Holy Pigs" is the lead song and immediately you're greeted … Read more
Man Overboard is the latest bubble-gum pop-punk band to come around, joining the existing one hundred thousand others. This four-piece hails from New Jersey, and like so many others they take influence from groups like Blink 182. I'm not blaming Man Overboard by any means, but I'm starting to get sick of these kinds of bands By the way, if … Read more
Here we have a decent seven-song slab of 90's hardcore with some newer influences. Outrage sounds like they take the best riffs from the New Age catalog of 1995, speed it up and toss some impassioned vocals on top of it. I can see anyone into Outspoken to Defeater enjoying this band. I found it to be an enjoyable listen … Read more
Looking for the SPB logo? You can download it in a range of styles and colours here:
Click anywhere outside this dialog to close it, or press escape.