In the Red frontman Mike Hale recently made the decision to be a musician full-time and he's been very busy at work considering that his solo record, Lives Like Mine, was recorded only two weeks after In the Red's second album was released. One would think that the album may have been rushed and the quality of the songs may have been effected but that is certainly not the case here as Hale's songwriting skills really blossom on Lives Like Mine. Lives Like Mine shows a deeper, stripped down version of Mike Hale as most songs only feature his voice and an acoustic guitar, with an accompanying piano on a few tracks. He uses these instruments to give Lives Like Mine a very depressing vibe. It's a very dark and melancholy record with most of the lyrics dealing with love loss and pain. What really makes it great is how well most of these songs are written and how Hale makes his lyrics not sound cliche at all. The deep, yet brutally honest and sincere tone to his voice adds to the vibe, as well. The beautiful piano-driven ballad "For That Working Hour" is the main highlight as he croons … Read more
What do you get when you toss members of Jesu, Isis, Godflesh, House of Low Culture, The Lotus Eaters, Mamiffer … Read more
Rob Gordon's first lines uttered in High Fidelity are What came first, the music or the misery? People worry about … Read more
Throughout their eight-year tenure as a band, The Mars Volta has never been timid about doing whatever they please. The … Read more
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Daggermouth's 2005 release, Stallone was a really solid record. For me, the band came along at a time when no new bands were really catching on with me. I was hooked on Stallone from the start and I've been riding the hype train with The 'Mouth ever since. Turf Wars was certainly a long time in the making, but I have to say it was worth the wait. The album kicks off with "Abracadabra, Holmes" which finds Daggermouth displaying a more aggressive sound than anything you could find on the band's previous releases. The band really seems to nail down an almost Pulley-esque sound at times, melding 90's skatepunk with the 00's poppy style of hardcore that is ever so popular. Songs like "Glendale P.D. Hates Daggermouth," "Fact Mike Peecher … Read more
Christian hardcore isn't exactly my thing but I was willing to give The Red Baron's debut album, My First Love, a fair, unbiased listen only to find out that the record is everything I'd fear it would be: preachy, generic and forgettable. What we have here is twelve tracks of straight-edge and Christian-inspired hardcore songs where the band isn't afraid … Read more
Ever since their conception in 2004, Comadre has been a ridiculously prolific punk band. They tour constantly and release a new album or EP practically every year. You'd assume that it wouldn't give enough time for the band's sound to change and evolve, but I'm impressed with the growth in each of their releases. Their latest EP, A Wolf Ticket … Read more
Everyone Everywhere is a relatively new group from Philadelphia that loves to wear their influences plainly on their sleeve. Sounding somewhere between Nothing Feels Good-era Promise Ring and the bouncy guitars of Braid, they bring us four tracks of this 90's style that I don't hear very often anymore. This seven-inch turns out to be an interesting exploration of a … Read more
The third record finds this Canadian five-piece returning to the smooth atmospheric rock of their debut. But with more songwriting maturity to show for it, this is actually a stronger release. "Snow in California" and "Being Here" are the stand out songs, but really this CD works well as a whole. I've never been to Eastern Europe, but I think … Read more
On this outing Robyn Hitchcock is backed by Scott McCaughey (Young Fresh Fellows) on bass and vocals, Peter Buck (some big band from Athens?) on guitar and Bill Rieflin (Ministry) on drums. A lush recording with a lot of texture makes this record a lot to take in. But once you enter, you may never want to leave. "Saturday Groovers" … Read more
Outclassed's This Might Be Coincidence is a five-song escape from tranquility. Their satisfyingly raucous punk is filled with energy and misshapen tempos. Song titles like "Kick God in the Face, Hail Satan" and "Fuck Mark" are almost impossible to hate. Their label Forcefield Records is also home to City of Ships, Triac, and Cannabis Corpse. The one-sided LP release of … Read more
imadethismistake play catchy folk-infused punk. It's a simple concoction, but it works well for the band. It's Okay is an eleven song LP with awesome artwork done by EMY (aka Bughead). Kylewilliam Campol's vocals match the music nicely, and the music is never too overbearing or haughty. It's evident that imadethismistake have found their niche. It's Okay is a pleasant … Read more
Who Calls So Loud features ex-members of Funeral Diner and Portraits of Past, but that's not the only reason you should listen to their self-titled release. Their label, Protagonist Music, is well known for its incredible acts such as In First Person, Pyramids, Osceola, and Suis La Lune. The band plays emotional hardcore that breathes with quieter ambient sections. Heed … Read more
Stella Dawes sent us a promo of Contrasts with a press sheet on which they wrote too much about themselves. In all honestly, it turned me off to their album before I even listened to the twelve songs. They say their influences are "Poison the Well, Underoath" and "'screamo' bands." Thankfully, the music isn't exactly what I anticipated. The vocals … Read more
Limited to a number of 250, A Death Cinematic's most recent release features two discs and impeccable packaging. Comparisons can easily be made to certain output by A Silver Mt. Zion or Godspeed You! Black Emperor, but A Death Cinematic's sound is someplace else. It is distant, eerie, and always brooding. The long song titles such as "Their Blood Crawls … Read more
Magic Bullet reissued Lymbyc Systym's first release, but with two bonus remixed tracks. The five original songs sound as good as ever. Lymbyc Systym's brand of ethereal electronic noodling has grown since Carved by Glaciers, becoming even more cohesive and brilliantly layered. However, to be able to revisit the band's earliest material is a treat. It's good to learn about … Read more
"Haunted by Rivers" begins Drain the Sky's first release on Level Plane Records. Use of repetition, low vocal pitches, and no percussion make the song oppressive. However, the rest of Haunted by Rivers does not follow in the same fashion. "Sightless" increases tempo and dabbles in hardcore punk. I really like the juxtaposition between the first two tracks. Everything about … Read more
Chapter III: World Reclamation is a bizarre release. The Thucydidean Theory combine punk and trance arrangements that are heavily bass-driven. This four song release features female vocals that mingle with vocal-like synth sounds. "Please Stop Calling My Office and Yelling 'Cunt' at Whoever Answers the Telephone" is the most upbeat track on World Reclamation. Although the band's hybridized ideas are … Read more
Eksi Ekso is a group of six musicians from Boston. Their debut, I am Your Bastard Wings, highlights a musical prowess that dances between free-form and orchestrated. The breadth of instruments - viola, oboe, violin, flugelhorn, trumpet, bass, guitar, keys, drums - adds to Eksi Ekso's complex sound. Easy comparisons might be Ghastly City Sleep and Godspeed You! Black Emperor, … Read more
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