It's refreshing to hear bands showing their influences without becoming a fiftieth-wave hybrid, a la The ePoxies. Maps of Norway obviously love 1980's new-wave. However, they don't set out to make a copy of that, they fuse the sound into their own artistic development, and Guilt Ridden Pop's release Die Off Songbird is the end result. The record starts off with a minimalist intro that segues perfectly into the mid-tempo, dancey "Cage the Lions." Here, singer Rebecca Leigh shows her pipes with a sultry delivery as Jeff Ball holds an almost robotic beat. Map of Norway's approach is subtle and nuanced post-punk/new-wave with strong, danceable beats. It's all tied together with consistent and impressive vocals that convey the band's emotion. The music is minimal and sounds almost sleepy at times, especially with the "Blue" tracks placed throughout the record as quiet, instrumental intermissions. "Cage the Lions" is a nice, dancey pop song, not unlike a subtle Faint but with a vocal delivery that considers itself more as an instrument than as means of conveying words. The band's bass and guitars are consistently pushed into the background, with Leigh and Ball forming the core. The rhythms are very repetitive, which makes … Read more
Boston-based Ramming Speed burst onto the scene with their debut 7" in 2007. The EP followed suit of the crossover/thrash … Read more
There are many names - bands, labels, zines, promoters, etc. - that instantly come to mind when one brings up … Read more
Split recordings are almost always unique projects in some aspect or manner; I particularly enjoy them when there is an … Read more
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The big complaint since Aesop Rock’s breakthrough, Labor Days, seems to be that he hasn’t had the memorable singles. At this point, it should be clear that Aesop Rock writes albums, not hits. Skelethon is his sixth release, and first with powerhouse label Rhymesayers Entertainment. While None Shall Pass (2007) had its moments, I’ve long felt Aesop Rock’s best work was with Blockhead on production. However, he has definitely come around with his textures and Skelethon maintains a steady beat that wavers between ambient-electro spaciness and more aggressive, banging moments that emphasize his distinctly articulate delivery, often synchronizing his flows along with the expansive beats. The production on this record has a consistent, yet varied, feel that works well with the rhymes and the record flows as well, if not … Read more
It must be rough to be Dennis Lyxzén. Ten years ago, he was a part of the loftily-titled but nonetheless astounding album The Shape of Punk to Come with his band Refused. The bar was set very high, and once The (International) Noise Conspiracy was unveiled, we all realized that the bar would not be met. The (International) Noise Conspiracy … Read more
2008 was a year I kept hearing Monikers' name without knowing a thing about them. They turned up on split releases, message boards, and year end lists before I really familiarized myself with them. It turns out they live up to the endorsements received, not to mention the bonus points received for having an ex-Discount member. "80 Proof" kicks off … Read more
My preconceptions about Koufax are somewhat idealized. I put them in the better, earlier days of Vagrant Records, before Dashboard blew up beyond belief and before they started signing bands like Senses Fail. I remember first hearing "Younger Body," from their second full-length Social Life, on a compilation and being inexplicably drawn to the melodies and simplicity of Koufax. They … Read more
Bon Iver's 2008 release For Emma, Forever Ago was made in troubled times. Supposedly, after suffering the loss of a band and girlfriend while dealing with poor personal health, singer Justin Vernon spent three months of the winter in his father's cottage, located in a remote area of Northern Wisconsin. His time spent in isolation birthed the album, a haunting … Read more
Jason Schwartzman is in a number of my favorite movies. He was the self righteous student lead in Rushmore, the soul searching environmental activist in I <3 Huckabees, and the likeable meth user in Spun. He also played drums for the now defunct Phantom Planet, best known for what is arguably the greatest theme song of all time: The OC's … Read more
This CD is a three song demo of 90's hardcore on the posi tip (obviously). It sounds like a cross between Mouthpiece and Undertow. So you probably already tell I like this. It's a complete throwback to when I got into hardcore and not breaking any new ground but for three tracks you really can't complain. It's heavy with simple … Read more
I'm stoked that bands out there are gluttons for punishment and seek me out to do a review of their album. That's cool. However, I have a meager complaint from now on; no more CDR copies of your release. If it's a full-length like Good Job it gets the 200 Words or Less treatment. EPs will probably be ignored completely … Read more
More hardcore from across the pond. This time it's The Netherlands. Neat. All for Nothing sound like they want to rewrite the first Comeback Kid album in five tracks. You know the sound - fast hardcore, silly breakdowns, and shouted vocals. Oh yeah this time the vocals are handled by a lady. She sort of reminds me of Mike Ski … Read more
Can't say that I was too familiar with this band's music. But after seeing them at a recent intimate club show, I walked away convinced. A break-up of many years has done nothing to dull their songwriting chops. This record is brimming with catchy songs right from the first note. "Welcome to Janesville" kicks things off with a power pop … Read more
This is the third release from these Brooklyn shoe gaze popsters. Twelve songs full of rich textures and somber moods that took ten years to complete. Thankfully it's not a bloated opus like that other release, something about democracy? Which took even longer to come out. Solid arrangements, swirling harmonies, and just a plain old fashioned emphasis on making the … Read more
Four-song EP from this U.K. band that will be sure to make waves across the globe. Imagine yourself driving down the highway, maybe a bit too fast. This would be a perfect companion on a moonlit night. Not that the band condones breaking the law at all! "One Small Step" is a top notch rocker, but all the songs here … Read more
It's been an interesting road for Lords since their formation by Chris Owens about five years ago. Initially boasting members of underrated The National Acrobat and other notable Louisville groups, from the get-go the band delivered an unrelenting concoction of noisy hardcore that the city's scene is often noted for. Along the way members have come and gone, most recently … Read more
Photographs From the Shoebox is a split between two Philadelphia artists that mean a lot to punk music. Mischief Brew are technically a band, but it seems safe to say all elements of their music are merely an extension of guitarist and songwriter Erik Petersen. Petersen also runs Fistolo Records, so this is a self-release in a way. Joe Jack … Read more
If the name isn't clear enough for you, the Swingin' Utters' new record, Hatest Grits: B-Sides and Bullshit, does not contain new material. It also does not contain greatest hits, which is a little less clear. Instead, there are (surprise!) b-sides, demos, three Cock Sparrer songs, and other unreleased odds and ends. If you're new to the band, they've been … Read more
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