Where does the aging punk-rocker go when his band's presence in the scene has all but evaporated, releasing new material only when the mortgage has to be paid or a new mouth to feed has entered the family unit, touring mostly when the opportunity is to travel overseas? He goes to the studio, unplugs the guitar, slows down the tempo, and croons a little softer. Paul Westerberg is doing it well, so why can't Joey Cape try? The singer for the now intermittently active Lagwagon has taken many of the tracks off his main band's most recent EP, I Think My Older Brother Used to Listen to Lagwagon, and re-recorded them in a stripped down, yet gracefully re-arranged format while adding a few originals. Using the same approach as he did with the songs Cape released with No Use for a Name frontman Tony Sly, it's difficult at first to wonder why the songs on Bridge don't hold up as well. After a few close listens it becomes easy: before someone can arrange and record a song beautifully, it has to be a beautifully written song. Regardless of the style Cape presents these songs in, they lack the originality and … Read more
Boston-based Ramming Speed burst onto the scene with their debut 7" in 2007. The EP followed suit of the crossover/thrash … Read more
There are many names - bands, labels, zines, promoters, etc. - that instantly come to mind when one brings up … Read more
Split recordings are almost always unique projects in some aspect or manner; I particularly enjoy them when there is an … Read more
It must be rough to be Dennis Lyxzén. Ten years ago, he was a part of the loftily-titled but nonetheless … Read more
Choose a year to view reviews of albums released in that year.
754 reviews
42 reviews
25 reviews
300 reviews
5029 reviews
19 reviews
On The Lost Riots, Hope of the States debuts with tragedy on their shoulders. In midst of recording the album, founding guitarist James Lawrence was found dead in the studio as a result of an apparent suicide. Do not, however, write this album off as merely pieces of suicide notes because of some lamenting lyrics like "I carry sadness on my back/I lose I know I always will" and the end of the world artwork on the cover; the major theme of the album is hope, as the band name suggests. Hope of the States moved beyond the tragedy of Lawrence's death by keeping the band and the songs they recorded with producer Ken Thomas (of Sigur Rós fame) intact. Hope of the States initiates their debut with a violin … Read more
2008 was a year I kept hearing Monikers' name without knowing a thing about them. They turned up on split releases, message boards, and year end lists before I really familiarized myself with them. It turns out they live up to the endorsements received, not to mention the bonus points received for having an ex-Discount member. "80 Proof" kicks off … Read more
My preconceptions about Koufax are somewhat idealized. I put them in the better, earlier days of Vagrant Records, before Dashboard blew up beyond belief and before they started signing bands like Senses Fail. I remember first hearing "Younger Body," from their second full-length Social Life, on a compilation and being inexplicably drawn to the melodies and simplicity of Koufax. They … Read more
Bon Iver's 2008 release For Emma, Forever Ago was made in troubled times. Supposedly, after suffering the loss of a band and girlfriend while dealing with poor personal health, singer Justin Vernon spent three months of the winter in his father's cottage, located in a remote area of Northern Wisconsin. His time spent in isolation birthed the album, a haunting … Read more
Jason Schwartzman is in a number of my favorite movies. He was the self righteous student lead in Rushmore, the soul searching environmental activist in I <3 Huckabees, and the likeable meth user in Spun. He also played drums for the now defunct Phantom Planet, best known for what is arguably the greatest theme song of all time: The OC's … Read more
This CD is a three song demo of 90's hardcore on the posi tip (obviously). It sounds like a cross between Mouthpiece and Undertow. So you probably already tell I like this. It's a complete throwback to when I got into hardcore and not breaking any new ground but for three tracks you really can't complain. It's heavy with simple … Read more
I'm stoked that bands out there are gluttons for punishment and seek me out to do a review of their album. That's cool. However, I have a meager complaint from now on; no more CDR copies of your release. If it's a full-length like Good Job it gets the 200 Words or Less treatment. EPs will probably be ignored completely … Read more
More hardcore from across the pond. This time it's The Netherlands. Neat. All for Nothing sound like they want to rewrite the first Comeback Kid album in five tracks. You know the sound - fast hardcore, silly breakdowns, and shouted vocals. Oh yeah this time the vocals are handled by a lady. She sort of reminds me of Mike Ski … Read more
Can't say that I was too familiar with this band's music. But after seeing them at a recent intimate club show, I walked away convinced. A break-up of many years has done nothing to dull their songwriting chops. This record is brimming with catchy songs right from the first note. "Welcome to Janesville" kicks things off with a power pop … Read more
This is the third release from these Brooklyn shoe gaze popsters. Twelve songs full of rich textures and somber moods that took ten years to complete. Thankfully it's not a bloated opus like that other release, something about democracy? Which took even longer to come out. Solid arrangements, swirling harmonies, and just a plain old fashioned emphasis on making the … Read more
Four-song EP from this U.K. band that will be sure to make waves across the globe. Imagine yourself driving down the highway, maybe a bit too fast. This would be a perfect companion on a moonlit night. Not that the band condones breaking the law at all! "One Small Step" is a top notch rocker, but all the songs here … Read more
It's been an interesting road for Lords since their formation by Chris Owens about five years ago. Initially boasting members of underrated The National Acrobat and other notable Louisville groups, from the get-go the band delivered an unrelenting concoction of noisy hardcore that the city's scene is often noted for. Along the way members have come and gone, most recently … Read more
Photographs From the Shoebox is a split between two Philadelphia artists that mean a lot to punk music. Mischief Brew are technically a band, but it seems safe to say all elements of their music are merely an extension of guitarist and songwriter Erik Petersen. Petersen also runs Fistolo Records, so this is a self-release in a way. Joe Jack … Read more
If the name isn't clear enough for you, the Swingin' Utters' new record, Hatest Grits: B-Sides and Bullshit, does not contain new material. It also does not contain greatest hits, which is a little less clear. Instead, there are (surprise!) b-sides, demos, three Cock Sparrer songs, and other unreleased odds and ends. If you're new to the band, they've been … Read more
Massachusetts' Energy is a band that showed great promise with the 2007 EP Punch the Clock. The band's fusion of the classic punk sounds of The Misfits and Ramones with that of more modern punk and hardcore outfits like A.F.I. and Ignite brought them a lot of attention. But with that initial success came high expectations that would be tough … Read more
Looking for the SPB logo? You can download it in a range of styles and colours here:
Click anywhere outside this dialog to close it, or press escape.