The last time Lucinda Williams released an album, it was a waste of time for everyone. West was slow, drab, and devoid of any catchy melodies, and it gave me serious doubt as to whether she should continue making music or not. But Lucinda has pulled a total about-face, and stepped up her game. Ignoring LL Cool J's advice, I am officially calling Little Honey a comeback. When I was lucky enough to see Lucinda live a couple months back, she said that most of the songs on Little Honey were b-sides and others that were written during the West sessions. That is mind-blowing when you consider how much better these tunes are than anything found on West. She gets things going right away with "Real Love," the album's first single and a killer rock song with no country swing whatsoever. That swing comes in on the second track, "Circles and X's," a lovely exercise in three-chord simplicity. The big centerpiece of Little Honey is "Little Rock Star," quite possibly the most powerful song Lucinda has ever written. With lyrics clearly directed at artists like Ryan Adams who enjoy self-destruction, she comes off less preachy and more motherly, like she … Read more
Sometimes I think I take music too personally. I find myself judging others all too quickly when I hear their … Read more
It's been fifteen years since the last release from the "band" known as Guns N' Roses seventeen years, that's not … Read more
This Boston punk band is made up of members of Reach the Sky, Even in Blackouts, and Stephanie Dougherty - … Read more
Last week I completed a short review of this 7" from Last Lights to be posted on the site. It … Read more
Talk about coming from proverbially nowhere; after several days of enjoying various streams of this record and eventually tracking this … Read more
Choose a year to view reviews of albums released in that year.
754 reviews
42 reviews
25 reviews
300 reviews
5015 reviews
19 reviews
People around here at Scene Point Blank like to joke and rib me about being the token melodic hardcore guy. It's all in jest and like with most stabs of humor they never stray to far away from the truth. However, there is a dark secret I would like share with everyone. Towards the end of the 90's and into the new millennium my musical taste wasn't only a steady diet of Lifetime and their ilk. I also supplemented it with vitamins B, C, C, C2, and C3 - those being Botch, Converge, Coalesce, and Cave In. Oh yes, I loved me some noisy early Hydra Head releases. I even thought Drowningman was good for a spin or two. At the time "noisecore" was an inventive sound; converging metal, hardcore, … Read more
A lot of artists resist fame. I've done interviews with bands for nearly five years now and have heard countless times from both nameless and recognizable acts that there were never any aspirations for a hit radio single or a gold album. For these people it seemed when something reached a point of popularity it lost authenticity. By acknowledging the … Read more
I'll admit it; I have a few musical guilty pleasures. I have a few albums that I'm embarrassed to own but I still love nonetheless. Makeout Party seems like they could be one of those bands. The name alone is a little off-putting, whether it reminds you of the awkward middle school gathering or the quick-lived internet group sensation. The … Read more
Since forming in the year 2000, Terror has been unleashing a punishing assault of metallic hardcore punk to the masses. From the get-go with their four-song demo the band has delivered an intensity, especially that of frontman Scott Vogel, that is unmatched by any of their peers. The evolution of Terror may seem like nothing dramatic to the casual hardcore … Read more
This is a piece of history, as the name of the album might suggest. Our Roots Our Pride: History of Italian Positive Hardcore and Straight Edge Movement 1989-1995 contains thirty-two songs by six different artists that were all prominent during Italy's straight edge hardcore movement from the early-to-mid 90's. All of these bands are a completely new introduction to me. … Read more
I've been waiting to hear Aussitôt Mort's first full-length since this spring. Montuenga's release kept getting pushed back, but at least three months after the intended date, it's finally here. Aussitôt Mort parted with their vocalist who appears on the 12" demo, so their songs have taken on a more instrumental quality. The songs lend themselves to minimal vocal accompaniment, … Read more
Post-rock is a peculiar beast; it's seemingly very difficult to achieve a unique sound in the field, especially after the pioneers managed to diversify into a set of forerunners creating the inevitable chorus of copyists. Given that the only two real distinctions of the genre are a generally low use of vocals and the abandoning of a typical verse/chorus structure, … Read more
Originally planned as a whole other project of Caleb Scofield under the moniker Heatseeker, Bird of Prey is instead the second full-length release from the Cave In/Old Man Gloom member's Zozobra. Joining Scofield this time around is Isis drummer Aaron Harris, who also engineered the album, in place of the departed Santos Montano. The decision to release this album under … Read more
Ambient music is (in the words of one Brian Eno who is usually credited with coining the term) music that can be either "actively listened to with attention or as easily ignored, depending on the choice of the listener," and that exists on the "cusp between melody and texture." Aughra is the solo ambient/electronic/experimental project of one Brent Eyestone (proprietor … Read more
Overexposure should be listened to with a) an instrument in hand, b) a beer in hand/several beers in your stomach, or c) a turntable. Why a)? Because you will look down at whatever instrument you have chosen to hold - maybe with intentions to play along with the music you're about to hear - and realize that the music is … Read more
I remember The Postman Syndrome; their lone full-length, Terraforming is a hidden gem chock full of references to the landmark Japanese anime Neon Genesis: Evangelion and intricate songs which contain equal parts fret board gymnastics and melody. Day Without Dawn is the product of that band minus one member and quite a bit of a challenge, which a band can … Read more
If there has ever been a band that you would expect to be on No Idea Records that doesn't feature any bands that were ever on the No Idea roster than it would be be Bridge and Tunnel. Honestly, this co-ed four-piece from New York City doesn't even sound like any band on No Idea besides some gruff vocals belted … Read more
New Brunswick, NJ seems to be bringing the rock lately. The Measure [SA] is one of the town's hard working bands with a slew of releases. One Chapter in the Book: A Collection of Standard Waits and Measurements compiles many of them in one place, with the album title being nearly as long as the record itself. What follows is … Read more
Some things just get better with age. Suicide Note is one of those things. As the band has progressed over the past ten years they are gradually refined their sound and improved their songwriting. With each new release came another step forward. And now with the release of their latest full-length, Empty Rooms, the band is nearly at the pinnacle … Read more
When a press pack goes on and on about an artist's former band and all you can remember about them is a single that maybe cracked the Top 20 (but you're not sure), you know they're clutching at straws. So it is with Chris Corner, former member of Sneaker Pimps and the mind behind IAMX. Kiss + Swallow, his debut … Read more
Looking for the SPB logo? You can download it in a range of styles and colours here:
Click anywhere outside this dialog to close it, or press escape.