It's almost a little sad when drugs influence a lot of what musicians do (The Mars Volta?). It is equally sad and almost doubly disappointing when musicians ruin their reputations with shallow releases. Pegasuses XL is Make Dale (Disband), Jeff Tobias (We Versus the Shark), Joel Hatstat (Cinemechanica) and the renowned Jeff Rosenstock (Arrogant Sons of Bitches, Bomb The Music Industry). The Antiphone, the bands first release after a trio of EP's, follows their release pattern: it's just becoming worse. This release is a result of far too many evenings smoking pot in the basement. Everything is drawing board material with no substance or depth. The lyrics are scrapped together. The songs are misguided by a heavy distortion which makes the album totally unlistenable. It's surprising to know that the best musical achievement on this record is a chord progression, barely. There is a bit of experimentation, which in its own way has merit. However, nothing solid is produced. I'm surprised this record was not a joke, though they mention that they are really "pumped about it." The foundation of this release was not choreographed with an structure, but rather, was a composition of ideas in a café. Which should … Read more
I have a huge crush on Kim Deal. There, I said it. Fuck you, don't judge me. You probably rubbed … Read more
Black metal is one of the last bastions of progression and experimentation in the metal community. Fifteen years ago that … Read more
What if Elvis Costello was still churning out upbeat, poppy numbers like his early work? What if you took away … Read more
Whenever I think of Until the End, I think of the time I crammed five finals into a twenty-four-hour period … Read more
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Black metal is one of the last bastions of progression and experimentation in the metal community. Fifteen years ago that statement would have been laughable, but with the first couple generations of purists either incarcerated, dead, or at least moving on to other musical interests, a new generation has been left to carry the torch. This wave of bands is not only more musically ambitious, but also has more eclectic influences. Inspired by the bleak soundscapes of a genre nearing its 30th birthday, and not so much by the church burnings and band member slayings, this group of musicians (Deathspell Omega, Amesoeurs, Wolves in the Throne Room, Ruins of Beverast, and Nachtmystium to name a few) has been churning out albums that prove that black metal does not have to … Read more
I'll admit - I have a bit of a problem with modern blues. For me, blues, real blues ended in the 1940's with the likes of Robert Johnson and Hudie William "Leadbelly" Ledbetter. When you're a black man in the deep south, you best believe you're gonna have the blues. Nowadays, what the fuck are you bitching for? Boxcar Satan … Read more
With an album title that sounds like the most recent Foo Fighters record, a song called "Fix You" (I thought Coldplay had already professed that particular desire), and a collection of tracks that sound like they want to be Green Day, My Chemical Romance or The Offspring circa 1994, The Offspring have become imitators and glory-day seekers, shapeshifting and morphing … Read more
So the early Amebix releases are finally becoming more widely available (even though they have been on the bootleg circuit for quite a long while) which is excellent because some of the bootlegs of them are pretty nigh unlistenable, and considering that these releases are some of the best material that Amebix offers, finally seeing the light of day can … Read more
Stay Positive, the fourth album finds the Brooklyn by way of Minneapolis The Hold Steady trying to further their scope as musicians and lyricists while also tackling a greater challenge: aging gracefully. While there are stumbling points to the album, the band holds steady. It's these falters though that may cause a rift in the unified scene that vocalist Craig … Read more
John Zorn is well on the way to becoming the most prolific artist in music history. Through recordings from Painkiller, Naked City, Masada, and untold other projects, the man is associated either through composing music for or performing on an average of over ten albums per year. For those unfamiliar, his Masada project was arguably his most well known and … Read more
When I was eleven my mother asked me if the family should remodel our basement, converting it into a living room and bedrooms for both my sister and me. Heading into middle school, a time when children begin to blossom socially, I thought this was a great idea. The freedoms were readily apparent. I began taking interest in the local … Read more
Minimalistic drone/doom is a hit-or-miss kind of genre. When you are relying on only one or two riffs to carry an entire song, the results can be either bone-chilling or yawn-inducing. With their second full-length, Atavist, hailing from Manchester, England, has once again proven it can achieve the former. Atavist's brand of tortured, bowel-loosening doom is not for the faint … Read more
So the inevitable is occurring as Relapse is reissuing this behemoth of an album (although at right around thirty minutes that is a stretch to call it such by today's standards). Recently awarded a spot in the Decibel album hall of fame, 0:12.2: Revolution in Just Listening is a supremely curious album as it is a document of a band … Read more
Tokyo Police Club's A Lesson In Crime put the band in an awkward position. The seven-song EP gained a substantial amount of praise/coverage for it's less than twenty-minute run time, showing a glimpse of energetic indie pop somewhere between a dance party and a rock out that, despite it's length, made it one of the best releases of 2006. In … Read more
Oh, Weezer. Here we are, album six for the band who've spent an entire career trying to figure out who they are. Are they The Pixies-aping geek rockers with a penchant for nerdery and romance? Are they riff-wielding guitar heroes rocking ironic stadiums? Are they misunderstood indie icons? Are they, um, white-boy rap? The band's third self-titled album - referred … Read more
El Chupa Cobras belong to the breed of bands that, aside from having amusing names also have extremely short attention spans and exponentially spastic approach to creating music. This kind of music is never easy to pull of on record. Live, the sheer energy of each member immersing him/herself in the music on stage could be enough to provide for … Read more
I think I've read more hyped up reviews of Verse's third album Aggression than I've actually listened to it. I keep seeing a reoccurring trend in these reviews on how Verse is a breath of fresh air in a rather stagnant scene when it comes to popular hardcore bands. There seems to be an influx of hardcore that would rather … Read more
Connecticut hardcore, no matter how great it is, always seems to get overshadowed by the nearby bustling Massachusetts (particularly Boston) hardcore scene. In fact, oftentimes people just consider them to be one in the same. This is unfortunate because over the years the state of Connecticut has churned out a plethora of stellar bands: Hatebreed, Dead Wrong, Sum of All … Read more
Fugitives from the Laughing House comes twenty years after The Reds released their first single. Despite such a history, the band is not a household name and, with Fugitives from the Laughing House being only the band's second full-length since 1984 (sixth total) it's not that they've been overly prolific. While I am unfamiliar with most of the band's releases, … Read more
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