It has been a rather tumultuous year for Mouth of the Architect. Late last year the band announced their breakup as a result of the departure of their main songwriter and guitarist/vocalist. Not more than a few days later the band had a change of heart, revealing they would be continuing on, and with original vocalist/guitarist Alex Vernon returning to the group. The change-up surfaced a lot of questions, none more than how it would affect the band's sound. Quietly is the follow-up to 2006's The Ties That Blind and shows a different songwriting approach for obvious reasons. While still rooted in the valley between post-rock and metal, the band's sound is less guitar-driven and more guitar-accented than its predecessor, if that makes sense. Where as before the guitars were the primary instrument of the material, the guitars are now just a part of the final equation that is Mouth of the Architect. "Quietly" opens the eight-song album with a ten-minute plus foray into the world of post-rock, drone metal, and noise-rock. The resulting sound is not unlike what the band first delivered on Time and Withering. The song moves through different phases of soaring guitars and intricacies as well … Read more
Wounded Soldier might be a concept album of sorts since its lyrical compositions are full of themes dealing with the … Read more
"But there's this idea that nobody can tell you if something is good or not, you have to decide whether … Read more
I have this vaguely unpleasant sensation lately when listening to The Stand Ins that Okkervil River's Will Sheff (guitar and … Read more
Once again I come into a new full-length from These Arms are Snakes filled with expectations. And while I am … Read more
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It's been a few years now since I first became acquainted with Once Nothing. They were just a local band playing shows wherever they could and having a good time playing to whoever would listen. Now the band is on Solid State, touring the U.S., and First Came the Law is their first big-label release. Once Nothing fuses together the worlds of hardcore, metal, and southern rock into a sound that is similar to that of Maylene and the Sons of Disaster and Every Time I Die. While their earliest releases leaned heavy in the chaotic metalcore direction, the songs of First Came the Law ease up on the metalcore and meander down the southern rock / rock and roll trail a bit more. This is a welcome change as … Read more
For those who do not know who Steve Von Till is, Von Till is a guitarist and vocalist in the seminal outfit Neurosis. And while that band is one of the heaviest bands on the planet, Von Till's solo records are dark, folk-esque experiences which are stark portraits into a different side of the man that produces them. His solo … Read more
You know when George sings on Blacklisted's Heavier than Heaven, Lonelier than God and you really liked that grungey overblown style? Oh wait that was me. Anyhow... now you can have an entire five-song EP chock full of that over the top wailing. Not only do you get that you also get some headbanging metallic hardcore that falls somewhere between … Read more
Michigan's All Hype had the unfortunate job of opening a six-band bill show that had no local openers and I believe only ten people paid. Gotta love MPLS hardcore showing their support for bands that don't come from their cul de sac in the burbs. Anyhow, All Hype were great and did an In My Eyes cover, so naturally I … Read more
A re-release of an EP that came out last year from this overrated punk band from Canada that someone inked a deal with indie's scared cow of a label, Matador Records. If you haven't heard Fucked Up in a while you may remember a time where they wrote sarcastic bites of simple punk rock. If you listen to then now … Read more
I'm getting too many records that sound exactly like The Kids are Dead. It's another moshy metal crossover type hardcore album that is sweeping VFW dance floors all over the nation in '08. Sure, sometimes they play fast, sometimes Hammer Bros. goes for the menacing metal stomp. Either way, I've heard all too much of it this year. I'm sure … Read more
Awful intro that thankfully goes into speedy hardcore reminiscent of bands from the early part of this decade. It's fun and moshy. They even have a song that begins with a sweet simple bass line and some guitar feedback whine. There was a time when every band sounded like this and had names like Ten Yard Fight, In My Eyes, … Read more
This band sounds like The Suicide File with the spazzy noise of Panic and some chunky riffs of Hope Conspiracy all mixed in. I guess it's time for hardcore bands to recall a half a decade ago when bands from the Northeast played venomous spite-filled mid-tempo rocking hardcore. I'm already chair moshing to the breakdown in "There's No One Good … Read more
Super melodic emo-pop with wimpy vocals. Your girlfriend is going to like this band more than you will. It's cute and catchy but a bit too sugary sweet for me. I like the fact that it reminds more of The Get Up Kids and The Promise Ring than any of that garbage clogging up the stages of Warped Tour with … Read more
I thoroughly enjoyed CT's Signs of Hope full-length First and Foremost and was pleased as punch to see their new EP in my mailbox. If you aren't familiar with Signs of Hope, they play fast hardcore that sounds like everyone else but it doesn't matter since Signs of Hope does it so well. Choices Made ventures into the ground of … Read more
I remember lurking various bands Myspaces and coming across this Philadelphia band. I remember liking it, I also remember saying something about how Stay Sharp sounded like Lifetime. What's not to love? Well now this four-song EP is rocking in my boombox and now Stay Sharp remind of Holding On's Question What You Live For album. Yes, it's more fast … Read more
A three-song demo of slow droning somewhat melodic hardcore named after a Suicide File song. Cold Snap tries to recall the heydays of Boston hardcore when American Nightmare and Panic ruled the roost, but come nowhere close to the emotional outpouring of either band. The vocals are highly annoying in their screeched running out of breath quality. The songs themselves … Read more
So, Young Widows makes the jump to a new label and to be perfectly honest, this change of scenery for the band seems much like a new beginning rather than an update on an old sound. While the band's previous album, Settle Down City, is a continuation of the work which the group were pursuing as Breather Resist (Young Widows' … Read more
Wu-Tang Clan member GZA - aka The Genius - is back with his first solo offering since 2002's Legend of the Liquid Sword. But it's not like GZA hasn't been busy. The six-year span has seen a collaborative effort with Muggs of Cypress Hill, a new Wu-Tang Clan album last year, and, in-between, collaborations too numerous to count. Pro Tools … Read more
Like weed? What about beer? Okay, here's the clincher: what about loud as shit cynicism rammed into your sloping skull at diarrhea speed? Yeah? Check out Each Birth a New Disaster, the first album by Population Reduction, a two man grind band from San Francisco that drills your eardrums with blast beats, the blackest of thrash riffs, and death metal … Read more
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