Stay Positive, the fourth album finds the Brooklyn by way of Minneapolis The Hold Steady trying to further their scope as musicians and lyricists while also tackling a greater challenge: aging gracefully. While there are stumbling points to the album, the band holds steady. It's these falters though that may cause a rift in the unified scene that vocalist Craig Finn so often name checks. If Boys and Girls in America splintered The Hold Steady's fan base, then this album, more radio friendly and polished, could create the dichotomy between cutting edge hipsters and casual music fans that call the group their own. Departing further away from the angular and bare song writing found on Almost Killed Me and Separation Sunday, this disc is full-bodied throughout. On previous records each instrument sounded detached from the others, playing in rough unison while Finn sputtered out narratives of folks who are, as writer Raymond Carver would say, "low rent tragedies." Their newest album goes exactly against that grain, achieving the sound they've been aiming for since their inception. Each player weaves their instrument into a behemoth rock sound similar to the style that filled arenas through the sixties into the early eighties. … Read more
John Zorn is well on the way to becoming the most prolific artist in music history. Through recordings from Painkiller, … Read more
When I was eleven my mother asked me if the family should remodel our basement, converting it into a living … Read more
Tokyo Police Club's A Lesson In Crime put the band in an awkward position. The seven-song EP gained a substantial … Read more
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The Ejector Seats is a bit of a mystery band to me; it’s pretty hard to find anything about them online. I've learned about two other bands with this name, and a lot about ejector seats in general, but not a lot about the band in question. Discogs tells me the band members have adopted names like Fluffy, Ty Lennol, Mr. Wizzard, T-Pot, etc. With black metal, I find this nickname thing a bit childish and encountering it with a lo-fi punk band like The Ejector Seats does not make me change my mind about pseudonyms. I'm afraid we’re not off to a good start here. But you are not here for my opinion on the name a band member chooses to adopt, nor are you interested in my desk-research … Read more
Oh, Weezer. Here we are, album six for the band who've spent an entire career trying to figure out who they are. Are they The Pixies-aping geek rockers with a penchant for nerdery and romance? Are they riff-wielding guitar heroes rocking ironic stadiums? Are they misunderstood indie icons? Are they, um, white-boy rap? The band's third self-titled album - referred … Read more
El Chupa Cobras belong to the breed of bands that, aside from having amusing names also have extremely short attention spans and exponentially spastic approach to creating music. This kind of music is never easy to pull of on record. Live, the sheer energy of each member immersing him/herself in the music on stage could be enough to provide for … Read more
I think I've read more hyped up reviews of Verse's third album Aggression than I've actually listened to it. I keep seeing a reoccurring trend in these reviews on how Verse is a breath of fresh air in a rather stagnant scene when it comes to popular hardcore bands. There seems to be an influx of hardcore that would rather … Read more
Connecticut hardcore, no matter how great it is, always seems to get overshadowed by the nearby bustling Massachusetts (particularly Boston) hardcore scene. In fact, oftentimes people just consider them to be one in the same. This is unfortunate because over the years the state of Connecticut has churned out a plethora of stellar bands: Hatebreed, Dead Wrong, Sum of All … Read more
Fugitives from the Laughing House comes twenty years after The Reds released their first single. Despite such a history, the band is not a household name and, with Fugitives from the Laughing House being only the band's second full-length since 1984 (sixth total) it's not that they've been overly prolific. While I am unfamiliar with most of the band's releases, … Read more
So I finally get to see the new band that has been consistently pumping through my stereo, MP3 player, computer, and car since the songs first appeared online; and yes, this is a familiar sound coming from John Reis and his compatriots, but there is something undeniably in The Night Marchers' music which compels repetitive listening of their album, See … Read more
Eat the Low Dogs is a beautifully dark and medicating record that fewer ears will hear than it deserves. It rocks, laments and hollers from the mountainous region of Marion, North Carolina with an enduring gloom that feels archaic and steadfast throughout. The old-timer influences are vast, but U.S. Christmas' old/new merged sound is unified and deliberate: Hawkwind, Neil Young … Read more
Hailing from Germany, the "post-rock" sounding Daturah offer Reverie, as their first full-length (following a self-titled EP which they self-released in 2005 and Graveface released in 2006) since their inception in 2003. This album, at five tracks long still clocks in with just about an hour's worth of music. The band focus more heavily on the ambient aspects of their … Read more
Florida's Fallen from the Sky have been on the upward trend since releasing their debut EP, Tune Out the World, in 2005. They were runner-ups in MTV2's Dew Circuit Breakout and this, their debut full-length, was highly anticipated by many publications. In spite of all the praise the band has remained grounded and true to their roots. The band's debut … Read more
No, that is indeed the correct name for this latest album by one, Stephen Brodsky (Cave In, Pet Genius, Kid Kilowatt, Converge, etc). And while his sanity level might be questioned initially by the naming of the project his relationship to it is undeniable when compared to other material throughout his prolific career as a musician in bands and as … Read more
I don't know how much of it has to do with the fluctuation of my own tastes, but I have found A LOT of really good power violence records this year - either ones that have come out recently or that I missed the boat on slightly. And at the top of that pile is The Endless Blockade. From Toronto, … Read more
Batoche is a fast-paced, self-proclaimed DIY hardcore/metal band from Vancouver, Canada. They have released three records independently (and changed their name) all before releasing their most recent, Terra Incognita. They boast that "new elements of chaos, atmosphere, flow and power" are found in their music, which is accompanied by insightful lyrical thought. Terra Incognita, the Latin term for "unknown land," … Read more
Following up the recent release of their live "discography", Hidden Arithmetic, Indian Summer is re-releasing their "studio" discography to make available just about everything that this outfit put to tape and thankfully so since their original versions can be known to fetch decent sums of money on the collector's market. This band is a much lauded and revered group by … Read more
Ah, the sludge. The slow and heavy beats that make you want to grow out your hair just to make head-banging that much better. One of most recent additions that can fall under this category is Seattle's Lords of the North. Dripping in epic imagery and determined to bring blues sensibilities to a metal sound, Lords of the North catches … Read more
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