Trash Talk, the hype band come hardcore mainstays through relentless touring, have a lot of eyes and ears on them with the release of their self-titled album. Adhering to the D.I.Y. ethics that are the backbone of punk, the Sacramento band opted to release their newest album themselves, leaving behind Deathwish Inc., one of the largest labels in hardcore. If that didn't turn enough heads, Trash Talk also chose Steve Albini to sit behind the switches for this one. As an analog purist, producer extraordinaire (responsible for recording Nirvana's Nevermind amongst many others), and key player in notable bands Big Black and Shellac, can he capture the rawness of the band's live sound? Can Albini and Trash Talk together create an album heavier than its expectations? Within the first minute of dropping the needle onto the grooves of this album, the listener is attacked by a blitzkrieg of concentrated fury. The warning is fair though. Like the tremors that sign a coming earthquake, the bass line slowly rumbles with the power of a fault line. It's this low-end emphasis that gives the album force through out its entirety. The live production of the album gives it the tone and feeling … Read more
Detroit, Michigan's Razzle Dazzle (or Rzl Dzl for the vowely impaired) is two dudes named Will and Haroun who basically … Read more
So many thoughts come to mind when I think of this California-based pop-punk group. This Time Next Year is a … Read more
With fuzzy riffs, elongated solos and twin guitar leads ala Maiden, this is a Hessian's dream. On III: Tales of … Read more
Erie hardcore. Ninety-nine out of a hundred of you instantly thought of either Brother's Keeper or xDisciplex AD. While these … Read more
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Opening with a sound not unlike some kind of spaghetti western death knell, Hex: Or Printing in the Infernal Method, the comeback album of noise mongers Earth, shocks the old time listeners of the band. Anyone who has heard Earth 2 or Sunn Amps and Smashed Guitars will tell you that. But, the mastermind behind Earth, Dylan Carlson, is known for throwing people for a proverbial loop. It would be hard to say that he holed himself up somewhere listening to Ennio Morricone soundtracks or wrote this new album as a tribute to Morricone's work, but the comparison between Hex: Or Printing in the Infernal Method and say the soundtrack to the Clint Eastwood movie The Good, The Bad, and The Ugly would not be far off. Earth offer up … Read more
Richmond meets Melbourne on this split effort. Down to Nothing follows up last year's The Most while 50 Lions follows up an Australian-released full-length of their own. This split features each band contributing three new tracks. Down to Nothing picks things up right where The Most left off. The band's sound has gotten significantly less punk-oriented and more straightforward and … Read more
Catch Your Breath is an upstart hardcore group from the greater Los Angeles area. I couldn't find much background info on the band, so I'm assuming this is their first venture as a group. Life & Sounds is eight songs in twelve minutes. Musically the band plays fast-paced hardcore with a dash of the rock and roll similar to The … Read more
I know nothing of the Brazilian hardcore world, nor will I pretend to know anything. In fact, the only things I know about Brazil are they love football (Americans should read that as soccer) and they gave us thrashers Sepultura. Outside of that, I'm just a naïve no-nothing. Your Fall is from Curitiba, which, from what I can gather, is … Read more
Here's something new for you. Well maybe not new, but something we don't get much of these days. Offsides is a fast-paced melodic hardcore group from Connecticut with a female front-person. It's a Struggle to Communicate is the band's latest offering, a six-song EP. Musically the group draws influence from legendary groups like 7 Seconds and Gorilla Biscuits. The music … Read more
The Wonder Years return with a brand new 7", their follow-up to last year's Get Stoked on it!. The record features four new tracks that are exclusive to this release. The 7" starts off with a building intro before the band gets busy with "Solo & Chewy: Holdin' it Down." Like their previous effort, we are treated to a mixture … Read more
It's almost a little sad when drugs influence a lot of what musicians do (The Mars Volta?). It is equally sad and almost doubly disappointing when musicians ruin their reputations with shallow releases. Pegasuses XL is Make Dale (Disband), Jeff Tobias (We Versus the Shark), Joel Hatstat (Cinemechanica) and the renowned Jeff Rosenstock (Arrogant Sons of Bitches, Bomb The Music … Read more
I have a huge crush on Kim Deal. There, I said it. Fuck you, don't judge me. You probably rubbed one out to Vanessa Hudgens last night, you sick fuck. Kim's more woman than you could ever hope to get, pervy. That's right, the real Deal sisters are back and they're ready to lo-fi rock your socks off with their … Read more
Black metal is one of the last bastions of progression and experimentation in the metal community. Fifteen years ago that statement would have been laughable, but with the first couple generations of purists either incarcerated, dead, or at least moving on to other musical interests, a new generation has been left to carry the torch. This wave of bands is … Read more
Girl Talk is Gregg Gillis, a DJ from Pittsburgh that has been praised up to the leader of the mash-up sub-genre. For those who don't know, mash-up is when a DJ layers multiple tracks from different songs on top of each other to create new tracks. This is usually supplemented with new beats and various DJ effects. It makes more … Read more
What if Elvis Costello was still churning out upbeat, poppy numbers like his early work? What if you took away some of the crackle and rough edges, and replaced them with pristine production and a lot of "whoa-oh-oh's"? What if, to spice things up, you threw in a dash of socialist rhetoric, a pinch of hand-held percussion, and a sprinkle … Read more
Whenever I think of Until the End, I think of the time I crammed five finals into a twenty-four-hour period so I could take a road trip down to Gainesville Fest. The kids there went absolutely bat shit for them - head walking and jumping off each other, huge pile-ons, and, of course, devastating mosh. Sure, it sounds like a … Read more
I'll admit - I have a bit of a problem with modern blues. For me, blues, real blues ended in the 1940's with the likes of Robert Johnson and Hudie William "Leadbelly" Ledbetter. When you're a black man in the deep south, you best believe you're gonna have the blues. Nowadays, what the fuck are you bitching for? Boxcar Satan … Read more
With an album title that sounds like the most recent Foo Fighters record, a song called "Fix You" (I thought Coldplay had already professed that particular desire), and a collection of tracks that sound like they want to be Green Day, My Chemical Romance or The Offspring circa 1994, The Offspring have become imitators and glory-day seekers, shapeshifting and morphing … Read more
So the early Amebix releases are finally becoming more widely available (even though they have been on the bootleg circuit for quite a long while) which is excellent because some of the bootlegs of them are pretty nigh unlistenable, and considering that these releases are some of the best material that Amebix offers, finally seeing the light of day can … Read more
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