A handful of records on multiple labels, a World Series game, a Jimmy Kimmel appearance, a solo record...not bad for a band of Southside Chicagoans I first heard opening for Citizen Fish in 2000. With Agony, The Tossers' second release on Victory Records, they continue to steadily grow in popularity and release almost an album per year. Often overlooked by bigger selling contemporaries such as Flogging Molly and Dropkick Murphys, The Tossers keep plugging away at their niche - traditional Irish folk, sped up and enlivened with a rebellious punk spirit. If a comparison must be made, think Flogging Molly with a heavier use of mandolin and the very unique, dusty voice of Tony Duggins. Agony follows the structure of previous releases with very few surprises. There is a variance of up-tempo rebellion songs, a few ballads, a couple traditional and instrumental songs, a sing-a-long drinking song, and a lot of political posturing. If you've heard their other records, you've in essence heard this one. Their previous releases, Purgatory and In the Valley of Death, were oversaturated with slower songs that, however good they may be, seriously detracted from the albums as a whole. The fast/slow/instrumental/slow/fast mix works well for … Read more
Sabertooth Zombie is a band that has been waiting to explode for sometime now. After a few self-released efforts, the … Read more
Range is something music critics put a lot of emphasis on, and this isn't without warrant. A band's ability to … Read more
Level Plane Records is a quality label in all that they do. They've got the arty-punk and progressive hardcore bands, … Read more
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Heading over to their Last.fm account, the light hearted description ‘Australian for Deafheaven’ doesn’t exactly seem to serve as an appropriate designation for Brisbane based black metal troupe Hope Drone. Sure, the atypical approach towards standard genre fare is evident, and the lush, wide production on this 4 track release certainly draws parallels. Though it is likely more of a disservice to compare what they are trying to achieve here with the efforts of the highly divisive San-Francisco outfit. Straying away from the saccharine post-whatever trending the genre today, Hope Drone’s self-titled achieves in marrying the existential, woe-filled black metal vertebrae with an interesting interpretation of what some elitists might refer to as a desecration of the genre - though there is no such desecration here. Hope Drone typifies its … Read more
It's been a few years now since I first became acquainted with Once Nothing. They were just a local band playing shows wherever they could and having a good time playing to whoever would listen. Now the band is on Solid State, touring the U.S., and First Came the Law is their first big-label release. Once Nothing fuses together the … Read more
Dead Will Rise is one of the recent signings to Twelve Gauge Records. While the label mainly sets it focus in the hardcore world, they do also dabbled in the spectrum of death metal/grindcore. And the latter is what you get with Ohio's Dead Will Rise. Entrepreneur is the band's second EP release, on which these upstarts blast through seven … Read more
What do you get when you take Clutch and tell Neil Fallon to take a hike? You get The Bakerton Group. While you might think you've lost a lot, and you have, you've also found something new, different, and unique. The Bakerton Group is the band' debut full-length and first for Emetic Records. I honestly hadn't heard this project's previous … Read more
ASG stands for Amplification for Self Gratification. The name is rather fitting for this North Carolina rock group. On Win Us Over, their third full-length, the band delivers equal parts stoner metal dirge, guitar-rock speed, and punk attitude. As with most bands of this genre, it is the guitars that take center stage. Bands like ASG are about rocking out, … Read more
Bark Like a Dog by Screeching Weasel was the first punk rock album that I ever fell in love with, which means (in theory) that any album that reminds of Bark Like a Dog will serve me as a romantic rehashing of why I fell in love punk rock. This means that by the absurd logic I just put forth … Read more
Being a memento type release to commemorate the tour that these two parties undertook in the early part of 2008, I am surprised to see and hear that the music - at least the Earth song - is exclusive to this release. This makes collector nerds like myself get fussy (and a little bit lighter in the wallet) as they … Read more
To be completely honest, I know more about Austin Lucas than I do about his current residence in The Czech Republic, which doesn't attest too much besides my ignorance of The Czech Republic. I know Lucas was born in the United States and moved, has played in crust and grind bands, and has worked with Chuck Ragan. Not necessarily the … Read more
Doghouse Records used to be one of my favorite labels. Their early roster included Endpoint, Falling Forward, Split Lip, etc. who in the 90's defined the vastly underrated Louisville/Midwest hardcore sound. It was emotive but heavy, melodic but hard; the sound was just everything great about the middle part of the country that happened in the last decade. Owner Dirk … Read more
With their fourth full-length album, Murder by Death has finally brought all their varying influences together. Each of the band's previous recordings focused on a general indie rock sound, but they also flirted with various musical styles: folk, country, Americana, classical, and post-punk, among others. But with Red of Tooth and Claw all the band's previous flirtations and even some … Read more
Luckily for fans of Earth, Dylan Carlson and company are very productive of late with Hex: Or Printing in the Infernal Method, Hibernaculum, and a host of smaller releases all being released within the last three or so years. This is a tremendous increase in recorded activity for the band considering how long they have been active. The Bees Made … Read more
This album definitely puts the "post" back in post-rock. The album consists of only two tracks, each clocking in over twenty minutes. The result is a pretty minimal endeavor, with lots of feedback and ominous sound effects. Obviously, bands like Godspeed! You Black Emperor immediately come to mind, but even that band has more structure than Basalt Fingers. Throughout the … Read more
Sometimes I wonder if there is any passion left in hardcore - and not passion to be popular, but a passion that inspires a band to play out just to have people connect and sing-along, releasing all their worries. When I first got into the hardcore scene, it wasn't so much what the bands were saying, but the fact that … Read more
These four hellraisers are, if not his new favorite band than, at least highly revered and recommended by Slayer's Kerry King, a bruiser who knows a few things about quality heavy music. Demiricous were accused of sounding a bit too much like Slayer on their debut, but since I unfortunately haven't heard it yet I can't say whether that's a … Read more
Skullflower is the long running project of Matthew Bower, but in its initial incarnation the band did have other members and was a bit more "rock oriented" than the cacophonous oppression of sound and noise that Skullflower is today with Bower as the (pretty much) sole member and driving force. IIIrd Gatekeeper is a re-release of the extremely difficult to … Read more
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