Title Fight is the latest pop-punk/melodic hardcore outfit to emerge from the school of Saves the Day/Lifetime. The three songs that comprise this 7" are rooted in the sound of early Saves the Day, but they've also got a bit of a post-hardcore vibe going on as well. Musically I suppose this could be loosely described as pop-punk, but it's definitely not the bubblegum variety, nor is it as speed-driven as the likes of Descendents. Regardless, this is a nice effort and I'd like to hear what they'd offer in terms of a full-length. Read more
Tempo No Tempo fit into that niche of bands that take equal influence from the worlds of indie rock and … Read more
Choosing a band name is a tricky thing. If you choose one that sounds lame, people will write you off … Read more
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It’s no secret to long-time site readers that I’m a fan of The Blind Shake. The Minneapolis trio has released a run of albums now, both on their own and with psychedelic luminary Michael Yonkers. All the while, their distinct sound continues to evolve. Starting as, to coin a term, a power-crunch band, it’s moved more heavily into distortion and somewhat sprawling garage rock, ultimately hitting its new peak with Key to a False Door on Castle Face Records.All this talk of evolution and changing sound, though, suggests that The Blind Shake is a changed band. They are not. Jams like “Garbage on Glue” and “Viva la Misery” would fit will with their back catalogue, and closing stomper “555 Fade” could easily have been on the Cold Town/Soft Zodiac release. … Read more
Even with the recent explosion of big opus, post-genre fluff, and also considering the success of groups like Radiohead, The Mars Volta, Tool, and to an extent, Dredg, experimental albums will forever maintain a cult following. Most typical trend-trotters "just don't get it," and even some of the more cerebral minds are quick to call the style a pompous exercise … Read more
A friend asked me the other day if it would be possible to write a record review vein of a musical genre. I mean we all get sick of the formulaic quality these things often take, don't we? For me this means constantly trying new things out. My biggest setback isn't in telling a reader whether I think some thing … Read more
Tribute albums have never really sat well with me. With each song, I usually hear every band featured saying, "Hey, we can do this song better than the original artist." But it's very rare that a cover will be nearly as good or enjoyable to listen to as the original. I think sometimes you should just leave a great album … Read more
Every once in awhile I use the Internet's greatest invention, Youtube, to get a feel for a band by either watching live performances or perhaps a music video if one is provided. Fort Wayne's Saints Never Surrender had a low budget video in which they show the band eating at Taco Bell, someone two-stepping everywhere, and some live footage where … Read more
Ah, the long awaited return - at least among Discordance Axis fans - of Jon Chang the vocalist of the regrettably extinct grind outfit Discordance Axis. Hayaino Daisuki is one of two new groups (Gridlink being the other) for which Chang is providing vocals and words. And if these lyrics are anything like the sci-fi reference filled nerd out that … Read more
Eat Shit is just over five minutes of some of the most angry music I have heard in a long time. Although I didn't expect myself to say this for a long long time, this demo is so angry that it is refreshing. Arsonist is a genuinely pissed off band with something to say, along the lines of classics like … Read more
Wolves & Thieves play melodic rock n' roll-inspired hardcore seeping with East Bay flavor. In the same way The Suicide File and Hour of the Wolf play music definitively rooted in hardcore punk, albeit with a heavy rock n' roll influence, Wolves & Thieves unquestionably sound like a hardcore punk band. They simply refuse to be fettered with the frustrating … Read more
The Black Hollies feature three-fifths of Jersey City's Rye Coalition, but don't expect Casting Shadows, the trippy-covered Ernest Jenning release to match Rye Coalition's dirty rock. The Black Hollies play a blend of psychedelic and 60's garage-pop, complete with flowery imagery, sweet harmonies, and fuzzy guitar interludes. The album shifts between fuzzed out psychedelic and group harmony pop, with the … Read more
Right off the bat, Capsule's Blue - their first full length and first record for Robotic Empire - is visually stunning in a way that immediately draws one's attention to it, No, it is not all bright colors, but Blue is blessed with a much more subtle example of artwork which effectively utilizes negative space on the cover in the … Read more
Whether the music a band presents is groundbreaking or not, it's undoubtedly an awesome accomplishment when its members learn and develop much quicker than expected - as such is the case with Braintoy. Like most young artists just starting out, they saw it fit to hone their sound almost footprint-to-footprint with their influences. Braintoy's 2005 EP, Tremors, saw the crew … Read more
Carnal Knowledge deliver a nice blend of fuzzy guitar-driven punk that is reminiscent of the nascent riot grrl records crossed with the East Bay bounce that anyone growing up punk in the 90's grew to love. And to top it off, they have dual vocals - something I've been a sucker for ever since I first heard Blatz. While their … Read more
A two-piece band before the format became de rigueur in hipster circles, 5ive (from Massachusetts not the boy band from the UK) play an instrumental doom-like style that incorporates psych elements to create a true sense of atmosphere and other worldly sounds - an impressive feat coming from just a guitarist and a drummer. Hesperus is the band's third full-length … Read more
It was a sad, sad day when I learned that Rocket from the Crypt had called it a day. Seriously, here was a band that attempted to put the swagger and brashness back into rock and roll with a panache and flair still unrivalled to this point. They have been gone now for several years with only their massive back … Read more
Bad News from the Bar serves as a soundtrack for a screenplay that Ride Your Bike member Mike Getches wrote. In the supposed movie which I shall entitle Emo Schlock #24564, he tells the story of childhood friends Lillian and Elliot drifting apart due to Elliot's big city dreams. Apparently they find each other again through police interrogators, druggie neighbors, … Read more
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