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The Hold Steady

Stay Positive
Vagrant (2008)

Stay Positive, the fourth album finds the Brooklyn by way of Minneapolis The Hold Steady trying to further their scope as musicians and lyricists while also tackling a greater challenge: aging gracefully. While there are stumbling points to the album, the band holds steady. It's these falters though that may cause a rift in the unified scene that vocalist Craig … Read more

Secret Chiefs 3

Xaphan: Book of Angels Vol. 9
Tzadik (2008)

John Zorn is well on the way to becoming the most prolific artist in music history. Through recordings from Painkiller, Naked City, Masada, and untold other projects, the man is associated either through composing music for or performing on an average of over ten albums per year. For those unfamiliar, his Masada project was arguably his most well known and … Read more

Fuck Buttons

Street Horrrsing
ATP (2008)

When I was eleven my mother asked me if the family should remodel our basement, converting it into a living room and bedrooms for both my sister and me. Heading into middle school, a time when children begin to blossom socially, I thought this was a great idea. The freedoms were readily apparent. I began taking interest in the local … Read more

Atavist

II: Ruined
Profound Lore (2008)

Minimalistic drone/doom is a hit-or-miss kind of genre. When you are relying on only one or two riffs to carry an entire song, the results can be either bone-chilling or yawn-inducing. With their second full-length, Atavist, hailing from Manchester, England, has once again proven it can achieve the former. Atavist's brand of tortured, bowel-loosening doom is not for the faint … Read more

Coalesce

0:12.2 Revolution in Just Listening (Reissue)
Relapse (2008)

So the inevitable is occurring as Relapse is reissuing this behemoth of an album (although at right around thirty minutes that is a stretch to call it such by today's standards). Recently awarded a spot in the Decibel album hall of fame, 0:12.2: Revolution in Just Listening is a supremely curious album as it is a document of a band … Read more

Tokyo Police Club

Elephant Shell
Saddle Creek (2008)

Tokyo Police Club's A Lesson In Crime put the band in an awkward position. The seven-song EP gained a substantial amount of praise/coverage for it's less than twenty-minute run time, showing a glimpse of energetic indie pop somewhere between a dance party and a rock out that, despite it's length, made it one of the best releases of 2006. In … Read more

Weezer

Weezer (The Red Album)
Geffen (2008)

Oh, Weezer. Here we are, album six for the band who've spent an entire career trying to figure out who they are. Are they The Pixies-aping geek rockers with a penchant for nerdery and romance? Are they riff-wielding guitar heroes rocking ironic stadiums? Are they misunderstood indie icons? Are they, um, white-boy rap? The band's third self-titled album - referred … Read more

El Chupa Cobras

El Chupa Cobras
Acerbic Noise (2008)

El Chupa Cobras belong to the breed of bands that, aside from having amusing names also have extremely short attention spans and exponentially spastic approach to creating music. This kind of music is never easy to pull of on record. Live, the sheer energy of each member immersing him/herself in the music on stage could be enough to provide for … Read more

Verse

Aggression
Bridge Nine (2008)

I think I've read more hyped up reviews of Verse's third album Aggression than I've actually listened to it. I keep seeing a reoccurring trend in these reviews on how Verse is a breath of fresh air in a rather stagnant scene when it comes to popular hardcore bands. There seems to be an influx of hardcore that would rather … Read more

Hostage Calm

Lens
Redscroll (2008)

Connecticut hardcore, no matter how great it is, always seems to get overshadowed by the nearby bustling Massachusetts (particularly Boston) hardcore scene. In fact, oftentimes people just consider them to be one in the same. This is unfortunate because over the years the state of Connecticut has churned out a plethora of stellar bands: Hatebreed, Dead Wrong, Sum of All … Read more

The Reds

Fugitives from the Laughing House
Tarock (2008)

Fugitives from the Laughing House comes twenty years after The Reds released their first single. Despite such a history, the band is not a household name and, with Fugitives from the Laughing House being only the band's second full-length since 1984 (sixth total) it's not that they've been overly prolific. While I am unfamiliar with most of the band's releases, … Read more

The Night Marchers

Scene Report
Swami (2008)

So I finally get to see the new band that has been consistently pumping through my stereo, MP3 player, computer, and car since the songs first appeared online; and yes, this is a familiar sound coming from John Reis and his compatriots, but there is something undeniably in The Night Marchers' music which compels repetitive listening of their album, See … Read more

U.S. Christmas

Eat the Low Dogs
Neurot (2008)

Eat the Low Dogs is a beautifully dark and medicating record that fewer ears will hear than it deserves. It rocks, laments and hollers from the mountainous region of Marion, North Carolina with an enduring gloom that feels archaic and steadfast throughout. The old-timer influences are vast, but U.S. Christmas' old/new merged sound is unified and deliberate: Hawkwind, Neil Young … Read more

Daturah

Reverie
Graveface (2008)

Hailing from Germany, the "post-rock" sounding Daturah offer Reverie, as their first full-length (following a self-titled EP which they self-released in 2005 and Graveface released in 2006) since their inception in 2003. This album, at five tracks long still clocks in with just about an hour's worth of music. The band focus more heavily on the ambient aspects of their … Read more

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