Diamanda Galás is unlike any artist in music. Take a moment and think about this. That statement is not embellishment. It is not fanboy bias. It's a simple fact. She is a singular artist with a singular vision and whether or not you appreciate her art is irrelevant. Her genius cannot or, at the very least, should not be disputed. Guilty Guilty Guilty is the seventeenth album from Ms. Galás and is a strong addition to her legacy. For the uninitiated, Galás deals in pain. She deals in suffering, despair, and horror. This is not her forte this is her. No other artist has the ability to convey these misfortunes of the soul as she. Recent works such as 2003's La Serpenta Canta have seen Galás tackle these emotions through the reworking of songs from the likes of Peggy Lee, Chet Baker, and Billie Holliday and Guilty Guilty Guilty is a continuation of this, with songs from Johnny Cash, Tracy Nelson, and Edith Piaf. It is the reworked version of "Heaven Have Mercy", made famous by Piaf that sums up the career of Galás beautifully. A song of such intense longing enhanced (as is the trademark of so many of … Read more
Let me get this out in the open right off the bat; I wanted to hear this because the band's … Read more
Since the arrival of the 80's and the consequent death of the era when there were true funk/soul titans, each … Read more
Level Plane Records and Teenage Disco Bloodbath Records have partnered together as they team up two extremely underrated artists, at … Read more
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The title of Twin Cities trio Condominium’s latest is quite misleading. Warm Home is not the record you put on for an evening in front of the fire place with hot chocolate and a novella. This is anything but comforting. Instead, imagine the following scenario: The clock strikes 2AM just as the pot cookie you ate between your first and second 40oz.—that latter of which is now entering the dreaded swill stage—is rapidly taking control of your mind, body, and for all intensive purposes, soul. (Those of you who like to keep your edges straight, can play along too: Take a minute to eat a carrot, slap yourself in the face a few times, do ten pushups; and join the rest of us when you’re good and ready.) You’ve grown … Read more
Time lapses between albums can be a tricky phenomenon and this tends to ring especially true for punk and hardcore bands. The conventional wisdom holds that return albums are lackluster and leave longtime supporters wishing the band simply played shows and left their recorded legacy in tact. But H2O never adheres to convention. Their widespread appeal is a result of … Read more
Every once in awhile a new band comes down the pike and reaffirms your love for music. A couple years ago it was Crime in Stereo before they decided to become Brand New. This year's candidate is Rochester, NY's Polar Bear Club. It's not that Sometimes Things Just Disappear is an adventure into new musical landscapes as Polar Bear Club … Read more
Those familiar with Ipecac Recordings know that regardless of the release, whether the listener likes it or not, it will, above all else, be different. Farmers Market is a Norwegian band specializing in Bulgarian folk music presented at an even faster tempo, with a smattering of just about everything else you can think of. The result can most assuredly be … Read more
When I think of "folk metal," I think of the scene in This is Spinal Tap with the dwarf dancing around the tiny Stonehenge. This is because I'm incredibly immature. The term is actually used to define any metal band that incorporates its country of origin's indigenous sound within their own. Within this framework, Enslaved, Bathory and later year Burzum … Read more
Recently signed to Joyful Noise Recordings, The Delicious is a Bloomington, Indiana quartet that just bug the shit out of me more with each subsequent listen. This super-fun-happy cuddle-core twaddle is not good. They want to be The Pixies. Bad. You can almost see that desperation stink wafting from every sad little note like a little green cloud floating from … Read more
Not to be confused with Hayward's Shit Outta Luck, a ska band - this is Milwaukee's Shit Outta Luck, a meaty, Midwest "hardcore" band. The quotes are for the mere fact that the hardcore term is thrown around with such carelessness these days as to render its true meaning useless. Is S.O.L. hardcore? Not quite by my definition, but they … Read more
Dust is Everywhere. D.I.E. Get it? [cough] Anyway it could be worse. Ask their labelmates, Rumplestiltskin Grinder. D.I.E. is a band in the black metal ilk, somewhat on the amateurish side, Attics and Catacombs provides a look into the deep, dark recesses of um, Havertown, Pennsylvania - pop: 36,711. Featuring the musical stylings of "Dust" on "Chains, Shackles and Screams" … Read more
Fast pissed off old school hardcore from Japan. Sounds straight from the American Hardcore soundtrack with a better production. It's speedy, furious, and somewhat entertaining. For some reason this is what I expect when I hear people talking about Japanese hardcore. This stems from the fact the only two Japanese hardcore bands I've heard (That was before Michael sent me … Read more
Now or Never features members of Gordon Ivy & The Jaybirds and play fast melodic hardcore that came from Scandinavia in the mid to late 90's. I see your Pridebowl and raise you a Wizo and a Satanic Surfers. Now or Never are completely nuts with the breakneck songs and completely inane lyrics. "Fuck this Asshole" includes this lyrical masterpiece; … Read more
I have never been a big fan of bands from the Island Nation of Japan. They were always so over the top and the "Engrish" lyrics were never worth anything than a couple of giggles. Oh, I am such the ignorant American. Anyhow, one would think that a band called Gordon Ivy & the Jaybirds they would sounds like the … Read more
Men in their late-thirties making vague statements about the future's uncertainty under the guise of it being punk rock, there's something concerning about this. It's as if their quarter-life crisis is stretching into mid-life, arresting their development into adulthood. Hello Destiny, the newest album by Goldfinger, finds the SoCal band exactly in this position, angry at the world, rehashing the … Read more
Since the mid 1980's Bay Area thrashers Testament have persevered in the world of heavy metal, undergoing numerous lineup changes and even a few medical scares. While their peers in Metallica, Anthrax, and Slayer consistently received glorious praise and popularity with metalheads, Testament instead maintained a mediocre level of success as their unleashed album after album. Now, twenty-five years after … Read more
Okay, so the more that I thought about this, the more ridiculous this concept feels to me, books on tape or CD or whatever. I am able to read so the existence of these types of paraphernalia are completely useless to me, and yes, I get that not everyone can read or not everyone has time to read (which is … Read more
Russian Circles' Enter was practically a life-changing album for me. Never had I heard a heavy instrumental band with such a fluid, narrative style before. There was also a dash of technical prowess (but not too much) and the whole thing was wrapped up with a certain flair only Russian Circles could provide. The Upper Ninety/Re-Enter 7" got me even … Read more
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