Sometimes one needs a good reminder not to let expectations run amok in order to avoid disappointment. In general I always try to get positively surprised rather than the other way around, but you can't always be at the top of your game. Sometime you let yourself hope of something good only to be let down. This may sound more serious than the situation would suggest but Ghost in the House's self-titled recording is one of those reminders. I knew nothing of this band but the description of the music let me expect more than I eventually got. Instrumental music is something I generally hold in high esteem as a lot of great bands manage to convey the best emotions usually let their instruments do all the talking. Unfortunately, instead of sprawling soundscapes, emotions, and music that leaves you staring out of the window while letting your mind run freely, what I get is a truly frustrating listening experience. I wouldn't necessarily classify this as music, and certainly not in the sense that you put a record on and enjoy it throughout its duration, but more of a collection of sounds. Ghost in the House consists of a bunch of … Read more
Arson Anthem has quite the pedigree with members of Pantera, Eyehategod, and Superjoint Ritual in tow. Phil Anselmo, who is … Read more
Hailing from outside Dallas, ANS deliver a concoction of fast-paced hardcore punk that draws comparisons to the early days of … Read more
Philadelphia is always shooting out new hardcore bands. Lighten Up is one of the more recent products of the city … Read more
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I decided to give this band a chance because I heard they weren't a complete Get Up Kids rip off. Well, every piece of press this band gets mentions that Rock Kills Kid brings more to the table than simple pop punk, but this might be a stretch. The verses sound a little interesting, but as soon as the choruses with the cheesy back-up kick in, I have to move on to the next track. The first two songs, "Dream" and "Miracle" are perfect examples of this. Furthermore, the lyrics make this band seem even more like a band that's just trying to run with this new emo explosion - "this dream is never ending, I want to wake up from this dream" This EP is pretty one dimensional and … Read more
Shout Magic is a five-piece ensemble from Philadelphia. Though, if you were listen to the music of Ceiling Fan and Other Revolutions you definitely wouldn't guess that as their location. Perhaps a swanky lounge in Los Angeles or even some off-strip locale in Las Vegas would be more likely. Ceiling Fan and Other Revolutions is six tracks that clocks in … Read more
People who find this band excellent or entertaining have an intimate love affair with them and their blue collar, dirt under the fingernails, dyed in the wool punk rock. It was a sad day indeed when this foursome of the people called it quits (for the second or third time in their existence) after leaving behind a swath of full … Read more
Frodus is one of those bands that just didn't seem to get the recognition they truly deserved until after their breakup, and they're still extremely overlooked. Following their demise in 1999, bassist Nathan Burke started up his own project with friend Andy Gale. The Out_Circuit is what it became and the band eventually released its first album, Burn Your Scripts … Read more
Typical mid-tempo to fast metal-core that thankfully takes its queues from early 90's metallic hardcore than it does from the fashion inspired Sweden riff infested crap of the earlier part of this decade. The first track, "Cry Havok," is best of the seven songs on here with its sludgy yet melodic onslaught to the ears. It's heavy sounding, yeah no … Read more
I could tell right away from the faux 60's hippie cover art to the band photo wherein three out of four members have the exact same swoop haircut that I was going to crap all over this five song CDEP. Okay, sometimes the swoop is on the left side of their acne scared faces versus the right, but still. Is … Read more
Busy! From the packaging onward, The Mumlers emit an adorably quirky vibe far too big to fit into their little debut album. The seven piece from San Jose bring us Thickets and Stitches, a blues inspired-folk fused indie rock ditty of a record. As one might expect from the aforementioned description, the disc sees a wide variety of instruments accompanying … Read more
Clocking in at just under an hour, Pictures of a Changing World is truly a cohesive release encompassing a gamut of emotions; a valiant task considering The Photographic don't have the luxury of words. Like most instrumental bands the two-piece is heavily reliant on reoccurring themes while expanding on such ideas with the help of loops. The effort comes across … Read more
This is what happens when trust fund kids with expendable bank accounts get their hands on keyboards and samplers: an album of weak dance tracks with sing-speak vocalists telling bad jokes about people they despise. I'm sure this is supposed to be a joke, but then there's some truth to it. These gentlemen thrive on bar and club culture. Imagine, … Read more
Build & Burn begins with what ostensibly sounds like an unsure Loved Ones. The first three tracks are throwbacks of three very different styles of punk rock. The first song "Pretty Good Year," a b-side from Keep Your Heart, finds the band treading ground already heard on previous releases, adding more of a pop element to the more rock than … Read more
The Loved Ones entered my radar with their first EP for Jade Tree, which converted me with "100K," a staccato blast that sounded like Hot Water Music after a handful of amphetamines. Any doubts I may have had vanished with the release of 2006's Keep Your Heart, an unassuming bucket of anthems that sounds almost like Shock Troops updated for … Read more
You know how to work that evil shit when you can make an accordion sound sinister. Even by the strictest of doom metal standards this is one gloomy-ass album. Like a lot of the pure metal coming out of Europe these days, Sol is the work of one man, Denmark-born Emil Brahe, who has created perhaps the quintessential album of … Read more
In 2001, Nas released Stillmatic, a direct play on his first album Illmatic, and an indicator that he was still on top of the rap world. The album's single "Got Ur Self a Gun" featured Nas reminiscing on his previous efforts, stating, "My first album had no famous guest appearances. The outcome? I'm crowned the best lyricist." Stillmatic had no … Read more
One might be hard pressed to envision a band that seems to exemplify a road warrior type touring ethic than that of the hard working group, Planes Mistaken for Stars. It is a sad day to see these stalwarts finally calling it a day after three albums and numerous EPs, particularly after the release of Mercy, which I still think … Read more
From the reviewer's initial notes made upon first hearing the album: Quiet + Loud + Quiet + Harmonica = Souvenir's Young America What a sad, lazy reviewer I am. And, as always, lazy reviewing makes for lazy reading, so if the above equation says it all for you, Godspeed my child. For readers with more moxie, yes, the above equation … Read more
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