The lights, the sounds, the excitement If you've ever been to New York City, you know what I'm talking about. Regardless of the borough, walking around the city is exhilarating, bordering on overwhelming, keeping you hyper-vigilant for fear of missing something really, really cool. Imani Coppola sounds like New York. The Black and White Album is just like the city - a countless array of styles and sensibilities whose differences compliment each other so completely that it creates a world you can't really experience unless you've seen, or in this case heard it. Can't afford a plane ticket? This album is a lot less expensive and well worth the trip. Ms. Coppola manages to be both tough-as-shit and cute-as-hell on these fourteen tracks of rock-hop goodness. Making an album about everything and everyone that pisses you off while still sounding like a party record shows talent and skill. Or as the lady herself so succinctly puts it, Ain't nothin' more offensive than the plain truth. Coppola has been releasing albums on her own for years, but now has finally found a home on Ipecac, the home for orphaned bands that any other label would have deemed "unmarketable." Ipecac takes these … Read more
Do you love bubblegum pop-punk? Do you love sign-alongs? Do you love ridiculous breakdowns? Well, then Four Year Strong and … Read more
The history behind Ringfinger's Decimal is rather interesting. Tracy Wilson, whom some of you may remember from Dahlia Seed, started … Read more
There's no way around this but to say it straight: I heard the first track from Attack in Black's Marriage, … Read more
Bitter River is the most bipolar release of 2007, hands down. Members of Pygmy Lush were once in groups such … Read more
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Geld’s Perfect Texture is 11 tracks, 23 minutes, 41 seconds: walloping wallaby! I feel like I’m back in my initial stomping grounds of Lethbridge, Alberta, a place that must exist in Geld's stomping grounds of Melbourne, Australia. Back in Canada’s Loyal Order of the Moose community hall, standing in an awkward half circle, ceiling too high, among their powerful nasty noise exuding insanity in compounded chaos as their songs bounce off the walls harshly, I can imagine Geld’s overblown guitars sounding like broken down computer bellowing their last death rattle in front of 12 kids and an alcoholic club owner, an incessant pounding drum set coupled with buzz saw bass drowning out a heavily reverberated vocalist. On the walls among the Rorschach stains of mold can be read a form … Read more
Can I Keep This Pen? is Northern State's third full-length album and it proves that any and all naysayers dismissing the group as a novelty act can just get in that boat and float right to Camden. I admit, I was once one of those aforementioned naysayers. I mean . what can you say about three chicks from suburban Long … Read more
I'm watching The Shining as I listen to Gog's EP for the first time and the music is matching up at the moment (which is awesome). A creepy high-pitched sound is slowly building up, just like Kubrick's film. The band's label, Sounds of Battle and Souvenir Collecting, says on its website, "[We are] dedicated to experimental, drug/metal, art-doom, and drone." … Read more
It almost seemed like this record would never come out. It's been six years since Iron Flag and 14 since 36 Chambers revolutionised hip hop, and in that intervening period, the genre has seen the rise of the shallower side of the performers, with quality production often sidelined in favour of bold statements and styles without the musical muscle to … Read more
In 1993, nine MC's hailing from all over New York City came together to release one of the most influential hip hop albums of all time. With incredibly gritty production and razor sharp, kung-fu inspired lyricism, Enter the Wu-Tang; the 36 Chambers took the hip hop world by storm and rap as we knew it would never be the same. … Read more
This is my first exposure to Molia Falls, as it may be for some others as well, and I am not sure what to expect at all from the CD that sits here. The packaging tells me little or rather, gives no impression of the type of music that may be hiding on this EP and that gives me pause. … Read more
Sometimes I think our beloved editor and all around swell dude, Michael, doesn't even bother giving our promo records a listen. Case in point: Awake and Alert's Devil in a Lambskin Suit. So Michael sees a plain CD with the name "Awake and Alert" and he thinks to himself, "This is probably another positive melodic straight edge hardcore band that … Read more
I slept on Manatees' promotional disc for a very long time and I'm extremely sorry I did so. Their untitled release, or the lengthy The Forever Ending Jitter Quest of Slow Hand Chuckie: An Introduction to the Manatee is an ethereal and simultaneously heavy release. Their press sheet sums up the band's sound quite well: "The band name was chosen … Read more
Most within the hardcore and punk community are likely unaware of the existence of Lie and Wait. Sure, they are a fairly new band, but there are plenty of other bands that have been around just as long as them, or even less time, that have already achieved critical praise. The release of Led Astray is going to make it … Read more
Fuck "emo," fuck "screamo." Let's talk about music with intensity and passion. Pyramids' second full-length release, Through the Hourglass, features eight equally brutal and beautiful songs. I was fortunate enough to recently see the band perform at the Lo-Fi Social Club in Baltimore; after their set (prolonged one song by a unanimous call for an "encore"), I couldn't help but … Read more
Similarities define genres, right? You can take a group of musicians, cite some sort of common threads through their records, and coalesce those into a genre. But when there are too many bands in a certain genre, things just get stale. And I feel this way about "technical/progressive death metal." Unfortunately, Illogicist's The Insight Eye is another entry into this … Read more
Although this band shares their name with at least three other groups, this release is pretty solid. The United Kingdom's Jinn brings a little bit of punk and thrash to their metal sound, sounding somewhere between Mind Eraser and At the Gates. It's not too dissimilar from the rise of bands like Isis, in some of its slow, epic parts … Read more
Bridging elements of power/indie pop while harnessing a danceable sound reminiscent of the better radio friendly tracks from the 1950's through the 1970's, Georgie James gives us Places. The Washington D.C. songwriting duo consisting of John Davis, drummer of the disbanded Dischord act Q and Not U, and Laura Burhenn, a locally established solo musician, share vocal duties and instrumentation … Read more
Those familiar with Sufjan Stevens or The Polyphonic Spree might recognize Annie Clark for her accompaniment to their most recent tours and discs. Earlier this year the multitalented indie rock darling released her first solo LP under the stage name St. Vincent. Like the aforementioned bands, Clark pushes forward her fair share of quirks in the triumphant debut that is … Read more
Alternative Press called Sweden's Sounds Like Violence "post-grunge." I don't know what the fuck post-grunge is supposed to sound like, but apparently it's catchy pop-punk "recommended for fans of: My Chemical Romance, Underoath, Refused, [and] The Hives." The music isn't as bubbly as your average pop-punk band, which is definitely a bonus, but the lyrics still drip with angst and … Read more
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