This is what happens when a band has yet to find its style. What we have here is some decent songwriting that comes off as underdeveloped. The track "Molsen Golden" starts as a respectable jam with enough intricacy and tempo changes to call back memories of The Cancer Conspiracy and the forefathers of the style, King Crimson. Halfway through the track, the song reverts to simple riffing, sounding more like an un-mastered demo waiting for the vocals to be added. This undecided style continues onto another track while the other two songs have sparse vocal parts. It almost seems that the band is trying to use the vocal melody as another instrument. If the disc contained more than four songs, we might have a clearer understanding of what the band's vision is, but based on this EP I'm thinking they may be asking the same question. Read more
Path to Misery is a musical-collective from Pittsburgh, PA. The group of individuals involved focuses their attention of raising awareness … Read more
I love Set Your Goals, but the popularity of the band's amalgamation of pop-punk and melodic hardcore has brought forth … Read more
Division Day are a fairly new band from Los Angeles and they are going to turn some heads with their … Read more
Scream and Light Up the Sky has been a long long time coming. Three years have gone by since their … Read more
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I decided to give this band a chance because I heard they weren't a complete Get Up Kids rip off. Well, every piece of press this band gets mentions that Rock Kills Kid brings more to the table than simple pop punk, but this might be a stretch. The verses sound a little interesting, but as soon as the choruses with the cheesy back-up kick in, I have to move on to the next track. The first two songs, "Dream" and "Miracle" are perfect examples of this. Furthermore, the lyrics make this band seem even more like a band that's just trying to run with this new emo explosion - "this dream is never ending, I want to wake up from this dream" This EP is pretty one dimensional and … Read more
If you're like me, the state of Minnesota is automatically associated with one of two things: 1) Mall of America and 2) Fargo. One is awesome because it has rollercoasters in it while the other single-handedly made me scared to ever visit the states of North Dakota and Minnesota for fear of ending up in a wood-chipper. Motion City Soundtrack … Read more
The Final Beatdown is a complete discography of New York's kings of beatdown hardcore, thus the title. The release is comprised of a CD, which includes all the band's recorded material and a live set, and a DVD with over an hour of live footage. It's been over ten years since Bulldoze called it quits (they have reformed a number … Read more
Badmouth is the latest in the seemingly never-ending line of pissed off hardcore bands from Southern California. Strikes Again is their debut effort, which is actually their demo but in refurbished form via Ghosthunt Records. Over the course of these nine songs, Badmouth deliver fast-paced hardcore-punk with serious guitar whaling and bitter as hell lyrics. Musically, they remind me quite … Read more
A cassette tape release? This is the third one I've received in the mail recently. I don't even know where you get these pressed anymore. Regardless, Every Day is a cool trip down memory lane to a time when Myspace didn't exist and band's relied on word of mouth to promote themselves. Failing Myself is a one-man musical project from … Read more
The terms "stripped-down," "raw," and "black metal" are certainly no strangers to each other. Musically speaking, some of the best known bands and albums feature less-than-lackluster production and songwriting, a standard set by older bands such as Darkthrone and Burzum, even if unintentionally. Visually and characteristically though, most black metal bands are infamous for being over-the-top, what with all the … Read more
Is a band just as good if they don't have the hype? In today's hardcore scene, I feel like a lot of bands get passed over for lack of glorification and message board fame. Now, it's hard to tell if Bracewar is really one of those bands; I would say they are on the lower end of the fame spectrum, … Read more
How does one measure the influence and impact of a band on music? Sure, you could look at album sales, which in the case of The Beatles is a corollary that works, but then you could see how many albums a band like Godsmack or someone like Kenny Chesney has sold and just throw that idea out the window. Truly, … Read more
Staying certain to an unspoken pattern of two years between releases, Oceansize has returned to us with their third full-length album. Including the bonus track, "Voorhees," Frames clocks in at over a monstrous hour and fifteen minutes, a feat that similar, non-established progressive artists have little courage for testing on the streams of today's steadily decreasing attention spans. Brave you … Read more
Having heard Grizzly Bear's Horn of Plenty when it was first released and liking it quite a lot, I was taken back a bit when I heard Yellow House for the first time and to tell you the truth, I didn't really like it. That was until I saw the entity that is Grizzly Bear live during their tour with … Read more
For those who find Evanescence's Amy Lee too goth and Sarah Brightman not quite goth enough, we have Norway's Andrea Haugen a.k.a. Nebelhexë. Now, "Neb," as we'll call her, is, according to her bio, "a warrior with never-fading energy and she fights with passion for individual and spiritual freedom; animal rights, awareness for ecological food, recognition for ancient goddess worship … Read more
Deathwish Inc. is definitely an interesting label. Their releases span the clearly generic (Damage's Final) to the very progressive (along with Converge's own releases on the label I'll cite The Power and The Glory's Call Me Armageddon). However, their more forward thinking releases tend to fall under the same category of super abrasive, showing a lot of noise rock/crust influence, … Read more
Eleven years! It has been roughly eleven years since 108 last released a studio effort discounting last year's one-oh-eight demo. That is a long time between albums; the really scary aspect of that factoid for me is that I remember purchasing that last record when I was in high school. So much has changed in the landscape of underground music … Read more
Last February, I went to the Blind Pig in Ann Arbor, MI to catch a set by Grizzly Bear, Brooklyn neo-folk indie band. The opener, The Dirty Projectors, I had never heard of and they opened up with a swirling guitar driven jam. Two minutes into the song, the singer/guitarist started belting out the beginning lyrics to Black Flag's "Six … Read more
Applying the finishing touches to a viola-and-recorder composition evocatively recreating the world of Sloppy Joe Riggs-Lattimer (a red-headed scientologist Jew known only to the residents of 1980's Pennsylvania) Sufjan Stevens decides to take a midnight stroll through the brisk fall air. Stopping to gaze lovingly at the moon, he is brutally murdered by a passing hobo who mistakes him for … Read more
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