Wow, I haven't been keeping up with Deathspell Omega. I was lucky to end up with a promo copy of the Kénôse EP from 2005 and I've been hooked on Deathspell Omega ever since. Fas- Ite, Maledicti, In Ignem Aeternum is supposedly the second installment in a trilogy - Si Monumentum Requires, Circumspice being part one - and it marks further progression and experimentation for France's most distinctive and mysterious black metal band. Deathspell Omega has quite a knack for convincingly bringing experimentation into black metal. The song structures, dynamics, rhythms, and chord progressions the band chooses are very much off the beaten path, but not so much that the result isn't recognizable as black metal. In fact, this album is everything a black metal album should be and more. It didn't take me long to figure out this album is by far the most ambitious release Deathspell Omega has churned out yet . Just as I had never heard a black metal album quite like Kénôse, the same is true about this new album tenfold. The album features some of Deathspell Omega's fastest, most spastic moments to date and some of their slowest, most brooding and atmospheric moments too, … Read more
Bad Religion may not need any introduction due to their notoriety in punk, hardcore, and various independent and even some … Read more
To steal from the classic Ben Stiller movie Zoolander, "Mark Ronson is so hot right now!" After producing the latest … Read more
With the indefinite hiatus of Azure Ray, the duo of Maria Taylor and Orenda Fink ventured into the lives of … Read more
I'm sure most people reading our reviews here at Scene Point Blank won't care about clicking on this album. The … Read more
Choose a year to view reviews of albums released in that year.
749 reviews
42 reviews
25 reviews
300 reviews
4903 reviews
19 reviews
Having carved a comfortable niche in the San Francisco Bay Area, by playing shows almost constantly for three or so years, Under A Dying Sun have created an album that breaks away from their original "emocore" sound, which judging by their last full-length, they have clearly out-grown. Instead of rehashing the same, tired, "screamo" formula with heavy melodramatics and melodic breakdowns, they have put out an album that does not shy away from the sincerity of the earlier material, but instead molds it into a refreshingly new entity. Simply speaking, they have thrown away the EMO and but held on to the EMOTION. It was trying to keep with this "mid-90's post-hardcore" sound that made last year's self-titled release a bust. In attempting to maintain a sound they had reached … Read more
Ever wonder what it sounds like when a bunch of people are falling asleep while recording an album? Or how about the sound of an artist totally giving up on their craft, but still making music? Well, you're in luck because Lucinda Williams has released West, an album that does all of that and more! Lucinda Williams has previously been … Read more
Baroness and Unpersons team up for A Grey Sigh in a Flower Husk. For Baroness, it serves as a precursor to their forthcoming album for Relapse Records and as a send off for former guitarist Tim Loose. For Unpersons, this split serves as some people's - like mine - first exposure to the band. The two bands have vastly different … Read more
Here's a band from Southern California that I'm not familiar with, and for the style they play I find that odd. There hasn't been any mention of them on messageboards or any bulletins on Myspace about them being "good dudes" who are "backed hard." It says on the one sheet that Every Second Counts tours but they have probably never … Read more
Yippeeeee! It's Matadors time! Plug it in and lets party like it's 1992! Yes, that's right. 1992! Forget those bands of way back when. Gas Huffer. Mother Love Bone. The Mono Men. All great bands that never had a tribute band until now (zing!). Fifteen years late, but who the hell's counting? Matadors work on Swedish time, baby. It's not … Read more
See: Obscurus Advocam Just kidding. But let's face it. They are pretty interchangeable, no? Both bands are the vision of French musician Infestuus. Both bands are all just too melodic. Now, call me old-fashioned but melody has no place in black metal. Bleak, sure. Twisted? Frightening? Suffocating? These are all bad adjectives for relationships, yet all good adjectives for heavy … Read more
I've been told that France has been home to a few good bands over the years, but like you, aside from Air I'd be hard pressed to name them. Sure we've read about those wacky French kids jumping on the church-burning, murderous bandwagon, but can they play music? Well, let's just say they try, but don't quite get there. Obscurus … Read more
Where to begin, where to begin... For starters they're Swedish, which would normally be a plus, but in this case it is not because they opt to sound like every other 'Mercan scream-core band you've ever heard and that's really about it. Do you like Lamb of God? Do you like every band like this that tries to sound like … Read more
Taken verbatim from the initial notes of the reviewer: Starts out promisingly enough with Derek Jay beating the snare like he just caught it pooching his wife. Same energy as early Metallica (hey kids! remember them?). Vocalist reminiscent of the Avenged Sevenfold dude. Christ, I hope he looks cooler.) The song being referred to is the opening and title track … Read more
The Geeks: Korean straight edge hardcore with a youth crew twist. I know what you're thinking; the first time I heard it I didn't believe it either. After hearing mention of The Geeks, my first inclination was to write them off as a novelty band. But then I heard The Geeks' debut 7" What's Inside and I knew they were … Read more
So far this year the genre that is 'screamo' hasn't been delivering much of anything. Luckily we have Funeral Diner, one of the few epic screamo bands still out there who are still alive and together, and still have time to pump out a new release here and there while they aren't at their shitty part time jobs doing nothing. … Read more
Instrumental music, I've found, requires patience to fully appreciate it. Sitting through detached, quiet parts of songs is by no means difficult, but it can definitely test a listener's musical patience. Canadian cohorts Do Make Say Think have been writing instrumental music since the mid 90's. Akin to label-mates Godspeed You! Black Emperor, they write extremely cohesive, powerful and moving … Read more
In recent years, post-rock has become the urban sprawl of independent music. Invasive, bloated, and undeniably comfortable, it has steadily, albeit consciously, delineated from its richer, more substantive origins to assume the role of pleasant background music, antiseptically reliable but hopelessly predictable. Tortoise's feral meanderings and Mogwai's bulky, aggressive overtones have been replaced by Explosions in the Sky's brand of … Read more
It took me a little while to hear the music in this music. At first and even tenth listen, Marnie Stern sounds more dedicated to experimentation, or newness, or maybe just weirdness than to melody or even song structure. Her ideas appear, collide, and disappear - she's less an architect than a demolition-woman. She presents a hook or riff and … Read more
The first time I heard The Longue Durée was driving back from the Holy Roman Empire's record release party. I was lucky enough to accompany a friend's band that was also playing and they invited me along. That was a nice gesture on their behalf since they knew I was a fan. Anyway, on some stretch of highway between Wisconsin … Read more
Looking for the SPB logo? You can download it in a range of styles and colours here:
Click anywhere outside this dialog to close it, or press escape.