This review is dedicated to Anthony H. Wilson. Fuck Keith and Mick, Fuck the Toxic Twins of Aerosmith, and fuck Britney Spears. The greatest rock and roll survivor of all time is one Shaun William Ryder. Here is a man that hasn't made a penny since he was sued by his former managers, a man that helped introduce ecstasy into the United Kingdom, the only person named in the Channel 4 remit as not being allowed on live television, a man that managed to crash three hire cars in a week whilst looking to score, and a man that took enough smack in his prime to kill a blue whale. Somehow this man just won't die. And having reformed the best of the Madchester (that's right, fuck the Stone Roses) bands, the Happy Mondays, again with Bez, original drummer Gary Whelan, and some other guys, the band released their first album since the crack infused, Factory Records bankrupting, Yes Please!: Uncle Dysfunktional. I love the Happy Mondays. Ryder's lyrics, often written off as the crazy nonsensical deluded ramblings of a drug addled moron, are some of the finest crafted street poetry that talk of life in Northern England. Bez with … Read more
Oh J Church how I love you and your noisy simple pop-punk brilliance. And thank-you for doing a good cover … Read more
This split 7" features two of the most exciting hardcore bands that have been hitting the fest circuit this Summer. … Read more
More of The Ergs for you. More pop-punk. More songs about girls and this time a rather decent cover of … Read more
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LEADTHEWAY has been around since 2002, but they broke up once in 2004. By 2009, they were back together and self-released their debut full length, And In Vengeance We Strike, through online music outlets. After nearly a decade since their incarnation, the band finally found a label to give their debut album a proper release. They open the record with, “If It’s Fixed.” It starts out with a melodic intro before cutting to a dicey guitar riff. Then, we hit a speed bump as we strain to hear bassist, Andy Young, take the lead while Adam Hanley shouts, “I refuse to read between the lines anymore. Your fucking bullshit’s plain to see.” It’s unfortunate that the bass is hard to hear, but the song doesn’t suffer from it. The following … Read more
Turn into Stone is a new three-song platter from the upstate New York hardcore band. "Turn into Stone" has decent Supertouch type intro that busts into a manic throbbing piece of melodic hardcore gristle to gnaw on for a couple of minutes. "Somebody Up There Likes Me" is a rocking little tune with a huge skate rock riff, which seems … Read more
Seasick play fast pissed off political hardcore with plenty of twists and turns to keep me interested. There are some nice little breakdowns and some Integrity-like guitar solos. It reminds me a little bit of the stuff that Ebullition was hawking in the mid 90's but a lot more fun and catchy. I could see kids that use their dogs … Read more
"Peger" is transliterated Hebrew for "corpse" or "carcass," so you know what you're getting into here. But Barbara, a bass/drum duo, compares themselves to everybody from Lightning Bolt to Today is the Day, and I'll confess that the idea of an Israeli Today is the Day had me curious. Peger is a bizarre record, alternating between blizzards of distortion and … Read more
I got interested in Fast Metabolism after seeing it billed as "fast, loud and weird" punk rock from Detroit - three adjectives close to my own heart. Oddly enough, Tyvek isn't all that fast, loud, or weird, but they kick up a surprisingly enjoyable and inspired racket nonetheless. Tyvek play a simple, unaffected kind of garage punk, drawing comparisons to … Read more
Chicago's Reptoids, signed to RRRecords, play a female brand of grunge/punk rock. This six-track EP, clocking in at sixteen minutes, shows a fairly wide-ranging sound, taking in early Nirvana, through to a more rock and roll/punk sound reminiscent of 70s acts mixed with grunge vocals. Singer Kay Oh often reminds me of Courtney Love, but musically the band provides a … Read more
If I told you that Skyscraper Frontier was another band out of L.A. playing an 'eclectic' mixture of songs, you'd probably get that glazed look in your eyes and change the subject. You've heard it all before. But what if I told you that this six-track EP really was eclectic? Beginning with "I Just Need You," we get ambient 80's … Read more
South Carolina trio The Last Car in Alaska play a sort of melodic emo-core that must be pretty popular with the Warped Tour audience they've played to. Some of it sounds pretty amateur in parts (mixing on the first track, "I Like You Man... You're Crazy", features some strange contrasts in vocal volume, and the whole EP has vocals that … Read more
Ryan Groat should be presented with some sort of award for the riffs he came up with on The Most, Down to Nothing's third full-length and first for Revelation Records. Seriously, not only are the riffs thundering and inventive, they get stuck in your head for weeks, even months on end. Mr. Groat I award with this Riffy for Most … Read more
There was a time when I thought that Prepare to be Let Down was never going to be released. The album was slated to come out via 1917 Records before the band and label amicably agreed to go their separate ways. Well, after a brief stint without a label, Ruiner have finally brought Prepare to be Let Down to the … Read more
Aesop Rock could be considered the resident Dadaist of the hip-hop community. Many consider him a hyper literate linguist (despite the fact he admits that he doesn't read much), blending modern pop culture phrasings with slang of the last ten years to create complex rhymes that actively reflective on the modern world. Others argue just the opposite; despite his ability … Read more
It's been three years since Brooklyn's Dear Tonight released their debut EP These are Wires. Since then the band has toured regularly, went to Europe with Boy Sets Fire, and honed their sound in order to release We're Not Men, the bands first full-length and only their second release as a band. While These are Wires was much grittier and … Read more
Having never been exposed to Massacre of the Umbilical Cord, I find myself wondering exactly what to expect from half of this split album. Control, on the other hand, I am familiar with what they do and am excited by their contribution to this record. Control is one of a slew of newer bands that are utilizing sounds brought to … Read more
Opening up with an old-time accordion intro, you could be forgiven for expecting Ultra Dolphins to play Iron & Wine-esque 'American gothic' folk rock. However, forgiving is probably the last word you could use to describe Richmond's Ultra Dolphins, who play a kind of post-hardcore noise over the thirty minutes Mar lasts. Kicking off properly with "Town Goat," we get … Read more
Project Mercury is the latest output of material from two of Philadelphia's underground sensations: Balboa and Rosetta. The split features original material from each band as well as a collaborative piece - much like the Harkonen and These Arms are Snakes split put out a couple of years back. Project Mercury is a dynamic adventure in music, much like that … Read more
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