It's impossible for me to give The Narcotic Story a fair review. As the liner notes state: "This does not mark the actual conclusion of THE NARCOTIC STORY but merely the first in a triptych that will later include a full-length film of the same name, as well as a soundtrack release for said film. We hope your level of interest affords you the luxury of a continued patronage." That level of consumer commitment might be too much for a band like Oxbow to ask of its audience. Consider the tale of Garth Brooks: the wireless-mic'd, acoustic-guitar-smashing country superstar had the pop cachet in the late 1990s to launch an ambitious, meta-musical project starring alter ego "Chris Gaines" (with a separate, hard rock identity conveyed by the bangs dangling over his dark, brooding eyes). But that foray fell flat, as Brooks retired Gaines, got a divorce, and retired from touring. If Garth Brooks couldn't successfully execute such a grand multimedia project, what chance does Oxbow have? But Oxbow, like Harrison Ford in Star Wars, should never be told the odds. As guitarist Niko Wenner heroically put it towards the end of Christian Anthony's great documentary For Adults: A Film About … Read more
It's safe to say that indie music is the new "pop" and bands like Bloc Party and Arcade Fire have … Read more
If I had to loosely describe The Pax Cecilia I would have to use the term "rock," but doing so … Read more
Two of Texas' most promising hardcore upstarts team up on this split 7" release. On the A-Side we have Last … Read more
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It's been noted that the names of New Jersey's Saves the Day's records have been somewhat contradictory to the bands' career: Can't Slow Down, Through Being Cool, and Stay What You Are. The release of 2003's In Reverie was marked by a critical panning and a fan reaction that was far from, well, reverie. In some ways, it wasn't surprising when the band opted to return to Vagrant Records to release their new record Sound the Alarm after Dreamworks folded. Critics of the softer-sounding and more subtle In Reverie will often play the "major label" card, and while the album had its faults - most notably Chris Conley's subdued vocals relating to throat problems - it was an interesting sound for the band, but apparently not one they were keen … Read more
I first heard The Unlovables on Crafty Record's New York vs. New Jersey Punk Rock Battle Royal compilation. They were one of the bands that didn't blow me away on first listen, but after repeated spins their songs were among my favorite and I quickly picked up Heartsickle, their second full-length. The Unlovables play mid-90's style pop-punk, featuring powerful female … Read more
Caught in a Trap are four, to a certain extent, hefty dudes with beards playing distinctive NYHC styled hardcore which really come as no surprise since they reside in both Brooklyn and Queens. If by some reason you don't know what NYHC sounds like, imagine tough metallic riffs placed over frenetic drumming where everyone in attendance tries to kill each … Read more
Do you ever buy the new album from a band you like and after a couple listens you just think, "This is about what I expected"? Most of the time this means the album is good; just more songs of the sound you've become accustomed to. This happened to me when I got Champion's full-length. I liked it, but it … Read more
Now, this is a pleasant surprise. I have not been previously introduced to Declan de Barra or previous outfits (Clann Zu and Non Intentional Lifeform). So, there are no expectations for Song of a Thousand Birds, his first solo effort. The promotional CD (which gives no real liner notes or in depth information or artwork that may or may not … Read more
The word "fucking" appears on Orchestra of Wolves forty-nine times. Let me break it down for you: there's thirty-nine "fucking"s on the full-length and ten on the two bonus tracks for a grand total of forty-nine. That's not including variants such as "fuck", "fucked", etc. I counted every time it appears in the lyrics (there's an extra in one song … Read more
I unabashedly love Pig Destroyer. And while they are out of vogue with the kvlt grindsters, I think they are infinitely more interesting than the million other death/grind bands with illegible logos. 2004's Terrifyer is one of the few albums I would consider a modern classic, naysayers be damned. So when I heard they added a fourth (non-bass playing) member, … Read more
There have been a few instances that I've gotten pretty pissed off at bands. When Modern Life Is War told the audience that it was a privilege for our small college town to be able to see Converge, I was pretty pissed off, as in all actuality, it is always a privilege for a band to show up to a … Read more
The Number Twelve Looks Like You have always been that band that would come close to winning me over, but never impressed me enough for me to listen to their albums more than three or four times. With their previous release, Nuclear. Sad. Nuclear, there were songs I thought were innovative and worth making a fuss over and then there … Read more
I read an interview with Dan Yemin (Lifetime, Kid Dynamite, Paint it Black) where he noted that despite his appreciation of bands that combine a variety of influences and create a sound with depth, the odds remain strong that he will always enjoy a band that replicates Minor Threat's sound. I share a similar sentiment within the genre of pop-punk … Read more
Explaining the particulars between different types of heavy music is a hard task. For most people, even the most educated music listeners, if it has a guy screaming his head off, then it all sounds the same. I only wish the whole world could hear it and enjoy it the same way I do. And no, I'm not a hippie. … Read more
A Swarm of the Sun delivers with The King of Everything a dark, brooding EP that sounds as if the chasms of hell have opened or, better said, are about to open. If one expects the chasms of hell to be filled with power metal and/or gay metal like Manowar; then one is wrong. The King of Everything is subtle, … Read more
When writing reviews, the job of the reviewer is to judge the album on its own merits. Only then and even this is in dispute amongst those who review music is it acceptable to compare it to other works by the same artist or to different artists altogether to assist in making your point and to give the reader an … Read more
I can remember being seven years old and staring bleakly at the television screen while Magic Johnson announced to the world that he was HIV positive. It was late afternoon on a grey fall day and I was sitting on the living room couch with my father, unable to fully grasp either the gravity of the situation or the defeated … Read more
Along with "Who would win in a fight between The Incredible Hulk and Hulk Hogan?" and "How do they get cranes on top of half built skyscrapers?" there is only one other question that seems impossible to answer: "Is there anything that would make The Mail on Sunday worth buying?" And so, humble reader, I have decided to take it … Read more
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