Alright, let's look at the stats: Name: Death Breath. A truly ridiculous name for a band of any genre Albums: Stinking Up the Night, Let it Stink. Are you kidding? Album Covers: Pictures of zombies, paintings of zombies. The new EP featuring a parody of The Beatles' Let it Be cover. With zombies. For real? Is Weird Al Yankovic in the band? Founding Member: Nicke Andersson (Hellacopters) Status: A "project". Unclear as to whether this should be preceded by "side". Performs live on occasion. With these vitals, it's unclear as to how anyone ever first took the time to listen to them in the first place. At least not without first seeing the album in the store, laughing hysterically, and moving on to another section. Verdict: One of the best albums you're likely to hear this year. At first glance, they can easily be construed as a joke - taking the piss out of an easily targeted style of music. One listen is all it takes to convince you otherwise. This band is not a joke - it is a loving homage that beautifully encapsulates the old-school death metal sound with a hint of hardcore and an irreverence that gives … Read more
Last year I declared this release from Living Hell as one of the top demos that got upgraded to an … Read more
The Cancer Kids call Massachusetts home. But unlike many of the artists from the state, they don't play tough-guy hardcore … Read more
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Making themselves known to a national audience by opening for The Flaming Lips and already slated as an opener for Aesop Rock this winter, Black Moth Super Rainbow latest release, Dandelion Gum, was lent to me by a friend. The psychedelic/drone-pop is repetitive and spaced out in all the right ways, but the jams never get in the way of the songwriting and hooks. The band's instrumentation makes frequent use of an analog vocoder Fender Rhodes piano, a drum machine, and a Novatron - an electro-mechanical, polyphonic keyboard, used by the likes of The Zombies and early Pink Floyd. The spacey instrumentation leads to spacey songs, but the secret to Black Moth Super Rainbow is the 90's chill out down-tempo current that moves beneath the druggy riffage. The guitar sound … Read more
Brainworms hail from Richmond, VA, a city with a rich hardcore/punk history. So it's not a surprise that the members of Brainworms have made waves with several other bands. Which is Worse combines up the band's original demo and cassette only release Is it Weird? Musically, Brainworms is teetering on the line between hardcore and indie rock, so I guess … Read more
Boston-based hardcore outfit Rampage unleash thirteen tracks of thrash influenced hardcore on Limit of Destruction. Some of the cuts here take on a definite New York hardcore vibe, while others incorporate a more tharshy and early crossover sound of D.R.I. The title-track was definitely my favorite song on this 12", it had a good groove and nice 90's styled breakdown. … Read more
Looking at the cover art to this 7" I was anticipating one of two things: stoner metal or art-metal akin to the Hydra Head roster. What I got was not too far off. Texas natives Four Days to Burn churn out two cuts of stoner metal with flairs of southern rock and metalcore. On side A we're treated to "Lieutenant." … Read more
Rome Plow Records serves up another offering of under the radar music on this split 7". This time around we've got two bands that draw influence from the post-punk scene of the 90's. Kids Explode hail from Germany and offer up one song, "A Romance in Alcohol." The music sounds like a mixture of guitar-driven indie rock like Minus the … Read more
The Mall plays post-hardcore with aspects of screamo and indie rock. But the most identifiable characteristic of their music is the use of keys. The have an 8-bit feel at times, and definitely dominate the musical landscape of the songs. Without the use of keys I would say that there is really nothing about these songs that stand out. I … Read more
Two artists from California team up for a split 7". Iamb is the work on single individual - Ross Major - with the help of several friends. On this 7" he offers two songs. The first, "Three Years," is a mixture of indie rock and folk, not unlike the artists of Saddle Creek Records. "One Afternoon," on the other hand … Read more
Los Angeles-based label Oedipus Records is an independent label run out of an apartment. As an individual doing the same thing with my label, I have admiration for the people of Oedipus. The latest release from the label is a split 7" from two folk/indie artists: Foot Foot and Casiotone for the Painfully Alone. Casiotone for the Painfully Alone lead … Read more
Everything I get in for review goes through the same process. The first thing I do after I greedily rip into the manila envelope like a kid on Christmas is check out the layout. You can tell a lot just from a cover of a CD. Usually if the cover depicts a scene of armored knights upon horseback fending off … Read more
Our recent Scene Point Blank reader's poll told us at least two things about you, the reader: (1) you want to see less reviews of "generic hardcore", and (2) hardcore is your favorite genre. (If this doesn't apply to you, sorry; you should've chipped in!) So you love hardcore, but also hold high standards for it; maybe you're sick of … Read more
For The World is Bright and Lonely, New Idea Society's Mike Law walks a fine line between poetry and prose. The lyrical structures are simple and for the most part unchanging, and there is a more simple pattern within it all, almost every line the start of a new thought or idea. But herein lies the genius and creativity that … Read more
Have you ever gone to a movie expecting to see an action movie, but as you watch it, you realize it's a drama? Not quite what you were expecting, but unless you're a meathead you take it for what it is and realize it's still pretty good. This is the case for The Black Atlantic's debut EP Send This Home. … Read more
When a band's name makes reference to sinful pleasures, especially of the herbal nature, it's a sign their sound will be akin to Black Sabbath; the emphasis on slow riffing that sounds even heavier due to down-tuned instruments. Weedeater is a perfect example, taking the suggestive themes of drug abuse and sacrilege made famous by Sabbath to new heights but … Read more
This is the kind record that I enjoy from time to time, a big surprise; it is not what I expected in any way, shape, or form and caught me completely off guard. Mourner is the second full-length, first on Profound Lore, from Caïna, the solo project of Andrew Curtis-Brignell - a twenty-year-old who already has a strong grasp on … Read more
Last year I interviewed New Found Glory drummer Cyrus Bolooki about the possibility of another cover album in similar fashion to the band's From the Screen to Your Stereo. He stated that it was a possibility... Well here we are a year removed from said interview and sitting before me is From the Screen to Your Stereo Pt. 2 And … Read more
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