This record is honestly kind of painful. It’s meant to be, too. It’s about depression, drug abuse, death and all kinds of dark material. And it works on that level, but it’s also painful because the NOFX sound puts Fat Mike’s vocals so front-and-center in everything: It’s like watching somebody standing under a spotlight while hitting rock bottom. The lyrics on this record are overtly personal and first-person. I have no idea if this is by design, or if it’s based on the timing of when he wrote he songs, but it’s also infuriating to listen to somebody so personally expel their feelings and flaws in one song, only to contradict the lesson and fall into old patterns in the next track. So, to sum it up, Single Album is the story of Fat Mike’s rehab. As he says in “Birmingham,” “When I’m with NOFX or having fun in sex/ I seem to function/ When I’m alone it’s self-destruction. And, case in point, many of the rhymes on this record are…beyond the pale. Originally planned as a double album and then trimmed down, Single Album follows recent records, starting with the up-close-and-personal Cokie The Clown, then the self-discovery of Self-Entitled … Read more
It is an act of courage to redefine oneself. Especially when the initial recipe and direction has been exciting and … Read more
I think it’s a good rule of thumb to assume if some band has their album art done by Adam … Read more
Hungarian musician Csarnogurszky István is quite prolific, helming Black Hill, musicformessier, Realm of Wolves, Stvannyr, and of course Silent Island. … Read more
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Finn Andrews, the vocalist and guitarist of the Veils, once posed alone in front of a cemetery. The building behind the cemetery was grey, old, and had shingles flaking off the roof. The grass was an unsightly shade between jaundice yellow and moss green. There was a tree looming above the scene was bare and angular. Andrews fit right in with the bleak scene, looking like Death itself. His ghostly pale skin was stretched tightly against his thin frame, while his lips were an unnatural magenta color. His hair was covered by a deep red headscarf, a deep red that would result if his heart was being torn out and blood was splattered on a white headscarf. He was sitting on a black guitar case that had an ironic eye-catching … Read more
My girlfriend asked me, earlier this year: “why does all music you like sound so bloody serious?”. At first I denied this and listed a couple of bands and albums that sound more party-like, but after giving it some thought I had to agree. I really lean towards the stuff that sounds bloody serious. In comes Impure Wilhelmina, who can … Read more
The first song on Sumer Soon is titled “Dirty Taint.” And if that doesn’t put a taste in your mouth for what’s to come, well, keep reading then. There’s some trash rock influence, for sure, but it’s not that cut-and-dried. The Bambies also have some heavy Ramones influence that gives a more wholesome counter tone. It walks the trash punk … Read more
The British prog-death metallers from Voices are back with some fresh material. It’s not much, but it’s something to hang on to until their next album. Formed alongside Akercocke, by some of their members, Voices deliver an interesting take on the genre and are definitely one of the better representatives of the niche. They’re also one of those criminally underrated … Read more
Who are Clown Core? Long story short – no idea and no one really knows. There’s a lot of speculation online regarding the fact that the duo may actually be drummer Louis Cole and saxophonist Sam Gendel. Although, both have denied being part of the band. As Clown Core continue to skillfully keep their identities a mystery, we can only … Read more
The Arson Choir are another fine representative of the new wave of American mathcore. They’re a pretty young band, but they have a lot of power in them and they sure know how to lay it down. Their balls to the wall delivery paired with chunky and groovy riffs, as well as the classic dissonant screeches is very appropriate and … Read more
I believe Christian Scott aTunde Adjuah requires practically no other introduction than his name – especially for people savvy within the realm of jazz. The award-winning musician along with his band has managed to throw together a marvelous collection of songs as his third live album, titled succinctly, Axiom. This all went down across four days during March last year … Read more
Transatlantic noise laden mathgrind power trio Fawn Limbs are back with fresh material. What could they possibly have in store this time around? Their prolific catalogue reaches a true high point with their ninth release, Darwin Falls. Physically following in the footsteps of Sleeper Vessels, while aesthetically and spiritually in those of Thrum, Darwin Falls sees the band stepping into … Read more
So many punk albums start strong and lose their energy by the end. This self-titled debut does the opposite, intentionally starting slow and building up tension with an instrumental and then gaining momentum all the way through. It seems the Santiago, Chile-based band released this demo last year and it’s made the rounds, now getting a USA cassette release via … Read more
Based in Zürich, Switzerland, the acclaimed publishing house of Lars Müller is the manifestation of his love for books. Over the last eighteen years, a plethora of carefully curated and edited publications have been published, zeroing in on specialist areas in the realms of society, design, photography, architecture and art, all of which reflect Müller’s eclectic fields of interest. The … Read more
Let me start by saying that, if you’re into good hardcore and haven’t heard of Kaonashi, you’re missing out. The Philadelphia based five-piece brought their second full-length record to our ears a few months ago. Dear Lemon House, You Ruined Me: Senior Year sees the band maturing in a lot of ways and finding their voice with focus and clarity. … Read more
I don’t hear skatepunk-influenced bands that catch my attention very often. What was once new and vibrant has grown stale and derivative. Yet, Totally Slow (from North Carolina) have a very clear West Coast ‘90s influence that thrives throughout Casual Drag, their third record. While I hear a lot of familiarity, it still feels urgent and emotional. And while I’m … Read more
It feels like people have sort of given up on doing prog metal with clean vocals, no? Or maybe that’s just me? Or maybe I just started giving up on that area due to its general lack of ingenuity in musical terms and veered more heavily into extreme prog. Regardless, Eastern High have just recently released their second album, titled … Read more
Talk Show Host is a power-pop group from Toronto. And while it’s chock-full of those pleasant, soaring melodies expected of the style, the band establishes its tone early, showing there are some teeth behind the smile with opening track “You Asshole!” Songs like the lead track, “Crisis Actors” and “Warmest Condolences” defy the idea that pop songs are empty, instead … Read more
Austin, Texas never disappoints when it comes to being a hotbed for great independent bands and Gentlemen Rogues is no exception. With their Do the Resurrection 7” they showcase not only their weak spot for fuzzed-out guitar driven pop punk, but also their song writing expertise reminiscent of the better moments of acts like XTC, Gaslight Anthem, Teenage Fanclub and … Read more
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