Partial Traces play pop-inspired keyboard rock – but not at all the kind you imagine when you hear those words. In pop songs, the keyboard generally brings melodrama or atmosphere. In Partial Traces, those two ideas meet in the middle. It’s emotional and serious, but instead of dramatic, it’s tonal. It feels real and authentic, which largely comes from the drums, which add a human nuance to the otherworldly sounds. The overall vibe is a delicate balance between distant, synthesized melody with stark, personal human emotion. This sounds melodramatic, but there’s a true working-folk proletarian vibe that permeates through the softer sounds; a subtle toughness and fighting spirit. The melodies themselves are touching, but with a world worn edge to it. While the lyrics are mostly first person, there’s a sense that it’s about the royal we instead of just the singer’s (Maren Macosko) experiences, moving with an ebb and flow that’s often driven by the guitar. Wild Surf/Quiet Blues itself is bookended, starting with “Quiet Blues” and ending with “Wild Surf,” reversed in order from the album title, which symbolizes the crashing of waves and the back and forth, cyclical theme. This record feels soothing and calm, but sometimes … Read more
Today we’re looking at one lovely record - it’s Branches Vol. 2 by Brooklyn based Japanese violinist and composer Tomoko … Read more
The hook on ONETWOTHREE is the band is comprised of three bassists. Which, actually, means there are a ton of … Read more
If I tell you some band members from bands like Disfear, Dollhouse, Year Of The Goat, Tortyr and The Dontcares … Read more
I never really thought in any measure that I’d be writing at any point in time a review of a … Read more
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Ryan Adams is one of the 21st centuries most prolific songwriters. Like Springsteen on speed, he just can’t seem to stop, whether it’s country, blues, metal, or an assortment of other areas for which he has lent his voice, he is constantly pushing out something new. His drive to write and produce is a great thing and has provided an amazing catalog of songs in a relatively short period of time… something like 16 in 17 years. However… the one thing that Adams did not employ during that time was the use of an editor, and it shows with his records sometimes jagged and mismatched. This all seemed to change a bit with his self-titled masterpiece Ryan Adams in 2014, and his newest record 2017’s Prisoner is fine form from … Read more
Let’s call it like is it is. Punk rock has been too much of a boys’ club for far too long. And, since the style is rooted in blunt communication, what better way to call attention than putting the scene on alert on the first song of a band’s first EP? Neon Belly starts with a mission statement in “The … Read more
The Work was one of the most anticipated metal records of the year. Let me start this review by curbing your enthusiasm and letting you know that this album is a bitter disappointment. It took me about sixteen listens (it was a fucking chore) to also find out that it’s ultimately not a legitimately bad album, but it isn’t legitimately … Read more
Where do you even start with an album like this? It’s been a while since it’s been released, so I definitely had time to immerse myself into it properly as well as getting the leverage of seeing how it aged, even if over a short period of time in terms of timespan when talking about albums. Rïcïnn’s latest record, Nereïd … Read more
I can’t believe this is the first time Not On Tour is reviewed on this site. Not On Tour is a skate punk band from Tel Aviv, Israel. This band is insanely melodic and catchy. Not On Tour is one of those bands that master a certain art: they seem to effortlessly combine speed with catchy melodies. The band nailed … Read more
It’s nice when artists get back to their roots. There’s a time and place for growth and exploration. But there’s also a time and place to let the rage loose, and that’s what’s happening with Band of Bastards on their debut twelve-song slab of blistering hardcore. That’s probably not what you think about when you heard band names like ...And … Read more
While I like new Descendents, their older stuff always had an intangible bite to it. The new stuff feels more sarcastic while their earlier material was pissed off underneath that playful disposition. And that’s what you get on 9th & Walnut which is billed as the band’s eighth studio album, though the timeline is more complicated than that. All 18 … Read more
Ah, an actual tape cassette…in a day and age where portable digital devices are ubiquitous, I find delight whenever an analogue tape pops up – even more so when the sound of the bands fits the medium. Case in point: Sunshine Satellite, a duo that channels its alchemy in sleek and powerfully compact garagey-pop-punk tunes, serenaded by female vocals in … Read more
There is a lot of productive ways to spend a pandemic lockdown: 1. Grow your own windowsill herb garden 2. Watch all the seasons of Law & Order and make note of how many episodes pass the Bechdel test (spoiler alert: it’s two). 3. Make an album with your mates. Ok, calling 1 and 2 “productive” is a bit of … Read more
This record is honestly kind of painful. It’s meant to be, too. It’s about depression, drug abuse, death and all kinds of dark material. And it works on that level, but it’s also painful because the NOFX sound puts Fat Mike’s vocals so front-and-center in everything: It’s like watching somebody standing under a spotlight while hitting rock bottom. The lyrics … Read more
I expected every webzine, music mogul, and rock print publication to give the newest Weezer album a bad review. I figured that Van Weezer - titled in tribute to, well, you know - was next in a line of punching bags that were guilty of not being Pinkerton. Well, fuck me - most of the big-name publication reviews have been … Read more
It is an act of courage to redefine oneself. Especially when the initial recipe and direction has been exciting and challenging. Yet, when a project is as intricate as Kristen Hayter’s Lingua Ignota there should not be any surprise when evolution is afoot. Hayter started in the underground, releasing the first two records of her project independently. Through the raw … Read more
Die at the Zoo is a live recording from Obits, live in Brisbane, Australia, in 2012. There are 16 songs from the band’s catalog and it was recently released on limited vinyl by Outer Battery. There are probably two main angles for looking at a live record: is it capturing a time and place, or is it capturing an essence … Read more
I think it’s a good rule of thumb to assume if some band has their album art done by Adam “Nightjar” Burke, it’s going to be at least a good album. While that could be an exaggeration, I’ve yet to see a bad record with album art made by that man, so that’s a good track record, right? Anyway, Wills … Read more
Hungarian musician Csarnogurszky István is quite prolific, helming Black Hill, musicformessier, Realm of Wolves, Stvannyr, and of course Silent Island. His most recent release is The Curse of Coleodeia under Silent Island. As it can be often witnessed with prolific bands and/or musicians, the output may tend to suffer in quality due to the quantity in which it comes about. … Read more
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