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Partial Traces

Lost In The Days / Shallows EP
Independent (2022)

Open chord guitar and warm synth start the single in a typical indie manner. The poetry that fills the space is earnest and serious, beaconing the listener to keep up. When the small drum machine picks up you feel a sense of relief. References to travel, reflections and an illusive love are all present again, but don’t feel too overused. … Read more

Tim Kasher

Middling Age
15 Passenger Records (2022)

Tim Kasher has released four solo albums and another 10 with Cursive (and still more with The Good Life). I won’t pretend to know the full catalog -- my exposure has been more along the “best of” lines. This review isn’t a comparison or “where does it fit” essay. It’s a standalone review. I felt like I needed to get … Read more

Various Artists

Forever Reigning - A Tribute To Slayer
Satyrn Studios (2022)

Forever Reigning - A Tribute To Slayer is the debut release from US based Satyrn Studios. It features 8 up and coming underground metal acts covering 12 of Slayer's best tracks and really is a true celebration of heavy metal! After their arrival on the scene in 1981 Slayer have been the real titans of thrash metal, smashing their way … Read more

The Anomalys

Glitch
Slovenly (2022)

The first song I listed to from Glitch was the single “Anomalys Rise,” which is an instrumental garage-surf burner. It’s definitely emblematic of the band’s sound and the record overall, yet I’m mildly surprised at the full-length because the vocals play such a role in the overall experience. Not a knock, but it feels like a curious single to release … Read more

The Slackers

Don’t Let The Sunlight Fool Ya
Pirates Press (2022)

Forget all the silly fourth wave hashtags for a minute. The Slackers have been playing old school ska/dub/rocksteady since 1991 now. Don’t Let The Sunlight Fool Ya is their whopping 15th album (depending how people count the early self-released material). They’re not “prolific,” though. They’re hard workers. There is a clear working-class New York vibe that permeates their every song, … Read more

Captain Asshole

Successfully Not Giving Up
Say-10, SBÄM Records (2022)

I was coming off a Jawbreaker high when I first heard Captain Asshole at The Fest 18. I liked what I heard, but I also didn’t know if it was because of the music or simply the time and place. Fast forward through a couple years that most of us want to forget and the band has a new album … Read more

Sundowning

In The Light Of Defeat, I Cease To Exist
Isolation Records (2022)

At times I get a bit carried away by hypes or trends in the music business. One such trend was the whole sludge trend. I loved it, especially when it was mixed with post-metal influences. At the height of this trend it seemed you could not turn a corner without seeing a new band playing that style. This is when … Read more

Nestter Donuts

Flamenco Trash
Voodoo Rhythm (2022)

It is believed that the first insulin-pumping bloated, exploding vein party pop a balloon tragedy was when The Dutch brought over their oil cakes in the 1700s to North American soil. Thus creating a nation of obese, scooter riding, Walmart-loving, toothless flag-waving donut lovers. Sickly sugary death coma slithering in the puddles of pop-rock misfortune. If it is good enough … Read more

Moonraker

The Forest
Bearded Punk Records, Bypolar Records, No Time Records, Tiny Dragon Music (2022)

I expected to like this based on hearing a few Moonraker songs in recent years. But this is definitely my surprise record or “new [to me]” find of the year so far. If you’ve read my other reviews, you know I generally think intro tracks are worthless. But, in this case, I take it back. “Incendium” is the best intro … Read more

Dälek

Precipice
Ipecac (2022)

It is easy to take for granted the excellent state of experimental hip-hop today. With Death Grips freely applying noise and electronica with a punk ethos, and clipping. doubling down on industrialized beats and Afro-futuristic narratives, it is easy to forget that this landscape was not always so rich. Traveling back in time, to the end of the ‘90s, it … Read more

Cult of Luna

The Long Road North
Metal Blade (2022)

It’s always a joy to learn Cult of Luna will be releasing something new and as the Swedes have proved time and time again, their passion for their craft is far from waning. Through atmospheric post-metal, the band create textures that range from heightened drama to serene vocal passages to incandescent rage on a journey towards the cold stars of … Read more

Book Review

Paul Morley

From Manchester with Love: The Life and Opinions of Tony Wilson
Allen & Unwin Publishing (2021)

Tony Wilson was known for many things, e.g. being TV presenter, enfant terrible, entrepreneur, founder of the immensely successful Factory Records label and essentially an inspiring cultural catalyst and trailblazer at the centre of a myriad of creative networks, without whom genre-coining bands like Joy Division, Happy Mondays and New Order would have not had a veritable launchpad. Needless to … Read more

Orville Peck

Bronco
Columbia (2022)

After 3 years, fringy-faced Country mystery-man, Orville Peck, is roaring back into the scene with his sophomore album, Bronco. In the time between his debut, Pony, and his new record, he released the EP, Show Pony. Intended to be a "middle sister" and bridge to Bronco, it was hard to pick up on what exactly you could expect from his … Read more

Unsanitary Napkin

All Billionaires Are Bastards
AlwaysNeverFun, Limbless, Slimebag (2022)

My favorite Dutch swear words are “natte krant” (wet newspaper), “zak hooi” (bag of hay) while “pannekoek” (pancake) gets an honorable mention. As you can see, these don’t translate very well to English. You could tell me to look to the English for more creative English curses, but to my ears they only sound good if you say them with … Read more

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