When Send More Paramedics announced a brief reformation to play a handful of shows celebrating 20 years of reanimation no one expected them to chuck out a brand new 9-track album but they surprised us all by doing just so. The Final Feast is their first studio album release in 15 years, the last being The Awakening (2006). Listening to this new release you would not think that much time had elapsed between the two as it is the perfect follow-up. Recorded, produced, mixed and mastered in July/August 2021 at the Stationhouse Studio in Leeds, UK by James Atkinson (Voorhees/Gentlemens Pistols). The Final Feast showcases Send More Paramedics blend of thrash/punk with their signature '80s zombie, B-movie theme in perfect style, much like their previous offerings. Sporting distinctive, catchy intros into the fast-paced thrashing of "Mortify", "She Lives" and "Splatterpunk" which portray the visceral rage of the infected to "Malfacteur", told from the zombie's point of view with a catchy signature riff becoming momentarily bilingual as vocalist B'Hellmouth spits out some French! "Totenkopf" is one of their more anthemic sing-along tracks (which became the single from the album and was the first track most of us heard). Based on Jesus … Read more
Within the canon of American countercultural rock bands of the 1960s, there is hardly one that stands out more than … Read more
I’m always on the prowl for dreamy music, especially metal. It’s harder to find things that fit that descriptor in … Read more
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Some bands just don't know when to slow down. California-based dark ambient/electronic musician Crowhurst definitely falls into that category, as he and his small army of guest musicians are about to release his fourteenth (?!) studio album this year, the evocatively titled Aghoree.The album is named after the somewhat less-than-mainstream Hindu sect that can (regretfully) be accurately described using the terms necrophagy, urophagia, and corprophagy. Given that, you'd definitely expect that this album is going to be one of those cold and uninviting pieces; certainly, the manner in which it opens with derisive-sounding laughter and speech only seems to solidfy that impression. However, the pieces are actually surprisingly warm and comfortable for the genre, all while retaining the dark edginess that makes them so appealing in the first place.The album … Read more
Dennis: When browsing through new releases in my overflowing inbox I decided to go for Slow Crush. It is released on Church Road Records, a sympathetic new label and mentioned shoegaze, dream pop and indie rock. I may not have the deepest of knowledge on this genre, but enough to give you an honest opinion. To my surprise I was … Read more
When it comes to what is referred to as “post-punk” and repetitive-driven guitar sounds accompanied by tense, circular bass lines and grimy, otherworldly vocals with the an enigma of a frontman meandering through tropes of British magic realism that seemed to be fuelled in equal parts by uppers and downers, you cannot go past The Fall. After the untimely demise … Read more
Sincere Engineer, fronted by Deanna Belos, runs the emotional gamut with angry highs and desperate lows – often both within the same song. I kind of think of it as a female take on ‘90s emo: the songs are personal and introspective, searching for help through the downtimes. A difference being that most ‘90s emo was seeking validation while this … Read more
Nova Era is a sweet journey through the olden Balkan ethos that permeates this region, of which I also happen to be a part of. Of course, I have certain biases that will come to light through the course of this review, but do not let that discourage you from delving into these sounds in any way. Barcelona Gipsy Balkan … Read more
There’s nothing like a good vocal driven ensemble am I right? Well, I don’t know about you but I find myself impressed to the highest degrees by such bands. It has to do at least partly with the steep mastery curve of the human voice as a musical instrument as well as its phenomenally unique tonal characteristics at an individual … Read more
The story of Sofa is interwoven with the rise of the Montreal experimental music scene. In the mid ‘90s Sofa made their first steps, staying within the underground and self-releasing a number of records. Their creative output found them moving all over the weird rock scene. From alternative and indie beginnings to post-hardcore and lo-fi implementations, Sofa has been cultivating … Read more
Partial Traces play pop-inspired keyboard rock – but not at all the kind you imagine when you hear those words. In pop songs, the keyboard generally brings melodrama or atmosphere. In Partial Traces, those two ideas meet in the middle. It’s emotional and serious, but instead of dramatic, it’s tonal. It feels real and authentic, which largely comes from the … Read more
I don’t know anything about Bricheros beyond what’s in the press sheet. Which has quite a bit of info, really, but in the spirit of due diligence, let’s just say I want a little more. The band plays Panic Button Records-style Ramones-core with a strong dose of Screeching Weasel. In fact, they cover both of those bands on side B. … Read more
Today we’re looking at one lovely record - it’s Branches Vol. 2 by Brooklyn based Japanese violinist and composer Tomoko Omura. Tomoko’s works span a fairly vast territory, encompassing areas from jazz, modal jazz, post-bop, Japanese folk, gypsy music, and fusion with varying musicians. Branches Vol. 2 is the physical and spiritual successor of Branches Vol. 1. I actually never … Read more
The hook on ONETWOTHREE is the band is comprised of three bassists. Which, actually, means there are a ton of hooks on this, their debut record. And now that I’ve hooked you with unnecessary wordplay, I’ll get on with things. But, really, it was the unique arrangement that first intrigued me. The lineup consists of Klaudia Schifferle (Kleenex/LiLiPuT), Madlaina Peer … Read more
If I tell you some band members from bands like Disfear, Dollhouse, Year Of The Goat, Tortyr and The Dontcares started a new band together, what kind of music would you expect to come out? Now, I don’t know every band from that list, but considering the bands I do know I would probably just frown a bit, because they … Read more
I never really thought in any measure that I’d be writing at any point in time a review of a Deafheaven record, yet here we are. Even now I remember the absolute furor that bundled virally around their 2013 release, Sunbather. I didn’t really understand then, nor do I understand now why was it so huge. Personally, I couldn’t then … Read more
Let’s call it like is it is. Punk rock has been too much of a boys’ club for far too long. And, since the style is rooted in blunt communication, what better way to call attention than putting the scene on alert on the first song of a band’s first EP? Neon Belly starts with a mission statement in “The … Read more
The Work was one of the most anticipated metal records of the year. Let me start this review by curbing your enthusiasm and letting you know that this album is a bitter disappointment. It took me about sixteen listens (it was a fucking chore) to also find out that it’s ultimately not a legitimately bad album, but it isn’t legitimately … Read more
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