The Carvels NYC still exist! And from what I heard it is only thanks to perseverance from their side. Like so many others the band saw plans fall apart due to Covid. They gave that a positive twist with Live At The Cutting Room. Unfortunately more disappointments followed. I can only admire a band that isn’t willing to throw in the towel after all that. This single is the first sign of their strong willed attempt to make the best of the cards that are dealt to you. On the A-side we find the song “In Real Life”. This song sounds a bit more light than what I expected. More The Clash, less Ramones and Misfits. It is a small change of sound that the band pulls really good. On the B-side we find “Feelin’ Stabby”. This is more in line with the previous outing of The Carvels NYC. Production wise it feels a bit more old-school than it did in the past. It fits this song very well. It has that warm and fuzzy sound I associate with early eighties punk records, but packing the power of a modern production. There is this very thin line where these two … Read more
Wolfgang Amadeus Mozart is widely portrayed as a self-contained musical genius, a prodigy that effortlessly managed to pump out an … Read more
Finnish melodic metal quintet Sonata Arctica started out in the mid 90s as hard rock band Tricky Beans releasing 3 … Read more
It’s been so long since The Copyrights put out an album that I kind of forgot they’re still active: seven … Read more
The Carvels NYC released a little single for the holiday season. I know that the season is already over, but … Read more
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Generally speaking, I’ve spent a lot of time the past half-decade (or maybe decade) listening to two subsets of DIY punk: gruff melodic three-chord arrangements, and pop-punk with soaring melodic layers. I won’t say I limit myself to that by a long shot, but it’s sort of what I gravitate toward. Caves are a UK band that fall somewhere on the edge of the soaring scene. Where much of my listening is vocally rough-around-the edges, Caves is raw and blunt. It’s mid-tempo punk-influenced tuneage that doesn’t neatly fit the genre descriptions, reminiscent of the ‘90s alt rock in that sense (including the use of fuzzy guitars that add depth) with shades of bands like RVIVR at other times.Always Why is the band’s third album and it’s still the emotion that … Read more
I’ve been trying for years to get into Be’lakor. A lot of friends and acquaintances liked to throw their name around as a solid recommendation for prog death. I just couldn’t buy into it for whatever reasons. I firmly believe that Coherence is the record which finally sold me on the band. Be’lakor amassed quite a following, with a steady … Read more
Rather than delve into the history books and deep cuts of Naked Raygun’s discography, I’m mostly going to focus on the present in this take on Over The Overlords, Naked Raygun’s latest -- and their first full-length since 1990 (their sixth overall). The heavily influential Chicago band was born in 1980, disbanded in 1991, and been in semi-active reunion mode … Read more
Southern California’s Militarie Gun is a newcomer with extensive experience in the field of hardcore punk. Multi-instrumentalist Ian Shelton started this project alone early in the pandemic, later recruiting four others to accompany his sing-scream vocals: guitarist Nick Cogan (Drug Church), guitarist William Acuña, drummer Vince Nguyen (Modern Color), and bassist Max Epstein. They released two EPs this year: All … Read more
For Sodom, 2021 has been a pretty productive year, as well as bringing out a mega remastered bells and whistles boxset of M-16 on its 20th anniversary they have also brought us this new EP. In their current line up as a 4 piece (since 2018); original member Tom Angelripper (bass/vocals), Frank "Blackfire" Gosdzik (guitar), Yorck Segatz (guitar) and Toni … Read more
It’s not often that I get random recommendations (without asking) from friends which turn out to be something very cool. So, whenever that happens, I really cherish said moment and discovery. You probably already guessed the rest of this preamble. One of my best friends recommended this band to me. I was practically sold once I saw it was an … Read more
For whatever the reasons at play, the UK has a bristling jazz scene that’s rife with all sorts of amazing bands. The nu-jazz corner seems to be specifically prolific and forward thinking, embracing the limitless medium of electronic sounds. Portico Quartet are no strangers to experimentation, basically looking in a new direction over the course of each album. I had … Read more
In June 2020, Kanye began dropping breadcrumbs to hype an upcoming full-length. First, a single with Travis Scott accompanied a tweet announcing the song would be on his next album, God’s Country. Neither that track nor album title made it to the final release. A stream of tweets with false titles, artwork, and release dates followed. After Kanye’s third high-profile … Read more
When the pandemic first struck and musicians were stuck in their homes, this is exactly the kind of record I expected everyone to make: solo, acoustic, redoing old songs and favorite covers. Ironically, Lars’ solo project started prior to Covid and was meant as a live thing, which was subsequently kicked to the curb like everything else set in public … Read more
Chewing gum is not the most distinguished habit to have, which is probably why I loved doing it in the most unsuitable places as a prepubescent before it was taken over by the despicable indulgence that is smoking, which in my book looked way cooler, preferably in combination. The core protagonist of this book used to indulge in both as … Read more
I’m a real sucker for any records that are themed somewhere in the vicinity of space/cosmos area of things. So, naturally, I just straight up check anything that seems at least decent in that zone. I had virtually no expectations when diving into Nala Sinephro’s Space 1.8, with the exception of thinking that I will meet a familiar sound. By … Read more
Sinister Forces Of Hatred is the second album from Helsinki-based thrash metal ensemble Demonztrator. Formed in 2016 as a covers band, their aim being to revive Finnish speed/thrash metal from the late '80s and '90s. Their first album Forgotten Acts Of Aggression, released in 2017, is a collection of covers and is their love letter to fellow Finns Brainwash, Dementia, … Read more
So, here’s the new Frontierer. I’ll cut it as is right out of the gate – it’s a disappointment. I’ve seen the backlash at people criticizing the record, but they’re few in between and most seem to praise it to high heaven, which…is honestly mystifying to me – but – to each his own. I’ll level with all of you, … Read more
There aren’t a lot of modern bands that genuinely feel like they’re pushing music forward. One such example comes in the form of Sungazer. Sungazer is the brainchild of Adam Neely and Shawn Crowder. Some of you may know both of them from their respective YouTube channels, but for those of you that don’t, I highly recommend checking them out. … Read more
I’m inclined to believe that anyone even just vaguely familiar with the fusion area of jazz has heard of Pat Metheny. Practically one of the legends of the genre, there’s nothing I could really say here to aptly summarize Metheny’s nearly five-decade career, nor add. It’s pretty obvious that in such cases there’s no critique to pass, or rather, no … Read more
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