There aren’t a lot of modern bands that genuinely feel like they’re pushing music forward. One such example comes in the form of Sungazer. Sungazer is the brainchild of Adam Neely and Shawn Crowder. Some of you may know both of them from their respective YouTube channels, but for those of you that don’t, I highly recommend checking them out. Both Crowder and Neely are accomplished musicians and educators in things related to music, with a great deal of quality material. I’ve personally been following particularly Neely’s channel avidly and it has definitely enriched my life. Neely as well as Crowder take apart a fair amount of their music on a technical and theoretical level on their respective channels, so that’s an aspect I’ll stay out of entirely throughout this review. They are in unique positions as creators and educators to make the best explanations. So, Sungazer’s latest record, Perihelion, which is also their debut full length, is quite a sweet nudge forward in terms of sonic explorations. What I love the most about it is how it simply evades any kind of clear categorization, or rather, how it does that as opposed to just doing it. It doesn’t feel … Read more
I’m inclined to believe that anyone even just vaguely familiar with the fusion area of jazz has heard of Pat … Read more
I for one have always found it puzzling how anyone into rock music could not harbour at least a weak … Read more
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From Oceans to Autumn is a band that I was surprised was not on my post-metal radar. They have a surprisingly prolific (and notably high-quality) output for a band that was just formed in 2006, and with the release of the second volume in their Pareto Analysis series, The Vital Few, they are showing no signs of slowing down.What I like most about The Vital Few is that, quite literally, no two tracks sound the same. Whereas "Moments" seems to drift along in happy ambience, "Survival Function" turns more towards contemplative post-rock. "Failure Mode" is part sludge-crusted metal, part drone, and a final part that is just completely inexplicable jazz shuffle. The opener, "A Lesson on Time", is definitely the standout track--though the shortest by far (at just over six … Read more
Power Power of Power of Neon Power of Christ Power of Neon Christ Compels You! I cast you out! Your mother darns socks in Hell! Your mother is here. Would you like to leave a message? I’ll see that she gets it! I adorn my Crucifix on my horsehair and lath wall and point the saviors head north but inevitably … Read more
I was absolutely stricken a couple months ago when I discovered Benthos. I can and also can’t understand how I managed to miss out on this band and how basically no one is talking about them. One of my best friends showed them to me and I knew I just had to listen to II until I’d grow to hate … Read more
It’s not often I run into a musical project like Lyra Pramuk’s. She is the kind of artist that did away with most of what conventions are, at least when it comes down to styles and labels. It is obvious that she has no regard for cookie-cutter/run of the mill/dime a dozen kinds of approaches to music. With an incredibly … Read more
Remember early/mid 00s metalcore? It was a great time for the genre. Among the plethora of bands that made some of their best stuff back then, we’ve got This or The Apocalypse, although arguably they stretched towards the end of the decade. So, what does that have to do with HAWK? Well, it’s one and the same band, basically. After … Read more
Heart & Lung released their debut in 2017, then Red Scare reissued it last year, putting it on my radar. The band is from Cleveland, OH, playing melodic pop-punk with gruff moments. While the debut was fairly call-and-response in song structure, Twistin’ The Knife Away mixes up the songwriting quite a bit throughout its 11 songs. And, as that title … Read more
German thrash metal giants Sodom have released a 20th anniversary remastered edition of their tenth studio album M-16 (2001), unleashed in three formats: a glossy CD mediabook, 2 LP 180gm orange vinyl and a deluxe boxset. The CD and LP releases contain two previously unreleased live tracks "Remember The Fallen" and "Blasphemer" from Wacken 2001 as well as some exclusive … Read more
Northern Town is a fitting title for this album. It feels like winter: cold, lonely, and daunting. It’s the third record from The Right Here, based in Minneapolis, MN, one of the northernmost cities in the continental US. The band play alt-country with punk undertones. The songs are a little more expansive than your standard punk thang, with more lament, … Read more
Chances are that if you dig underground music, you will harbour an appreciation for Joy Division and New Order. If you close your eyes and envision Ian Curtis and co in their heyday, chances are what will appear is a depiction that has been channelled through the lens of Kevin Cummins, a photographer that like no other depicted the band … Read more
Fuck These Fucking Fascists is the fourth full-length by the Muslims, and their first on Epitaph. As the name suggests, it’s complex music steeped in subtle political theory. Just kidding. This is straight-up angry, screamy punk with overt politics. Which is often needed, especially in the current environment. Besides the title track, other song titles include “Crotch Pop A Cop,” … Read more
The slack jawed audio sample that begins this EP sets a tone like many other humorous pop punk groups, a promising sign. Southern Arizona’s Pop Icons instantly launch into a full throttle punk sound that reminds me of many things I’ve heard before. Catchy lyrics and sharp chords played on distorted guitars sounds very normal and competent. Two vocalists trade … Read more
When Send More Paramedics announced a brief reformation to play a handful of shows celebrating 20 years of reanimation no one expected them to chuck out a brand new 9-track album but they surprised us all by doing just so. The Final Feast is their first studio album release in 15 years, the last being The Awakening (2006). Listening to … Read more
I’ve been fighting the urge to just quote John Hoffman from when I interviewed another one of his bands, The Mimes, earlier this year, because I think he described his songwriting style really well in it. Instead, you get a vague, shameless plug, though I’ll circle back after more explanation. On their latest offering, Vacation hasn’t wildly changed. Existential Risks … Read more
Within the canon of American countercultural rock bands of the 1960s, there is hardly one that stands out more than The Doors - not merely because of their musical output but due to the controversy the trailblazing riddle hidden an enigma that was their frontman Jim Morrison embodied with his beautifully erratic and mythological persona. Formed in 1965, the core … Read more
It took Znous exactly one year to release a new EP. You will not hear me complaining about this. Avid readers of this site will remember I was very fond of Znousland 2, which I discovered half a year after its release. I described the sound of this Tunisian band as a mix of modern metal bands (Sepultura and Ministry … Read more
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