My girlfriend asked me, earlier this year: “why does all music you like sound so bloody serious?”. At first I denied this and listed a couple of bands and albums that sound more party-like, but after giving it some thought I had to agree. I really lean towards the stuff that sounds bloody serious. In comes Impure Wilhelmina, who can sound like the weight of the world is on their shoulders. I imagine this music appeals more to those who like their music not too light hearted. Right up my alley you might say. And it is! It is also an album that gives you a lot to process. Which explains why I’ve been sitting on this album before writing a review for it. Impure Wilhelmina is a Swiss band that has been around for more than two decades by now and Antidote is their seventh album. I got to know them through their previous album, Radiation, which is already four years old. I described this album as a post-hardcore band that blended in loads of different influences, including doom metal, black metal and some post-rock. I even mentioned they could be described as The Smiths gone metal. Impure Wilhelmina … Read more
Who are Clown Core? Long story short – no idea and no one really knows. There’s a lot of speculation … Read more
The Arson Choir are another fine representative of the new wave of American mathcore. They’re a pretty young band, but … Read more
I believe Christian Scott aTunde Adjuah requires practically no other introduction than his name – especially for people savvy within … Read more
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I first came across The Phantom Carriage whilst browsing bandcamp for new things to hear. I tag searched black metal, saw the cover and clicked download. I wasn't quite prepared for what happened next. This record does have some black metal elements, but there's also hardcore, some mathcore, some jazz. Yes, jazz. New Thing is one of the maddest albums I've had the pleasure of hearing this year.The Phantom Carriage are a French band releasing through Throatruiner Records. If you've heard of a band called Celeste, you should know what to expect here, France are truly putting out some excellent music at the moment. In this album alone, The Phantom Carriage have much in common with The Dillinger Escape Plan as well as French avant-garde stalwarts Deathspell Omega. We kick … Read more
Transatlantic noise laden mathgrind power trio Fawn Limbs are back with fresh material. What could they possibly have in store this time around? Their prolific catalogue reaches a true high point with their ninth release, Darwin Falls. Physically following in the footsteps of Sleeper Vessels, while aesthetically and spiritually in those of Thrum, Darwin Falls sees the band stepping into … Read more
So many punk albums start strong and lose their energy by the end. This self-titled debut does the opposite, intentionally starting slow and building up tension with an instrumental and then gaining momentum all the way through. It seems the Santiago, Chile-based band released this demo last year and it’s made the rounds, now getting a USA cassette release via … Read more
Based in Zürich, Switzerland, the acclaimed publishing house of Lars Müller is the manifestation of his love for books. Over the last eighteen years, a plethora of carefully curated and edited publications have been published, zeroing in on specialist areas in the realms of society, design, photography, architecture and art, all of which reflect Müller’s eclectic fields of interest. The … Read more
Let me start by saying that, if you’re into good hardcore and haven’t heard of Kaonashi, you’re missing out. The Philadelphia based five-piece brought their second full-length record to our ears a few months ago. Dear Lemon House, You Ruined Me: Senior Year sees the band maturing in a lot of ways and finding their voice with focus and clarity. … Read more
I don’t hear skatepunk-influenced bands that catch my attention very often. What was once new and vibrant has grown stale and derivative. Yet, Totally Slow (from North Carolina) have a very clear West Coast ‘90s influence that thrives throughout Casual Drag, their third record. While I hear a lot of familiarity, it still feels urgent and emotional. And while I’m … Read more
It feels like people have sort of given up on doing prog metal with clean vocals, no? Or maybe that’s just me? Or maybe I just started giving up on that area due to its general lack of ingenuity in musical terms and veered more heavily into extreme prog. Regardless, Eastern High have just recently released their second album, titled … Read more
Talk Show Host is a power-pop group from Toronto. And while it’s chock-full of those pleasant, soaring melodies expected of the style, the band establishes its tone early, showing there are some teeth behind the smile with opening track “You Asshole!” Songs like the lead track, “Crisis Actors” and “Warmest Condolences” defy the idea that pop songs are empty, instead … Read more
Austin, Texas never disappoints when it comes to being a hotbed for great independent bands and Gentlemen Rogues is no exception. With their Do the Resurrection 7” they showcase not only their weak spot for fuzzed-out guitar driven pop punk, but also their song writing expertise reminiscent of the better moments of acts like XTC, Gaslight Anthem, Teenage Fanclub and … Read more
The second record of German band Hysterese is a record I own and play quite frequently. To me it is one of those strange records that you enjoy a lot, but didn’t invite you to delve into their past or actively follow the band. Until now. As I saw the band name pop up in the heap of promos I … Read more
It seems that Jake Robertson spent a lot of the past year playing with himself. But haven’t we all? Bad jokes aside, the one-man band put out multiple full-lengths in 2020 and now a new 6-song EP too. Overall, the project is diverse, falling generally within the punk umbrella but different influences scattered as Robertson feels like it. But this … Read more
If one were to define post-punk as the departure from the musical rawness and simplicity of punk rock and the adoption of dancey rock elements, Brooklyn-based The Black Black would fit the bill quite well. Their third long-player spans eight tracks, which sonically traverse bass-centric territory between 1980s sentiments left in the wake of Joy Division and the groovy end … Read more
At Home With Proud Parents caught me a little off guard, right from the start. While the debut showcased a variety of influences, this one is even more toned back and chill, in contrast to some members’ other work with The Hussy. The opening track on this sophomore album, “Cellophane” is more of a folk-punk or cowpunk vibe with some … Read more
Hangman’s Hymnal is a nice addition to the Snappy Little Numbers roster and every bit as archaic as the title suggests. With a Wild West vibe pervading the songs, they manage to evoke mental images of them holding court in a saloon to perform their seasoned murder folk to a bunch of buzzed delinquents as part of a debaucherous hootenanny … Read more
Jiffy Marx' She’s My Witch / Warning Sign 7″ does not only look like a 45er from the late seventies, but sonically delivers exactly that, i.e. two snappy lil’ pop punk numbers with the band firing on all cylinders. A snappy, fun 7” recorded in a bit more than a day, and sonically an homage and celebration the jangly pop … Read more
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