Within hardcore there lies a style of music that has come to known as beatdown. It is an interesting but narrow-minded sub-genre to the whole hardcore realm. Musically, the bands that play this style of music rely heavily on having ridiculously huge breakdowns. I wouldn't be surprised if they wrote the breakdowns first and then surrounded them with the rest of the music for the song. Lyrically, there is a reliance on having a "fuck you" attitude. So when you partner those two together, the scope of what comes of this sub-genre is going to be rather limited. On a Warpath is the band's debut full-length in re-released form; it was originally put out on Mike Hood's Westcoast World Wide label earlier this year. Over the course of the nine tracks, On a Warpath serve up morsel after morsel of in your face hardcore. The music is modern hardcore at its very core, but there is a lot of metal and thrash influences in the songs as well. Songs like "Restoration" and "Cut 'em Off" have some serious breakdowns that no doubt incite riot-like conditions on the dance floor. But where On a Warpath are at their best is when … Read more
CAUTION: This review was written by someone who DID NOT agree with the Scene Point Blank reviews of New Found … Read more
Lostprophets: a rock critic's dream? If it's not the glossy pop production and so-hook-laden-you-could-fish-with-them songs, we can go the other … Read more
On their latest effort, Now You are One of Us, The Paper Chase's Congleton tells a story about a family … Read more
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Boston-based and Boston-proud, Death Before Dishonor has been churning out bruising hardcore since they first hit the scene with True Till Death. Their debut EP hit with very much the same style of breakdown heavy metallic hardcore that they drew their namesake from. Five years later, the band continues to deliver the hits with Count Me In, their debut full-length. Count Me In kicks off with a short intro before moving on to the title-track. "Count Me In" continues the band's formula from previous releases by mixing Hatebreed's ferocity with Madball's groove. "Nowhere to Turn" and "Break Through it All" follow in similar fashion with the guitar duo of Ben Kelly and Dave Cappello laying some slick riffs and killer breakdowns. Vocally, Bryan Harris makes use a forceful yells, not … Read more
It seemed as though the robots had short-circuited after their debut release. They toured non-stop for a year or two and then disappeared. Many thought the junk yard was the fate for these robots, but it turns out they were just doing maintenance, upgrading and such. Best friends and the only remaining original members, vocalist, Alex Ebert, and guitarist, Timmy … Read more
Imagine the following scenario: After getting out of work, undoubtedly somewhere shitty such as an office position or a retail job at the mall that, despite the "amazing" discount you claim to get, sucks beyond human comprehension, you arrive at the club that resides just out of the heart of the city closest to you. You hand your ticket to … Read more
Anyone from the United Kingdom that hasn't heard of young Miss Allen has either been living under a stone for the last four months or is at least fifty years old - not saying that fifty year olds haven't heard of her, just they are oooooolld. The daughter of "comedian" Keith Allen and "the newest face of the Myspace generation," … Read more
The Jonbenét Ramsey murder case has weaved its way in and out of our news chomping lives since the latter part of 1998. This was the time when the world was flummoxed and enraptured by the eight-year-old beauty queen's slaying. Lately the case has returned from the abyss again to haunt us with dolled up pictures of a little girl's … Read more
Heavy metal and I have been struggling through a rocky love affair since I was thirteen years old. Aside from a few exceptions, metal in the 21st century has been rather disappointing. The most encouraging thing that I can say about Cataract is that their hearts are definitely in the right place. Kingdom begins with an intro that sounds dangerously … Read more
Blues is a word all too easily thrown around these days; attached to the current clique of US indie bands, "bluesy" has become just another overused adjective used to describe over-hyped bands that don't actually sound all that bluesy. Jawbone, however, a one-man band from Detroit, actually does, mixing those blues up with splashes of punk guitar and garage rock, … Read more
I'll be the first to admit that I often judge a book by its cover the same way I judge a band by their name and cover art. Simply based on these indicators, Death Before Disco did not give me great first impressions. I mean, Death Before Disco; not only is it a terrible name for this bands sound but … Read more
The return of Strike Anywhere seems to be met with mixed emotions by a lot of people, and that's tough for me to understand. While I enjoyed their last proper effort, 2003's Exit English, I know it wasn't their strongest release, but I never expected to hear people claiming this band was past their prime. Past their prime? Already? Yes, … Read more
By now, you probably know exactly what to expect with a Strike Anywhere record, and I mean that in the best possible sense. Unlike Pennywise, still churning out the same tired anthems against "society" and "the government", Strike Anywhere have managed to maintain a furious consistency throughout their surprisingly short career (only seven years), and Dead FM is a good … Read more
It's a fact of life that hardcore bands, especially those involved with the late 90's screamo era, love to break up. They play a tour or so, leave us without about an hour worth of music, and then they're done. School, jobs, and families understandably take priority, and the band ceases to be. But the great thing about this scene … Read more
Fulton, New York's Another Breath have returned with their debut full-length, Mill City. This is their follow-up to their first offering, 2004's Not Now, Not Ever, which blasted through eight songs in just fifteen minutes. Mill City may contain nearly twice as many songs, but the album clocks in at just over thirty-five minutes. So what we have here is … Read more
It has finally arrived. It is something I have been searching for months now and feared did not exist. It is the ultimate doom metal/post rock album. I'm sure most of you will grumble that this has been done to death. But, my friends, do not write this off as another Neurosis and/or Isis rip-off, because, it is not. The … Read more
Cult of Luna is a guilty pleasure of mine. They are a good band that has the tendency to get hammered by the music press for being derivative of Isis and Neurosis, in essence a third generation Neurosis influenced band. Prior to this album, the band's sound has progressed along the same general game plan that was set up by … Read more
When it comes to folk music, I'm pretty clueless. Wikipedia tells me there's neo-folk, folk punk, jazz folk, folk metal, pagan folk, folk noir, psych folk, and my personal favorite, apocalyptic folk. While I'm not sure which of the labels is applicable to Los Angeles' Foot Foot, it's safe to say that they're doing something right. Snaggle and Buck begins … Read more
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