What are your criteria for a good album, a good record, a good song even? For me, the criteria are many; but there is one that really separates the great records from the good records and that is the ability of a piece of music to elicit a significant emotional response. That tiny requirement means a world of difference. It also is the most subjective criteria that I use; because, not everyone is going to have the same emotional response to something. I ask this question because it is an important one especially considering the clout that Tom Waits' name and albums gain with each new one. His new album, Orphans: Brawlers, Bawlers and Bastards is an ambitious three-CD 56 track collection of old, unreleased material mixed with new material mixed with reworked versions of never before heard music. One would tend to think that this collection would be just that, a non-cohesive batch of songs, which, God forbid might be left over material from previous sessions. But, after the first few tracks, any fears of this being substandard can be tossed out the window. After the first CD, Brawlers, you know that it is good, real good. As the … Read more
Though I can't speak for my colleagues, I find it isn't unusual for an album to be given a great … Read more
When bands attempt to emulate the punk rock sounds of the late seventies, there are a couple elevators to enter. … Read more
I want to say, before I get to my actual review, that I give out a lot of high scores … Read more
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With the daring first notes of a church organ, Paradise Lost primes its listeners for a quasi-sermon on the mount in Medusa. A part description of suffering, part omen for eventual destruction, part heroic call to arms in the face of meaninglessness, Medusa glorifies godless bravery and turns those who cower from responsibility to stone. The album is predicated on humanities continual fall from grace through both failed gods, and human dishonesty. Salvation is undercut by a weighty judgment given sonic birth by the resonant pop, smack and stick of the drums, a buzz saw guitar-bass combo—I think the classic HM-2 pedal is used here—down tuned for heaviness sake, and a surprisingly well enunciate black metal crow, peppered with strong clean vocal crooning reminiscent of Dave Gahan from Depeche Mode.Within … Read more
In 2005, following Warnings / Promises, Idlewild finally decided that they were a rock band all along and that the folk edges that had been working their way in since The Remote Part were just a side track to their rock band credentials. The result of this epiphany was that there was room for Idlewild to do both a rock … Read more
I know many of you out there don't remember the grunge explosion of the early to middle 90's. After Nirvana's "sudden" success, major labels swooped down on the rain drenched city of Seattle and signed everyone from Soundgarden to Seaweed in hope that maybe their label would find another alternative rock goldmine to strip for all its worth. Well, for … Read more
MSTRKRFT (Master Craft, for those of you who - like me - didn't catch on right away) is the brainchild of Death from Above 1979 bassist Jesse F. Keeler and producer Al-P. An electronic two-piece in the same vein as veterans Daft Punk and relative newcomers Hot Chip, the pair first made their name by flexing their mixing muscles on … Read more
If you're not familiar with the name Jeremy Enigk, I have only one conclusion: you've been living under a rock for quite some time. Enigk is best known as the frontman for Sunny Day Real Estate - a band whose reputation should precede themselves - and The Fire Theft - an offshoot project of Sunny Day Real Estate. In addition … Read more
Raise your hands if you've ever spent time as a teenager, on the brink of stepping out into the world at large, uncertain of what awaits you. Keep those hands up if you've ever questioned your place in that world, not just on a personal level, but if you've ever wondered what you can do to affect what's around you. … Read more
When Pretty Girls Make Graves released their 2003 album The New Romance, I didn't think there was any way for it to not make the majority of critics' top 10 lists. It made some, but an album that cracked a window long painted shut and let the air flow through the tomb of modern music deserved better. There were many … Read more
First off, the packaging on this limited release is top notch. It's a screen-printed, foil stamped, cardboard "case" that is all folded like a bit of origami (not really, but it is cool nonetheless). It is a tour CD (you might be able to get from the Auxiliary web store) that served as a teaser for the Young Widows' full-length … Read more
Though I'm sure none of you indie elite need to be reminded, but allow me to assert that Paris Hilton is a piece of shit. It's an obvious statement, sure, but one that is central to wrapping your head around this omnipresent, miasmic phenomenon in our media and celebrity-centric culture. Too often, the question we thinking people - anyone with … Read more
In 1955, photographer Robert Frank received a grant from the John Simon Guggenheim Memorial Foundation to travel the country photographing the American people in all their multiplicity and uniqueness. He was unable to find an American publisher for the resulting book, The Americans, and had to have it published first in France - the reason being that his pictures portrayed … Read more
Calling All Creeps! is the debut EP from The Neon Hookers. Okay, so the band's choice in name isn't the greatest, but 1) most band names suck and 2) haven't you ever heard the phrase "Don't judge a book by its cover?" On their debut, this five-piece outfit from the hardcore factory of Massachusetts serves up seven tracks of rock-influenced … Read more
According to guitarist Adam Fischer, "The Always Open Mouth is the person in the crowd who, when you say something, they yell out 'Fuck you, play another song'." With this in mind, it's not hard to imagine what to expect from Fear Before the March of Flame's third album. Raw and scathing, this is an all-out attack on the ignorant … Read more
Very few bands, after putting out two records that made me cringe, put out a record that moves me. Not very few, make that zero bands, except for Fear Before the March of Flames. Odd How People Shake and Art Damage were both unappetizing attempts to reach some sort of plateau where they could rain down shit on everyone around … Read more
A quick warning before you read this review: This will be the most biased review I've written for Scene Point Blank. Remove from the equation the fact that I have business relations with one band. Remove from the equation the fact that both bands I consider to be some of the best friends I've ever made in the hardcore "scene." … Read more
The vast majority of hardcore that's described as "heartfelt" comes off sounding "cheesy," "uninspired," and "contrived." The "emotive" vocals as "whiny." You get the idea. Southern California and Northern California's respective Final Fight and Life Long Tragedy are two vital exceptions, pioneering their own brand of modern hardcore. With their debut full-lengths in 2005, Under Attack and Destined for Anything, … Read more
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