With their fifth full-length, indie music darlings Death Cab for Cutie make the jump from 'the little engine that could,' Barsuk Records, to the big-time of Atlantic Records. But don't pick up that rock just yet. Death Cab isn't deserving of the bludgeoning reserved for traitors. With their latest release, Plans Death Cab stick to what they do best as they continue to fuse indie and pop with brief interjections of electronica. Death Cab opens the album on a high note with 'Marching Bands of Manhattan,' which acts somewhat as an introduction even though it is an entire song. That is to say, the song is constantly building, suggesting something great to follow: the instrumentation is sparse at the beginning but over the course of the song additional elements are added to the mix; the tempo is nearly at a crawl as it opens but elevates as the song unravels itself. And what does all this lead up to? The band's first single, 'Soul Meets Body.' On the track vocalist Ben Gibbard sings 'you're the only song I want to hear / a melody softly soaring through my atmosphere.' These words perfectly describe the song, especially the final chorus in … Read more
Do you remember Ashes? Junction? Hell, even Samuel for that matter? Have your ears ever had the chance to listen … Read more
Goddamn! You're more than likely speculating that this record is going to be one of two things because of the … Read more
Corey Williams scares me. Now, this isn't anything bad because Williams is a great guy. But add a microphone and … Read more
Take two of the indie music world's hottest acts, stick them together on a split release on one of the … Read more
Choose a year to view reviews of albums released in that year.
749 reviews
42 reviews
25 reviews
300 reviews
4868 reviews
19 reviews
We're in the middle of a pop punk renaissance. New recruits are signing up left and right and firing off catchy odes to the evergreen vagaries of romance, teenage or any age. But this is a post-Lifetime era, so for the most part today's young turks eschew the Ramonesianism of a Screeching Weasel or a Queers in favor of the chunky guitars and wistful sing-alongs of New Jersey's most-decorated. The name of the game is no longer brain damage as a metaphor for love, but spin kicks and windmills as a backdrop for plaintive pathos. So where does this leave a band of staunch classicists like the Lillingtons? Emerging out of coal-rich Wyoming in the mid-1990s, the Lillingtons celebrated the fin de siécle in 1999 by unveiling one of the … Read more
Fire extinguishing foam, cortisone and physostigmine. All highly relevant in today's society and all created by one man, a man you've never heard of. Clint Ruin, Baby Zizanie, Manorexia, Steroid Maximus, Scraping Foetus off the Wheel, Foetus Inc., The Foetus All-Nude Review and all derivations of Foetus' music are also the creations of another man you've probably never heard of,. … Read more
Michael Gira is a genius. Swans and Angels of Light will undoubtedly be remembered as great bands years from now. Playing music is not all Gira is good at though. Discovering talent is another of Gira's gifts and if he keeps up with his track record, it might even become more renowned than his songwriting abilities. You may know the … Read more
I spent a good year learning the guitar arrangements, melodies, and riffs of The Black Dahlia Murder's Metal Blade Records debut, Unhallowed. It was certainly a fun, morbid, and visceral expedition into the world of melodic death metal, a la Gothenburg, Sweden. After having seen the phenomenal live show that this band put on, including the mind-bending drumming of Zach … Read more
Overload, Lights Out first full-length, is nothing less than amazing. Honestly I was not expecting this from the band because after listening to Get Out so many times, it got rather old. But this new album still hasn't gotten old and I've listened to it every day since I got it. And the reason is that on Overload, Lights Out … Read more
Playing music in a genre like metalcore is a difficult thing. You've got to do what you do very well to separate yourself from the rest of the pack. Even then, odds are you will be tagged as such and thrown in with the rest of the pack of 18 Visions', Atreyu's, and Unearth's. Finding a Voice in the Dark, … Read more
Escaping cliches can be difficult. In 2005 the instrumental metal band has become its own cliche, along with their album's reviews. Being referred to as a Neurosis-rip off or an Isis-wannabe has become a formality for these bands, and sometimes it isn't even the bands fault. Reviewers are often guilty of only looking towards the genre defining or benchmark bands/albums … Read more
Throughout the entire Lord of the Rings trilogy, The Nazgul have their own musical score. The music that was written for them is dark and operatic; when you hear it, you anticipate awful things to happen. And yet, I feel the choice that was made just wasn't dramatic enough so I took it upon myself to choose new music for … Read more
There's obviously a fine line between the hyper-clich' badge of 'the next big thing' and the less fortunate one of 'what should be the next big thing.' In discussing this, it's easy to get very cynical very quickly. But at the end of the day, isn't it really the music that matters? Sure, I'd be na've to assume that every … Read more
The release of Cursive's The Difference Between Houses and Homes: Lost Songs and Lose Ends reminded me what it was like to be excited for an album to come out. I was giddy like a kid waiting for Christmas; eagerly counting down how many more sleeps it would be until I was able to get my small, greasy, hands on … Read more
With independent music, you don't usually have the case of one hit wonders. This is mainly due to the fact that most independent music isn't being played on commercial radio and MTV. But, with Polyvinyl's recent signee, Hail Social, I have a feeling this will not be the case. Having toured with Interpol and Secret Machines, and sharing a sound … Read more
Taking his moniker from the notorious Andy Warhol actress and one time girlfriend of Bob Dylan, Justin Moyer of El Guapo/ Supersystem has created for himself a whole new persona. Dragged up, transvestite sheik is Moyer's game, like a revamped Ziggy Stardust for the post- LCD Soundsystem generation. His aim? To derail celebrity worship, or perhaps just to make you … Read more
#1 was such a fantastic, yet ultimately superficial, electro-pop album. Brimming with hits and infectious dance beats, it certainly helped to solidify the iconic duo of Warren Fischer and Casey Spooner as the leaders of this new-found "electroclash" genre. I've never understood what exactly was "clashing," but that is a moot point." Built up by scenesters, musicians, Capitol Records and, … Read more
With their debut, Save it for the Birds, the Richmond, Virginia straightedge outfit turned quite a few heads with their high-octane approach to hardcore. The furious noise assault was teamed with vocalist David Wood's straight-to-the-point lyrical approach - I recall the episode of The Simpson's where everyone 'tells it like it is.' With a combination like that, the recipe for … Read more
There are two kinds of reviews for The Duke Spirit's Cuts Across the Land - enthusiastic endorsements that focus on Liela Moss and her throaty, sensual vocals, or accounts of the sheer unadulterated indifference this most recent effort from the London-based group provokes. Unless, of course, you're that guy on Amazon.com who refuses to hedge his bets, and just plain … Read more
Looking for the SPB logo? You can download it in a range of styles and colours here:
Click anywhere outside this dialog to close it, or press escape.