I'll admit, when I first heard of Drowningman back in the day, I had a whole lot of preconceived notions. It was in a magazine, Revolver or Tiger Beat, that featured an interview. After looking at the photo, I was ready to dismiss them as Warped Tour rejects that play the excruciatingly banal bullshit that I'd come to expect from assholes like (start writing those hate letters kids!) MXPX and their ilk. Soon after, on one of my numerous excursions to the local indie music store, Wal-Mart I think, I stumbled upon their split 7' with The Dillinger Escape Plan. It was then that I realized my aural elitism had once again turned around, bitten my ass and sent me crying all the way back to Poseurtown. For how could a band sharing space with Dillinger be bad? I slapped it on the turntable and the rest is history. Fast forward to 2005 and we have Don't Push us When We're Hot, the band's fourth full-length album, and first since reforming after a two year break, finally succumbing to a ridiculously revolving roster that makes Megadeth look stable. A wise man once said that there's a fine line between stupid … Read more
No longer is Franz Ferdinand the sole property of Glasgow's skinny tie wearing indie elite. They are now a phenomenon. … Read more
Kids aren't born cool. For the droves of kids that are growing up in small towns watching third rate metalcore … Read more
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To those who have been diligently searching the internet for more exposition on the new Lithops project: Finally! Here it is! I have some bad news for you! This review is being written by a dude who calls this stuff techno and wears flannel. Deepest apologies to serious fans: I am just going to look at this as music. As in, is it good? Or maybe bad? I mean for listening to as a human being. My exposure to Mouse on Mars, the previous vehicle for the man behind Lithops (Jan St. Werner), consists of the following anecdote: The cooler member of my high school band playing one song for me and asking "What do you think?" As far as I can remember, I opened another Milwaukee's Best, shrugged, and … Read more
Nevada is one of the last states I think of when it comes to hardcore. This is odd because the state produced one of hardcore's all-time greats in 7 Seconds and is also home to one of my favorite hardcore bands of all-time, Faded Grey. When I think of hardcore my mind tends to think of Southern California or the … Read more
In recent years country and folk music have had a significant increase in their influence in the genres of indie rock. We have seen albums from Bright Eyes, Sufjan Stevens, and Iron and Wine receive critical acclaim. It's not my right to question why, but it is within reason to ask. So, seriously, why the sudden fascination? Mr. Oberst has … Read more
So lately you've seen a lot of new bands popping up. The first thing you see is 'ex-members of ______ and ______!!!!' HOLY CRAP, you mean this band has members from all of my favorite bands? They're writing songs together? YES!! It seems as though so many of the new bands recently have become sort of incestuous, all sleeping and … Read more
There's something to be said for bands that get right to the point. Literally within the first ten seconds of "11th and Arch", Philadelphia's How it Ends lets you know exactly who they are and what they're about. And on their second album, Beloved, How it Ends is all about the heavy. Heavy guitars set just how i like my … Read more
When quality is superseded by time constrains, one feels a certain degree of relief. If all goes terribly wrong and what you've written stinks, you can always fall back on the old 'It was a rush job' line. Here's my situation: I received the new split CD by 27 and Twin Zero in the post this morning, and I have … Read more
Doesn't the Bay Area have enough good hardcore bands? It's like they grow them on trees, or breed them in those large crates on the shipping docks. The truth may never be known, and I'm sure as hell not complaining; it's amazing to see these new bands playing music that strays away from the repetitive shit Trustkill profits off of … Read more
2004 was an odd year in the United Kingdom. The word 'chav' became part of everyday life, there was an extremely hot summer (the likes of which we had never seen), and a bizarre group of Welshmen came out of nowhere to become the most talked about group of the year (mainly in the tabloids). Goldie Lookin' Chain's Greatest Hits, … Read more
Metal is getting to be popular again. Its popularity has fluctuated at times, dipping in and out of the pop culture eye, but usually staying under the radar. With the resurgence of thrash/melodic death metal/"hardcore" hybrids popping up everywhere, there is a sense of excitement (or dread) about new metal releases. So many bands seem to be trying to "one-up" … Read more
I'm going to start this one by saying that, with very few exceptions, I fuckin' hate metalcore. Has a genre ever spawned so many worthless, generic, formulaic, and uninspired bands? It's seriously riding pop-punk's ass right about now. Now, I don't always mind my hardcore with heavy metallic leanings; I can stand All Out War and Embrace Today, who at … Read more
About a year and a half about I was fortunate enough to catch a Cave In performance at which they debuted a handful of new songs, many of which made their way onto this release. When they played these new songs, they were sprinkled about a set-list of recent songs from Jupiter and Antenna as well as old jams from … Read more
First released in 1998 und das Vaterland, Mad Sin's album Sweet and Innocent? Loud & Dirty! finally gets a "proper release" on North American Shores, courtesy of Thorp Records. A band that's been around for nigh on 17 years, these guys could quite possibly be the only band to have been on more labels than they have albums released. How … Read more
Andrew Bird is an intelligent and elegant Chicago based musician. He molds his work carefully. To give you an idea of how careful he is, he scrapped his latest album, The Mysterious Production of Eggs, three times to go as far as traveling in-between studios from Chicago, Los Angeles and his hometown in Northern Illinois until he got it right. … Read more
The Spill Canvas's debut LP Sunsets and Car Crashes showed us that in high school the members of the band were very, very, sad. With their sophomore follow-up, One Fell Swoop, it looks like the boys are out to prove they're still not over it. Self proclaimed as 'intense and emotionally driven,' The Spill Canvas are the type of band … Read more
So you know the story; you wait all your life for a band to sing about zombies and the living dead tearing at your flesh and then two come along at the same time! However, unlike the number 33 bus to Castlefield this is not just a small annoyance that makes you grumble all the way to work. Having the … Read more
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