On The Blood Brothers' 2004 disc Crimes singers Jordan Blilie and Johnny Whitney scream, "Everybody needs a little devastation," from "Devastator." Well you know what fellas, sometimes everybody needs a little benefaction. Sometimes we need love and flowers and pretty things, like rainbows and holding hands. Singer/songwriter Keren Ann Zeidel, whose recording name is simply Keren Ann, shows us the tenderness and love that the Blood Brothers were unable to. So single guys out there, pay attention. Nolita from Keren Ann will most definitely improve your game. Since 2002, the Israeli-born, Dutch-Javanese-Russian-Israeli singer has been integrating the dissimilar styles of trip-hop, folk, and French-pop into her solo efforts. Often compared to Dido and Portishead in the past, Nolita sounds more like Azure Ray, Fiona Apple, and Air. Nolita opens with the French sung "Que N'ai-je?" Now I don't know for sure, maybe I'm just a sucker for the French language in general, but this has to be one of the sexiest songs I've heard in a long time. She could be singing about her dead grandmother that used to beat her as a child, I honestly don't know, but I also dont care because the music, melod'y, and vocals are … Read more
Ever since I accidentally saw them live in 2003, Spitalfield had been on my list of bands to avoid listening … Read more
A 10-song, 40-minute EP? Talk about cocky! After releasing their 80-minute beast of an album, Blueberry Boat, to my (and … Read more
Generally at the beginning of the year, you'll set your hopes high for a handful of releases and odds are, … Read more
There was a time long long ago when Victory Records put out quality hardcore releases by bands like Integrity, The … Read more
Splits are traditionally a way two bands can get their music recorded/released by combining money. If you read that wrong … Read more
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Acid Fast play really angst-y yet bouncy punk rock that is rooted as deeply in the Midwest sound as it is the Pacific Northwest. But here’s the thing: they’re not from Olympia or Minneapolis or Portland or Chicago; they’re from Oakland. But goddamn, if they don’t sound like a band that came up playing damp basements alongside The Soviettes, RVIVR, Mean Jeans, or The Brokedowns. At times it’s a bit imitative but that’s easily forgivable since it’s also incredibly charming thanks to the melodic male-female vocal tradeoff, and really rockin’ because of the fuzzy bass, driving drums, and spirited guitar.It’s the awesomely-named Hannah Conda’s presence on Rabid Moon that really keeps the album from treading too far into derivative wearisomeness. Although it works quite well when she is adding backups … Read more
I first happened upon this group in June of last year, when the lead singer Chris made a thread on a message board I was frequenting about his band. The samples on the main page were outstanding. They were melodic, tinged with something I thought was reminiscent of eighties New Wave, when it was still the dark brooding poetry of … Read more
Last fall rock lost one of its true visionaries. John Peel was responsible for introducing the UK to acts like Pink Floyd, The Velvet Underground, The Smiths, The Undertones, Nirvana, The White Stripes, Napalm Death, Carcass, Extreme Noise Terror & Joy Division. How's that for diversity? It was an honor for any band to get to play Peel's BBC radio … Read more
By now you've scrolled down and seen that I've given Make Believe a score of 6.0. So you probably think I'm a biased fan who likes this album more than he should. Well, I am. But you should also know that if I were to review Weezer's previous catalogue, it would look something like this: 1) The Blue Album - … Read more
Superfluous. If I could describe the music press' fawning over female Sri-Lankan/British emcee M.I.A. in a single word, that would be it. This excessive praise for a new artist is not unique to her, of course. In 2004, it was Franz Ferdinand. In 2003, it was the Yeah Yeah Yeahs. To be honest, M.I.A.'s Arular does not live up to … Read more
Beginning a band is no easy task, there are many pressures involved with the entire process. Those pressures intensify when you're coming from a previous band that was considered to be fairly popular; it's a double-edged sword. You're pretty much ensured free exposure and publicity based on the fact that the new project gets the "ex-members of..." tagline. But with … Read more
In the late 80's and early 90's, Seattle was the place for any musician to be. A brief yet socially relevant counterculture was spawned, not too dissimilar to punk in the early 80's. The movement, being simply music or something more, had no name but was knighted "grunge" by the media. Much of the music was dirty, aggressive, brooding, and … Read more
CVA was fucking perfect. Naysayers beware: I am willing to defend that position. A hardcore supergroup of sorts (combining members of The Curse, Kid Dynamite, Lifetime, and Good Riddance), Paint It Black released one of the best melodic hardcore albums I've ever heard. I'm a sucker for melody and I'm a sucker for speed. They combined them with such precision … Read more
It's not very often these days one gets the opportunity to use the phrase "This brings the ROCK" without sounding like some kind of crotch grabbing throwback Darkness fan. If you miss (or totally missed out on) the days when Iggy Pop mocked Hells Angels while boasting about the size of his "Johnson," Dinosaur Jr. consuming more green than Cheech … Read more
An album cover with a skull, blood streaks and three fingers makes the viewer think of death, violence, periods and the very impolite action of pointing. In the hardcore scene this is all very cliché, although the fingers are a territory not plundered yet. Instead of surprising the viewer, now the listener, Saturdays of Thunder is filled with very mundane … Read more
Considering the phalanx of albums due for release, and with previous offering Discovery bringing all the musical vision and ingenuity of a series of polyphonic ring-tones, Human After All found itself rated rather low on my list of desires and expectations for the first half of 2005. Being honest, I expected absolutely nothing of real musical value from this album, … Read more
Osker was well known as being the most hated band on Epitaph in their brief stint as a band. Being roughly around the age of 18 when their final album, Idle Will Kill came out, they managed to release a pop-punk masterpiece having hardly entered adulthood. Now Devon Williams, lead singer/songwriter of Osker, is back in the spotlight some odd … Read more
This is the kind of split 7" I like to see. On one side you have Lucero, a Memphis band who have recently gained a lot of popularity. They have a style that is as equally influenced by Jawbreaker as it is by Waylon Jennings. They constantly are on tour, put out records on large indie labels, and have drawn … Read more
The name Ryan Adams has become synonymous with the word "prolific," but not so much with the words "genius" and "brilliant"- those are thrown around by hardcore fans and earnest publicists. After releasing five full-length albums in a span of four years, his debut, Heartbreaker, still undeniably remains his best record to date, but he is far from regressing to … Read more
I was having a conversation the other day with a close friend. We were discussing music, as we normally do, and I started quoting some lyrical excepts from Deep in the Heart. He chuckled and told me that he thought it was kind funny that I listen to "all those tough guy bands," and yet I am such a nice … Read more
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