Mike Watt famously said that the Minutemen "divided the whole world into two categories: there were flyers and the gig. You're either doing the gig, which is like one hour of your life or everything else to get people to the gig. Interviews were flyers, videos were flyers, even records were flyers. We didn't tour to promote records, we made records to promote the tours, because the gig was where you could make the money." I'm not using this quote to say that Q and Not U's efforts are necessarily motivated by the almighty dollar but much of their work has always sounded confined and stifled on wax. This leads me to believe that Q and Not U's strength and immense popularity lay not in their *ahem* complex, thought-provoking recordings but in their, by all accounts, incendiary live show. Though I haven't actually experienced the group in person, I get the feeling that Q's records, like those of the Minutemen, act also as flyers for their gigs. Power, flyer #3 for the Q, isn't much of a departure for the group, taking the angular guitars of No Kill No Beep Beep, the hipster funk of Different Damage, and combining them … Read more
The introduction of a review is usually a chance to capture the reader with something funny or even insightful. Considering … Read more
Moving Units played at last year's Sunset Junction Street Fair, which had an impressive line-up of indie pop and rock … Read more
When I started my own zine as a sophomore in highschool (I am now a freshman in college), Victory would … Read more
Choose a year to view reviews of albums released in that year.
754 reviews
43 reviews
25 reviews
300 reviews
5036 reviews
19 reviews
Pandemix are new to me, and they’re difficult to sum up in just a few words. That’s a complement. It’s punk by genre, but a few subgenre adjectives aren’t going to capture the band. In Condemnation isn’t exactly complex (we’re talking punk rock here), but it’s diverse in subtle ways that keep the energy level high and fresh as it shreds through 10 tracks in 28 minutes.There’s a 1980s bluntness, along with vocalist Shannon Thompson’s general style that’s a speak-sing-shout with vitriol, spite and, yes, condemnation. But the music is far from the predictable verse-chorus-verse singalong where you know the words on first listen. The lyrics tell a story instead of a catchphrase and the music builds up and shifts gears accordingly. The guitars here are as much The Jesus … Read more
Listening to Wolf Eyes is not what I'd call a traditionally pleasurable experience. Unless you consider having your face ravaged by a two-by-four while masturbating to an execution an enjoyable experience or, to a lesser extent, tonguing a blister you got from drinking hot soup, I'd advise you to skip over this review and check out what Zed has to … Read more
After an extensive delay, the rabid and hopeful fans sporting various Hydrahead affiliated t-shirts can finally rest. Old Man Gloom's Christmas brings an end to a three year drought since the simultaneous release of full-lengths Seminar II: The Holy Rites of Primitivism and Seminar III: Zozobra back in 2001. The delay is excusable due to the busy schedules of the … Read more
What does coping with the death of Elliott Smith sound like? It sounds poignant and pretty; in essence, it sounds like Smith's spirit is living vicariously through Aaron Espinoza. Music is a catharsis for many artists and the finest music is produced when songwriting is used to expel intense emotions. On Earlimart's fourth full-length album, Espinoza deals with tragedy and … Read more
Turn on the Bright Lights is a great debut album. The guitars are compelling when paired with Paul Banks's jarring vocals, letting bizarre lyrics like "subway is a porno" slide. The bass lines are far from boring and the drumming is precise and deliberate. All this talent was fused into a euphoric experience that was warmly received by the press. … Read more
Well Scene Point Blank-ers, I've got some bad news: there will be nothing shocking in this review. The reason for this is that there is nothing surprising about the new Interpol album. I know that's what all the other reviews are saying as well, but I'm going to have to agree with them on this one. I could lie to … Read more
Architecture in Helsinki are not your everyday indie-pop group. Sure, they are compared to Belle and Sebastian a lot, but these comparisons aren't very good. Sure, both bands boast a high number of members from varying genders. But where these two bands differ is that Belle and Sebastian just aren't good and Architecture in Helsinki, well, they just are. Hailing … Read more
While this may seem repetitive to say, before you listen to Volume III, it would be in your best interest to purchase the band's last full-length, Oceanic, before you listen to these remixes. After absorbing the full-length, these reworkings of tracks will make much more sense. Side A starts off with Mike Patton's rendition of the track "Maritime." Patton always … Read more
Foreign territories naturally exude mystery and romance. Dubliners the Thrills found California so intriguing that they wrote their whole debut, So Much for the City, about it. Their blatant references in song titles, from "Big Sur," "Santa Cruz (You're Not That Far)," to "Hollywood Kids," and their Beach Boys-influenced pop made them the best California band that wasn't from California … Read more
Before we begin I'd like to officially admit that I have a problem. I have an obsession with the Nor Cal hardcore scene. So if this review seems a little biased, it really isn't my fault. Especially since the Bay Area and surrounding areas have the most promising scene in hardcore. The latest rising star to come out of the … Read more
As someone who always thought What Feeds the Fire was just "okay," I was hesitant to believe all the hype surrounding Verse. However, once I actually gave them a fair chance and listened to them myself, I found what all the commotion was about. Each time I listened to their four-song demo I heard something new that I liked about … Read more
Nothing really sets the Delays apart from other mediocre Brit pop rock bands. They are all trapped in limbo between the achievements of Radiohead and Oasis and the sewage of bands like__________and__________(I can't remember any Brit bands that I thought were absolutely horrendous). No matter how ordinary the band may be, they achieve the same lush and atmospheric sound; many … Read more
Dear Converge, After giving You Fail Me a listen, the only thing I can even begin to contemplate is: "What the fuck happened here?" I'm truly sorry to say that aside from calculating the distance from where I'm sitting to the Cosi two blocks away (I have a coupon for a free sandwich), this is the only thought that's running … Read more
"Is You Fail Me better than Jane Doe?" Don't lie, that's what you're wondering and hoping this review will answer. So I'll do you a favor and answer your question from the get go: 25% yes and 75% no. You Fail Me brings forth twelve great tracks that work on their own but doesn't have the same cohesiveness of Jane … Read more
Pete Doherty is so rock n' roll. Every other day the kid is in rehab, and on the other days he's escaping from it. Just look at the cover of this CD; Doherty's fellow band mate looks like he is trying to help him from passing out from a drug overdose. On special occasions, Doherty steals from his band mates' … Read more
Looking for the SPB logo? You can download it in a range of styles and colours here:
Click anywhere outside this dialog to close it, or press escape.