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Our latest album reviews, featuring the records we've most enjoyed (or not) over the past few weeks.

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Browse our album reviews according to score: Highest (9.5/10 or more) or Lowest (2/10 or less)

Parts & Labor/Tyondai Braxton

Rise Rise Rise
Narnack (2004)

Brooklyn strikes again with this 2-for-1 bargain from noise rock provocateurs Parts & Labor and loop-based composer Tyondai Braxton. Rise Rise Rise may only be the second major release from each of the two parties involved, but surprisingly enough, it manages to exhibit more progress than a second - not to mention split - release would normally demonstrate. Parts & Labor's debut, Groundswell, was a stiff but largely exhilarating affair - very much the effort of a promising young act with a definite sound of their own still trying to find their footing. On their debut, Parts & Labor mixed circuit-bent keyboards with a rhythm section whose pummel and ferocity rivaled that of any band on the Load Records' roster. This time around, the trio is much more refined in their approach, incorporating loads of new stylistic elements into the mix without ever compromising their core "sound." For starters, check out that tasty, almost sample-worthy hip-hop groove the group busts into on "Probably Feeling Better Already." On "Good Morning Black Eye," the group rattles some cheaply recorded kitchen-sink percussion while a twee, childlike melody gets plucked out haphazardly on an acoustic guitar - it's unexpectedly captivating stuff. Speaking of guitars, … Read more

The Colour

The Colour is Out and About
Monarchy (2004)

"The Colour" are out and about - I guess. Yeah, okay. Center singer dude here sounds kind of like Robert … Read more

The Veils

The Runaway Found
Sanctuary (2004)

Finn Andrews, the vocalist and guitarist of the Veils, once posed alone in front of a cemetery. The building behind … Read more

Camera Obscura

Underachievers Please Try Harder
Merge (2004)

With the state of pop music looking more and more depressing with every year, it is always nice to hear … Read more

Ween

Live In Chicago
Sanctuary (2004)

Note:If you need to really know how I feel about Ween as a band, please refer to my review on … Read more

Terror

One with the Underdogs
Trustkill (2004)

Terror might be the only band that could have had a successful career in music without playing a single show. … Read more

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One from the archives

Try Me Bicycle

Voicings
Independent (2008)

Try Me Bicycle's Voicings is a dreamy and delicate offering, even when it tends towards the brooding and melancholy. Such a balance is difficult to strike - in less capable hands, the elements can threaten to weigh themselves down - but the Phoenix-based quartet unquestionably achieves it. Andrew Naylor (vocals/guitar) Jay Novak (bass), Jacob Koller (piano) and Laraine Kaizer (violin) combine folk, indie leanings, and jazz elements to produce a richly textured yet subdued result. Recorded in 2006, and enjoying a North American re-release in the fall of 2008, the album is a series of thoughtful statements gathered together and issued with care. Must-hear tracks to check out include "Lessons on Love and Junk," "Big Small," "My History Bore a Knife," and "The Old Men of Jerome." These songs are … Read more

More album reviews

The Cure

The Cure
Geffen (2004)

Even if you're in a band whose career spans almost 30 years, there is a first time for everything. This is the first time the Cure have released an album on Geffen instead of Elektra Records. After self-producing many of their albums, they handed over the reigns of producer to Ross Robinson, who has produced for the likes of Limp … Read more

The Dillinger Escape Plan

Miss Machine
Relapse (2004)

The Dillinger Escape Plan (DEP) certainly have been enjoying the good life since releasing their last full-length, Calculating Infinity, back in 1998. The band was hand-picked by Mike Patton to tour alongside one of the bands they openly idolize, Mr. Bungle. A mutual respect between the two bands eventually led to DEP recording an EP, which contains Patton's musical vision, … Read more

The Killers

Hot Fuss
Island (2004)

I want to bash the Killer's debut Hot Fuss so much. The press sets them up easily for a beating; there's enough hype to fuel the world for a month or two and they focus on singer/songwriter/synthesizer Brandon Flowers. How could someone from Sin City have the last name Flowers and be in a band named the Killers? I looked … Read more

Oceansize

Effloresce
Beggars Banquet (2004)

A lot of my friends feel they have a duty to recommend me music. I don't mean to sound conceited, but I'm quite an educated individual when it comes to music of multiple genres. So when a friend suggests something to me, it's more often than not something I've already heard. But if I do have a weak spot in … Read more

Fall Out Boy

My Heart Will Always be the B-Side to My Tongue
Fueled By Ramen (2004)

Yo, this CD title sucks. It doesn't even really make sense. Also, fuck the packaging. It's not the average size of a jewel case, so it won't fit on my CD shelf. I have around five hundred cds, and they are taking up three full shelves on a good-sized bookcase, but next to those three shelves are a small pile … Read more

Zao

The Funeral of God
Ferret (2004)

Some would call Zao the musical embodiment of a soap opera. Even in their early years, they went through two lead vocalists and countless other band members. Their defining moments, however, were when vocalist Dan Weyandt entered the band and recorded Where Blood & Fire Bring Rest, Liberate Te Ex Inferis, Self-Titled, and Parade of Chaos. The drama didn't end … Read more

Alexisonfire

Watch Out!
Equal Vision (2004)

Back in the late nineties a handful of bands like Shai Hulud and Poison the Well began blending technical metalcore with more melodic, Midwest-style emo, building a sound that for the time was pretty innovative. After gaining a large amount of popularity, newer bands began emulating this style and making it more and more watered down. These are bands like … Read more

Jesse Malin

The Heat
Artemis (2004)

I love Ryan Adams - in a musical way. When I heard that Ryan Adams's partner in crime, Jesse Malin, was releasing a second album, I was excited. They are not only cohorts in the Finger (shh...they don't want you to know), but they also share the same roots. Boy falls in love with the punk scene, but then matures … Read more

Takaru

There Can Only Be None
Alone (2004)

While to some, hardcore is a type of pornography that involves penetration and giraffes, for others it's a style of music, even a lifestyle. When punk and hardcore were originally birthed, they were fast, radical, aggressive, and socially conscious forms of expression. Twenty-odd years later, punk and hardcore have all but lost their edge. For one, neither is all that … Read more

LKN

In the Leap Year
Greyday (2004)

LKN is the side project of Laura K. Newman, who could previously be found playing in the Pensacola, Florida act, Stellamarie. This is her second full length under the LKN moniker and with it, she pulls out all the stops to see that she gets noticed. This album was recorded in several different studios with different gear setups, which detracts … Read more

Cast Aside

The Struggle
Deathwish Inc. (2004)

Remember those spelling/definition tests that you had to take in grade school? You know, the ones where they ask you to give the definition of a word or use it in a sentence. I always loved those, maybe because I thought they were so easy. Okay, term one: "irony." - "Michael, an individual who is not straightedge, enjoys countless bands … Read more

Melee

Everyday Behavior
Sub City (2004)

The West Coast seems to have an air of a free spirit that allows songwriters to write various types of music there. About two years ago, I started listening to several California pop bands including Phantom Planet (pre-garage-band-wannabe stage), Rooney, the Like, the Waking Hours, Everybody Else, and Rilo Kiley for their great pop sensibilities. Melée is a pop band … Read more

Meshuggah

I
Fractured Transmitter (2004)

Meshuggah is one of those bands that make me want to grow my hair out and head-bang for hours on end. When I was around the age of 11, I wanted nothing more than to sport some long flowing locks. Why? At the time, I was attending private school, so we had a fairly strict dress code, one that included … Read more

Rise of Marakara

Rise of Marakara
Independent (2004)

have the toughest time reviewing material from young bands. For some reason, I feel that just because the band is young, they should have some sort of handicap in terms of review score and such. But on the other hand, if you're this young and this unprepared, you shouldn't be putting out something that is going to sound as immature … Read more

Reviews by score
Browse our album reviews according to score: Highest (9.5/10 or more) or Lowest (2/10 or less)