"Atmosphere finally made a good record, yeah right, that shit almost sounds convincing...." Almost. Actually, not at all. Sometimes underground hip hop boggles my mind. I'll admit, there are lots of great artists that remain 'underground' or at least avoid regular MTV video rotation and major success. Not to say that either being hugely successful or "staying true to the underground" have any qualities that put one over the other, both have a vast array of garbage sprinkled with a few delightful treats, just like any other genre. What does the boggling is how far underground cred can carry you. Plenty of acts can garner plenty of praise from the underground hip hop kids even if it is just as unoriginal, repetitive, and all around poorly written as some of the mainstream hip hop people love to make fun of. Case in point, Atmosphere. Sure, the Lucy Ford EPs were alright. They were the real introduction to Slug's introspective and female-inspired lyrical style. At the time, it was somewhat interesting. Most rappers were too hard to express any kind of vulnerability and any ability to recognize their vulnerability, but Slug executed it fairly well. I'd still say even Atmosphere's early … Read more
Everyone needs something cute every once in a while... once in a while. Too much can make you vomit, but … Read more
I'm from California. I live near the ocean. I like driving. I like watching baseball. I'm the outside world's perception … Read more
Choose a year to view reviews of albums released in that year.
749 reviews
42 reviews
25 reviews
300 reviews
4865 reviews
19 reviews
Sims is something of a firebrand on his early work, spitting political vitriol and pointing fingers outward and in on records like Lights Out Paris and Bad Time Zoo. This time around, the Minneapolis rapper is looking even more inward on the new More Than Ever, a record that pushes expectation beyond the hard-hitting beats and spitfire lyricism with echo-y and dreamlike tracks interjected through the more traditional beat-heavy songs.The album is an interesting experience between his more traditionally structured “OneHundred” or “What They Don’t Know” mixed in with the ambient tones of “Spinning Away” or the dreamy “Gosper Island.” He twists tongues and drops observant and descriptive rhymes through it all but it’s a new tone that gets heavy and hard before drifting into a no man’s land, sort … Read more
What if Ringo finally realized that he wasn't selling out shows like his buddy Paul? What if Paul's queen may have drained her spending account and put a considerable hole in his? What if both were afraid of their ties to an alleged murderer? The Beatles have seen their share of these sticky situations, and how do they get themselves … Read more
The members of Death Cab For Cutie equal far more than the sum of their parts; this much has been evident since a small, unknown label from Seattle named Barsuk released Something About Airplanes back in 1999. In the four years since that record, the band has released three 7" singles, two EPs, four full-lengths, and one compilation of singles, … Read more
Oh, the farewell. There are two kinds of retirement in music. The first is the graceful bow out of the spotlight, which may or may not be a good thing, depending on the artist, but always covers the band or artists's body of work in a veil of class and dignity. The second is a much more shameful route. Often … Read more
We are a generation that grew up with Mario, The Power Pad and the o so godly Nintendo Entertainment System as companions. It was just a matter of time until this part of our lives would be digitally inserted into our music. And although bands like The Advantage and The Minibosses pay homage by doing straight up covers of video … Read more
A nice hodge-podge of genres. I'm not going to get into the "genre" argument, though. This album is too good to waste a review on that moot point. Anyways, this is the first Against Me! album I've listened to (despite being told to listen to them from various sources), and I must say, it's pretty damn good. The sound is … Read more
Having carved a comfortable niche in the San Francisco Bay Area, by playing shows almost constantly for three or so years, Under A Dying Sun have created an album that breaks away from their original "emocore" sound, which judging by their last full-length, they have clearly out-grown. Instead of rehashing the same, tired, "screamo" formula with heavy melodramatics and melodic … Read more
The first words to leap out at you on the sophomore LP by the Strokes are "I want to be forgotten." How literally this can be taken is anyone's guess, but for a band under the amount of pressure the Strokes have been, Julian Casablancas' turn of phrase might be the downright truth. Five children of fortune who formed a … Read more
This one didn't immediately catch me like The Rains did. After maybe a half dozen listens, I think I'm starting to get it. I guess my main complaint is that some of the songs sound too similar to each other, but that starts to fade on closer examination. Oh well, first impressions are key often times. I'm also bummed that … Read more
If Explosions in the Sky's previous LP, Those Who Tell the Truth Shall Die Those Who Tell the Truth Shall Live Forever, could be called one thing, it would be called "derivative." Not that it wasn't an incredible record crafted by a band on top of their game, but let's be honest: it simply regurgitated ideas that the forerunners of … Read more
The Unseen: street punk for the masses. You could probably write this band's back history wihtout even knowing them. Hundreds of EPs, 7"s, and rare no-longer-in-production releases. Been around since the early 90's, all members have mohawks and/or dyed red hair, and their sound is influenced by bands like The Exploited. Lead single "False Hope" contains the line "Fuck the … Read more
I'll keep this short so you kids will understand me. I want the time back I spent listening to this. I feel cheated, robbed, and insulted. This is neither fun nor funny. It's devoid of any worth. It's stupid, it's banal, it's bland. So why does it get a 1.3? Two reasons: one point for not being pop-punk, a point … Read more
You've probably heard of Zombie Apocalypse because you like Shai Hulud. Well, then in a sense you've heard this whole thing. It sounds like a bunch of unused Shai Hulud parts played at 78 rpms. There are a bunch of samples, practically one in each song, which aren't that funny or special. Side projects are fun because you can hear … Read more
I guess I'm one of the few people in the world that don't really like Coheed and Cambria. Sorry. But here's to all those that are with me in saying that Coheed and Cambria are overrated. The first track starts exactly like JR Ewing's song Graduation Day, but with a different ring of the phone, and when the phone is … Read more
IN KEEPING SECRETS OF SILENT EARTH: 3 REVIEW A one act play CAST: Sean Apartimus.....our humble narrator Claudio.....our noble hero, leader of the clan Coheed Will Writinpahpsung.....elvin, Coheedian clansman King Concepticus......ruler of the kingdom Cambria, holder of the cherished concept album scroll Bordalon Pretentious.....brother of King Concepticus, but he smells of foul intentious! Boran Structuron.....the executioner, a dastardly fellow, and … Read more
Looking for the SPB logo? You can download it in a range of styles and colours here:
Click anywhere outside this dialog to close it, or press escape.