Deerhoof, never one to rest on their laurels, is back in 2004 with Milk Man. Things seem to be the same as always as the public wonders, "Can Deerhoof really top Apple O'?" The same question was asked this time last year except it was Apple O' being questioned if it could live up to Reveille. The album's "concept" is one that fits the album well. It's a story of an incredibly weird creature that brings kids into his dreamland and keeps them there. Almost a Nightmare On Elm Street feel but, a little cuter. The artwork is equally as disturbing, with what Deerhoof wants you to think this creature to look like and with the music that follows this concept, it makes you think that illustration couldn't be more right. Satomi Matsuzaki's vocals help keep the balance of a child-like innocence through this dreamland while Greg Saunier's drumming pops up to remind you this isn't Kansas anymore. The use of interweaving piano, gives the poppy songs a more sophisticated touch. Organs then sneak in with every minor chord imaginable and scare the hell out of you. On "Desaparecere", the use of a drum machine backs Matsuzaki while an electric … Read more
It's so sad when a great band releases a great album and then breaks up soon after before they even … Read more
This Dallas based band made their own bed and now they have to lie in it. Their press releases and … Read more
Orange Island are one of those bands who have had the unfortunate luck of being horribly mislabeled as emo. A … Read more
As any lover of lo-fi already knows, the complexity of The Mountain Goats' John Darnielle and his work is vast. … Read more
Now this is how hardcore is supposed to be played: fast, loud, and pissed off. From beginning to end this … Read more
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Not to be confused with Hayward's Shit Outta Luck, a ska band - this is Milwaukee's Shit Outta Luck, a meaty, Midwest "hardcore" band. The quotes are for the mere fact that the hardcore term is thrown around with such carelessness these days as to render its true meaning useless. Is S.O.L. hardcore? Not quite by my definition, but they come closer than others. Respectably upholding the tenets of the genre, there's sadly nothing really of note here. Slow-to-mid tempo songs with passable vocals but nothing memorable to speak of, like late-era Agnostic Front. Each song starts out promising with a good downstroke riff but then just goes nowhere. These guys love to drink and by looking at 'em you'd be hard pressed to distinguish them between the Dropkick Murphys, … Read more
Before I even begin to go in depth about Year of the Rabbit's major-label debut I want to get one thing clear. I find it unfair to make comparisons and set standards to bands based upon their involvements in previous efforts. Yet, it happens all the time, most recently with The Fire Theft and their past as Sunny Day Real … Read more
So comrade, this elderly man walks into a bar and asks the bartender, "Where can I find the most recent issue of Sports Illustrated?" Then out of fucking left field, sometimes inadvertently perceived as right, Dispensing Of False Halos busts through the adjacent wall and tears that geezer a new blowhole. Now, what exactly instigated this odd situation and, better … Read more
In many cases, EPs of new material from bands who have released prolific albums in the last couple of years are enfuriating teases and rehashes that offer the faithful listener little new material if any at all. It's also difficult to accept an artist's re-rendering of some of your favorite songs. In most cases, tracks are placed in unfamiliar hands … Read more
You know, I could sit here and lie to you about how there are certain artists that are doing something important and/or completely original. Why not? I mean most people who review albums for other websites do. I could do that, but it wouldn't really matter 'cause the people who will read this probably won't care anyway. Mental comes from … Read more
Ani DiFranco is, without a doubt, one of the most active singer/songwriters in music today. Since her 1990 debut, she's put out about 20 other releases on her very own label. Needless to say, she's a very hard worker and an even better writer. Over the years, her albums have featured a vast array of other instruments to help transform … Read more
Somewhere around the turn of the millennium, Fat Wreck Chords decided it wanted to be the best punk label around. File Under Black, None More Black's first full length offering is a perfect example of how Fat has come to be just that. The band is fronted by longtime scenester, Jason Shevchuk, front man of the legendary melodic hardcore band … Read more
Fantômas is a musical group whose sound can best be described as a schizophrenic adventure through the world of an Alfred Hitchcock thriller. The music of Fantômas is both unstable and methodical as well as beautiful and chaotic. Multitalented brainchild Mike Patton and musical cohorts Trevor Dunn, Dave Lombardo, and Buzz 'King Buzzo' Ozbourne return with a masterpiece of ambience … Read more
When I first got into hardcore, I was exposed to the old shit'you know, Bad Religion, 7 Seconds, Minor Threat, DI'the stuff from when people still realized that hardcore IS punk. Slowly, as metal began to invade the scene, hardcore and punk split into, what seem today, two completely different genres. In Control bring it back to the old school, … Read more
There're plenty of bands in the world, but the ones that really stick out are the ones that leave you scratching your head, unsure of what you've heard, but a little bruised, beaten, and fulfilled because of it. Japan's Envy is one of those bands, a flurry of sound that differentiates only in extremes, from pummeling assaults to lush, gorgeous … Read more
In a time where skate boarding is about as punk rock as a walk through Disneyland, where skateboarding movie soundtracks are infiltrated by hip hop and pop punk, Bones Brigade skids in just in time to skate hard and rock even harder. Everything about this will make you want to get off your ass and plunge down a hill, unless … Read more
It's hard writing about a band who's been around for a while that you're just hearing for the first time. Describing how they used to sound is crucial in ultimately describing how they sound now. Maybe it's not crucial, but it certainly makes the job a lot easier to have a point of reference through past records. All I know … Read more
Every once in a while, a band comes along that reminds you why you ever got into hardcore music. Far From Breaking, a five piece outfit from San Antonio, TX, plays upbeat youth-crew revival hardcore similar to Floorpunch, Chain of Strength, and Ten Yard Fight. It is an album filled ot the brim with fast-paced punk influenced hardcore. There is … Read more
There's an alternate universe somewhere out there, one in which Steve Albini moved to Guelph, Ontario, hooked up with members of the Rapture and Hot Cross, and made some intense, danceable, abrasive rock music. Unfortunately, we do not live in that universe, but we may have one up on that equation, as we have North of America, another band that … Read more
The notion of a one-man band has always seemed like a bit of a novelty to me. Whenever I used to hear or read of an artist who supposedly played every single note on his or her recordings, the image I conjured would be something along the lines of this: That, or Prince. It wasn't until one fateful day in … Read more
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