Whenever I listen to the type of record that Yaphet Kotto or Envy would make, I always play the TV at full volume to supplement the chaos. Sometimes I'll change it to something like an MTV awards show or a shitty sitcom to add my own sort of psuedo-ironic soundtrack. It works even better in this case, because the record itself is a major contrast between bands. That's not to say every part of this record is as solid as the rest, in fact, even if Envy wasn't one of my favorite "hardcore" bands (call them whatever the fuck you want, but for simplicity's sake, in this interview, Envy are a hardcore band), I would still consider their part of the split to easily be the best one on the record. I've always liked the way Yaphet Kotto kind of toned down the vocals so it would blend in with the instruments. Even though they have much better production than they normally do on their records, the vocals are still recorded with the same priority. With their kind of music, where the vocals and instruments weave together constantly, this sort of vocal blending works very well. That isn't to say … Read more
"Atmosphere finally made a good record, yeah right, that shit almost sounds convincing...." Almost. Actually, not at all. Sometimes underground … Read more
Everyone needs something cute every once in a while... once in a while. Too much can make you vomit, but … Read more
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Universally regarded as one of the most important figures in the world of instrumental hip hop and turntablism after having gained massive recognition for 1995’s Entroducing....., DJ Shadow (a.k.a. Josh Davis) seems in recent years to have been operating more in the, well, shadows of an electronic music scene that’s increasingly been focused on the newest and shiniest acts. Released three years after Shadow’s previous full length The Less You Know, The Better, 2014’s The Liquid Amber EP marks the first release on the music imprint of the same name, founded by Shadow himself. Containing two originals and a remix and running a little over eleven minutes in length, The Liquid Amber shows that one of electronic music’s most heralded performers can still stay relevant in today’s scene and hopefully … Read more
I'm from California. I live near the ocean. I like driving. I like watching baseball. I'm the outside world's perception of a fairly typical American guy (except for my slightly unhealthy obsession with noise-rock, but this is neither the time nor the place to get into that). And like most Americans, Canada isn't really something with which I find myself … Read more
What if Ringo finally realized that he wasn't selling out shows like his buddy Paul? What if Paul's queen may have drained her spending account and put a considerable hole in his? What if both were afraid of their ties to an alleged murderer? The Beatles have seen their share of these sticky situations, and how do they get themselves … Read more
The members of Death Cab For Cutie equal far more than the sum of their parts; this much has been evident since a small, unknown label from Seattle named Barsuk released Something About Airplanes back in 1999. In the four years since that record, the band has released three 7" singles, two EPs, four full-lengths, and one compilation of singles, … Read more
Oh, the farewell. There are two kinds of retirement in music. The first is the graceful bow out of the spotlight, which may or may not be a good thing, depending on the artist, but always covers the band or artists's body of work in a veil of class and dignity. The second is a much more shameful route. Often … Read more
We are a generation that grew up with Mario, The Power Pad and the o so godly Nintendo Entertainment System as companions. It was just a matter of time until this part of our lives would be digitally inserted into our music. And although bands like The Advantage and The Minibosses pay homage by doing straight up covers of video … Read more
A nice hodge-podge of genres. I'm not going to get into the "genre" argument, though. This album is too good to waste a review on that moot point. Anyways, this is the first Against Me! album I've listened to (despite being told to listen to them from various sources), and I must say, it's pretty damn good. The sound is … Read more
Having carved a comfortable niche in the San Francisco Bay Area, by playing shows almost constantly for three or so years, Under A Dying Sun have created an album that breaks away from their original "emocore" sound, which judging by their last full-length, they have clearly out-grown. Instead of rehashing the same, tired, "screamo" formula with heavy melodramatics and melodic … Read more
The first words to leap out at you on the sophomore LP by the Strokes are "I want to be forgotten." How literally this can be taken is anyone's guess, but for a band under the amount of pressure the Strokes have been, Julian Casablancas' turn of phrase might be the downright truth. Five children of fortune who formed a … Read more
This one didn't immediately catch me like The Rains did. After maybe a half dozen listens, I think I'm starting to get it. I guess my main complaint is that some of the songs sound too similar to each other, but that starts to fade on closer examination. Oh well, first impressions are key often times. I'm also bummed that … Read more
If Explosions in the Sky's previous LP, Those Who Tell the Truth Shall Die Those Who Tell the Truth Shall Live Forever, could be called one thing, it would be called "derivative." Not that it wasn't an incredible record crafted by a band on top of their game, but let's be honest: it simply regurgitated ideas that the forerunners of … Read more
The Unseen: street punk for the masses. You could probably write this band's back history wihtout even knowing them. Hundreds of EPs, 7"s, and rare no-longer-in-production releases. Been around since the early 90's, all members have mohawks and/or dyed red hair, and their sound is influenced by bands like The Exploited. Lead single "False Hope" contains the line "Fuck the … Read more
I'll keep this short so you kids will understand me. I want the time back I spent listening to this. I feel cheated, robbed, and insulted. This is neither fun nor funny. It's devoid of any worth. It's stupid, it's banal, it's bland. So why does it get a 1.3? Two reasons: one point for not being pop-punk, a point … Read more
You've probably heard of Zombie Apocalypse because you like Shai Hulud. Well, then in a sense you've heard this whole thing. It sounds like a bunch of unused Shai Hulud parts played at 78 rpms. There are a bunch of samples, practically one in each song, which aren't that funny or special. Side projects are fun because you can hear … Read more
I guess I'm one of the few people in the world that don't really like Coheed and Cambria. Sorry. But here's to all those that are with me in saying that Coheed and Cambria are overrated. The first track starts exactly like JR Ewing's song Graduation Day, but with a different ring of the phone, and when the phone is … Read more
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