So many bands have release their first albums to nothing but fanfare only to dissapoint with their sophmore release. I was certain Denali would not fit that mold and release another gem. Unfortunately, they proved me wrong. First things first, this is not a bad record by any means. It's just incredibly average. The record starts off very solid. Opener, "Hold Your Breath," is a great song. Much darker than any of their previous material, Denali proves they can rock out. Well as much as you can imagine a band such as Denali rocking out. The album's second song, "Surface," keeps it rolling with good use of drum machines, Cam noodling some intricate delay filled guitar licks and a drum beat that is incredibly tight. The chorus falls apart in a rather awkward way but the transition out is good. The rest of the first half of the record is rather good and keeps you interested. "Run Through," albeit fairly formulaic, doesn't dissapoint. What baffles me is how much they use drum programming when they have the drummer they do. "The Instinct" holds itself afloat until that "chorus falling apart" bug hits them again. The scond half of the record … Read more
Who is the Hawnay Troof, you may ask? The Hawnay Troof is a hip-hop project in the vein of early … Read more
Nothing is more excellent than when a fairly unknown semi decent band out of nowhere transitions into a butterfly etched … Read more
Picture, if you will, a buffet comprised of the most delectable cuisines imaginable, prepared by a skilled staff of gourmet … Read more
So I get this girl up in my room and we start licking each other's tongues, and before you know … Read more
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You have to appreciate a concept that’s primarily focused on making you uncomfortable; where’s the fun without a healthy dose of shock and awe? Young Philadelphia-based label Wet Cassettes is built on those foundations, describing themselves as torchbearers of “weird dirty music for weird dirty people,” a concept that deserves to be saluted from where I’m sitting. Their latest project is Big Chungus, a grimy synth-punk outfit disguising themselves as an underworld creature that I picture to be a drugged-out version of the Golgothan from Dogma. It should be noted upfront that there’s a hefty portion of absurdity at play here, and while there’s a fecal obsession that Chungus puts front and center, rest assured that there will be no poop innuendos coming from me.The six songs found on this … Read more
While there definitely are problems with musical priority in this album, after listening to Good Health, the most negative thing I can say about this album is it pales in comparison to PGMG's debut. While "slow and soft" is not necessarily a bad thing, it is in the case of The New Romance. When your biggest feature is the guitars … Read more
'What is this band? Quasi-popular tripe not worth my time. What's the problem? The band is way too dependent upon the guitars to entertain the audiences. Although the guitarists do excellent work at times in the album, it's not enough to make this bad band good. Is the band any good? Not with what they emphasize. It's pretty easy to … Read more
Now, I can't claim to know much about this band. I don't know what they are ex-members of or where they're from, but I do know this... this record bored me to no end. It kicks off kind of promising, actually. The opening track, "Heart Attack American", starts off with hushed guitar and drums, and then just explodes into a … Read more
Beginning with a short riff-based intro, this record then kicks itself straight into life, inspiring this reviewer to do the same. Exit English, the band's second full-length, shows Strike Anywhere at their fastest, heaviest, and most melodic. The band's political edge on this record is as apparant as ever. Vocalist Thomas: "the songwriting on Exit English has more to do, … Read more
Everyone enjoys a little no-wave now and again, right? Anyone who is into The Red Light Sting, Arab on Radar, or Black Cat #13 will enjoy this. In fact, half of The Sick Lipstick is composed of members from Black Cat #13, and they have done a split with XBXRX. It seems like music this cool can only come from … Read more
Popcorn! Popcorn! The repeated statement of popcorn was one thing that was sorely missed from this album. This was due to the fact that they keyboards for An Albatross sound like the organ that is used at baseball games in the olden days. Then all of a sudden, BAM! The pitcher pegs the hitter in the side. The man with … Read more
The minute someone seriously suggested this name for the band, I'd have to show him the door. The name is not clever, loses it's novelty factor quickly to where it just gets annoying, and doesn't fit this band AT ALL. I was fully expecting a keyboard fronted band with some snotty vocalist. Instead what I was exposed to was a … Read more
I'm glad I got into this album before seeing Black Eyes' live show, because I would have been very unimpressed with the album after witnessing the insanity of their first show in Omaha. They nearly tore the ceiling off that tiny basement, and it was a nigh-religious experience. It's hard to believe that their first full-length, the s/t on Dischord, … Read more
Talk about coming out of left field. Members of some of indie-darlings The Velvet Teen and Benton Falls have gotten together to tell the scene "fuck you" and boy is it exciting. Josh Staples (The Velvet Teen) takes the spotlight as the singer and bassist while Michael Richardson plays lead guitar. Joining them is Sara Sanger, wife of Josh, on … Read more
My first real exposure to Daughters would be an argument amongst SPB staff members in a thread on our dainty message board, in which their hype and their similarities to the Locust were put on the table. Not being a big fan of the Locust myself, this didn't give me too high of hopes for the Locust, in terms of … Read more
Chances are you're not going to like this record. Chances are you've never heard of grindcore and if you did hear it you would say something to the effect of "this is noise." Ignoring probability let's suppose that you, the reader, likes music that is loud. Perhaps you even like music that is filled with blast beats and screaming. And … Read more
"Welcome to 1996." I think that would be a more appropriate name for this record. Integrity is back with the original line-up, sans Melnick, after a stint doing the really terrible Integrity 2000 records. They are now on Deathwish and they haven't been this pissed in some time. The record starts off with "Taste My Sin" which I must say … Read more
J Spaceman's life seems to be a never-ending spiral of hard drugs and failed romances, if his records are to be believed. From his early work with the seminal space-rockers Spacemen 3, to the impressive first two Spiritualized records, to the absolutely incredible Ladies and Gentlemen We Are Floating in Space, to the slightly underwhelming follow-up record Let It Come … Read more
It was bound to happen sooner or later. I've come across a band that doesn't really sway me one way or the other, and that I really don't have much to say about. The whole thing is very DC-esque, with the attack element of Fugazi and Jawbox, combined with the quirkier elements of bands like Q and Not U, the … Read more
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