Who knew that such an exciting and promising musical force was sitting right across the border from me? After hearing so much about this band and being severely disappointed when they postponed their Omaha show (and still haven't made it up), I was glad to finally get my hands (figuratively) on their newest album. In all its underproduced glory, "This is the Way to Rule" wins over any discriminating post-punk fan from the first rolling drumbeat in "Hands off the Merch." Listening to this album sort of feels like crossing a musical intersection, where comfortably whiny and barely audible vocal motorcycles and fuzzy Fugazi-esque guitar imports fly past your right side, while quick tempo change sedans and rickety bassline pickups blindside you from the other. Make no mistake, both will disorient you in the most pleasant way possible. It's hard picking my favorites on this album, because I love saying every title and it might be a bit biased towards the more hilarious titles like "I Will Seriously Pay You to Shut Up" and "This Isn't Heaven, This Sucks." Rest assured, though, every track on this album is absolutely solid and you will listen to them hundreds of times over. Read more
On previous records, Ester Drang's output had an epic feel to it; it was more drawn-out and atmospheric than that … Read more
The party starts to wind down and everyone is sitting in lawn chairs around the bonfire. There are at least … Read more
Every now and then a super heavily hyped record comes along and completely lives up to all of the expectations … Read more
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Excellent debut solo record from the former Let's Active mastermind. Of course, the sound quality is killer, considering it was recorded in his own studio. Power pop with cool guitar licks throughout makes this a consistently rewarding listen. "Time Warping," "Dusky Lair," and "Why is it so Hard?" are my favorites here. But this record is bursting at the seams with great songs. Go get this release and put it between your Dumptruck and Tommy Keene CD's. It will slide in perfectly. Read more
I've never heard The Mars Volta call themselves "experimental" or "out there," have you? Where does everyone get this idea? Why would anyone call their music experimental? They DO get spacey at times with their long, drawn-out segments of little or no music in the middle of a song (i.e.: "Cicatriz ESP," "Take the Veil, Cerpin Taxt," etc.), but the … Read more
As one of the few music geeks on the planet who wasn't infatuated with At the Drive-In, I approached this record with very few expectations. I'd heard the Tremulant EP and wasn't too impressed with it, but thought it was nice enough. De-Loused in the Comatorium sounds like a logical extension of that sound, with the same mix of guitars, … Read more
Every Time I Die has always been one of those bands that I thought were absolutely wretched. Surprise, nothing has changed. Songs like "I Been Gone A Long Time", feature some of the most terrible singing I have ever heard. With it's hardcore meets rock and roll feel that feels like Scissorfight at times, only twelve times worse. His vocals … Read more
It's a rare thing when the title of a band's record suits that record perfectly, but Every Time I Die has managed to do this. Once you peel off the slip case to reveal the liners littered with photos of two girls kissing, you very may well be saying "Hot damn!" Picking up where Last Night in Town left off … Read more
Electroclash seems to be a genre that died as soon as it was conceived, but that doesn't mean that all music that lies under that categorization is bad. Case in point, Stylex. A mix of instrumental disco punk and digital dance elements aids to the final product that is a fun dance collection. Although I wouldn't call this completely original, … Read more
One of Toledo, OH's most exciting young bands, Stylex, has graced us with a new EP by the name of False Start. I went to the record release yesterday just to pick this cd up. Well to see them too of course but that is how much I wanted to hear it. After their amazing show, I popped this in … Read more
Imagine being woken up to find yourself being eaten by hundreds of rats and a few flesh eating bacteria. At first you would be very confused by the situation, but after a few seconds of thought and insight, you'd realize how much you love it. Now, imagine a band by the name of The Sawtooth Grin that is that experience, … Read more
The only thing that kept repeating in my head the entire time I listened to this record was "Wow, the Locust certainly do this whole 'chaos' thing a lot better." And that's my opinion of the whole thing, really. It's a big mess of high-pitched (we're talking exceedingly high-pitched) vocals and drums pushed all the way to the front. The … Read more
The Sawtooth Grin are quite the listen. From the first track, you are thrown into a whirlwind of grind, fronted with a singer that has, quite possibly, the most annoying scream in the world. That scream though is like that one guy you meet and you really don't like him at first. Then you go out one night, he gives … Read more
Brandtson has always been a guilty pleasure type band. I have the Letterbox and Dial In Sounds CDs and listen to them from time to time. When I got the promo for this ep, I checked it out almost immediately. This cd was like a videogame that is alright but has so much shit to unlock it just gets tedious. … Read more
Part of me says it's not Brandtson's fault. They formed way back in 1996, and as such, are quite possibly the last of these so-called "emo" bands left that hasn't broken up, gotten picked up by a major, or enjoyed some moderate degree of success. But part of me says fault or not, there's no excuse for a record being … Read more
This CD was suggested to me by staff member Robby. I put off listening to it for a day. Really bad decision. Featuring a handful of members from Under A Dying Sun, this is not the type of band you would expect. Atmospheric, almost haunting guitars, female vocals, spoken word, this CD has it all. The first spoken word track, … Read more
Prior to listening to this album, having seen Inventing Edward twice, I thought I had a pretty decent idea what the band was going for: minimalist soundscapes, brooding vocals and a fine balance between loud and soft. Inventing Edward presents these elements on We've Met an Impasse (by Midnight We'll be Naked), however the delivery lacks the rawness and excitement … Read more
A new record from Hot Cross. I was so giddy to get my hands on this promo. Unfortunately, the giddyness wore off while listening to it. There are some good tracks on this record but their new approach to melodic singing killed this record. "Pretty Picture of a Broken Face" is, without a doubt, the worst song ever recorded by … Read more
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