There are few things worse in this world than a record composed by a group of people that are intensely passionate about the contents, but that doesn't live up to the enthusiasm with which it is crafted. Such is the case with the latest release from Stars, the Montreal pop group most widely known for their ties with Broken Social Scene, and one of their members playing a bit part in an episode of Law & Order. Heart is a collection of love songs, in case you couldn't tell. All of them. Every last one. An entire record of songs dealing with the workings of the heart and the relationships formed and nurtured due to it. And surprisingly, it's not bad, but it's certainly not all good. At first listen, I wasn't sure if this was a simple case of a select few songs being outrageously better than their surrounding tracks, or if these few songs were merely good and the other tracks were just plain bad. Upon further listening, and determining by methods for comparison, the better tracks off the record really are superb, as they come early on, before any of the weaker cuts come around. As for … Read more
Whenever I listen to the type of record that Yaphet Kotto or Envy would make, I always play the TV … Read more
"Atmosphere finally made a good record, yeah right, that shit almost sounds convincing...." Almost. Actually, not at all. Sometimes underground … Read more
Everyone needs something cute every once in a while... once in a while. Too much can make you vomit, but … Read more
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I don't think I have ever felt as polarized about a record as I feel about Axis of Eden. I think a large part of the reason is that I really want to like it, but I just can't overcome its overbearing flaws. Today is the Day is almost inarguably one of metal's most revered and tenured metal acts (and by that I mean Steve Austin, since he basically is Today is the Day). And that lends them a lot of creative leeway with which to operate but sometimes that leniency provided to them is abused. For instance, "Free at Last," the second track on Axis of Eden, drags on like some sort of weird nü-metal dirge with basic, bland scaling accompanied by some of the most senseless drumming that … Read more
I'm confused how a band can take themselves seriously whatsoever, and have an album called Rise Of Brutality. Although Hatebreed doesn't talk about their large amount of bitches they are keeping in check or forties they are consuming in the club, the whole feel of this music reminds me of gangsta rap, trying so damn hard to act tough and … Read more
I'm from California. I live near the ocean. I like driving. I like watching baseball. I'm the outside world's perception of a fairly typical American guy (except for my slightly unhealthy obsession with noise-rock, but this is neither the time nor the place to get into that). And like most Americans, Canada isn't really something with which I find myself … Read more
What if Ringo finally realized that he wasn't selling out shows like his buddy Paul? What if Paul's queen may have drained her spending account and put a considerable hole in his? What if both were afraid of their ties to an alleged murderer? The Beatles have seen their share of these sticky situations, and how do they get themselves … Read more
The members of Death Cab For Cutie equal far more than the sum of their parts; this much has been evident since a small, unknown label from Seattle named Barsuk released Something About Airplanes back in 1999. In the four years since that record, the band has released three 7" singles, two EPs, four full-lengths, and one compilation of singles, … Read more
Oh, the farewell. There are two kinds of retirement in music. The first is the graceful bow out of the spotlight, which may or may not be a good thing, depending on the artist, but always covers the band or artists's body of work in a veil of class and dignity. The second is a much more shameful route. Often … Read more
We are a generation that grew up with Mario, The Power Pad and the o so godly Nintendo Entertainment System as companions. It was just a matter of time until this part of our lives would be digitally inserted into our music. And although bands like The Advantage and The Minibosses pay homage by doing straight up covers of video … Read more
A nice hodge-podge of genres. I'm not going to get into the "genre" argument, though. This album is too good to waste a review on that moot point. Anyways, this is the first Against Me! album I've listened to (despite being told to listen to them from various sources), and I must say, it's pretty damn good. The sound is … Read more
Having carved a comfortable niche in the San Francisco Bay Area, by playing shows almost constantly for three or so years, Under A Dying Sun have created an album that breaks away from their original "emocore" sound, which judging by their last full-length, they have clearly out-grown. Instead of rehashing the same, tired, "screamo" formula with heavy melodramatics and melodic … Read more
The first words to leap out at you on the sophomore LP by the Strokes are "I want to be forgotten." How literally this can be taken is anyone's guess, but for a band under the amount of pressure the Strokes have been, Julian Casablancas' turn of phrase might be the downright truth. Five children of fortune who formed a … Read more
This one didn't immediately catch me like The Rains did. After maybe a half dozen listens, I think I'm starting to get it. I guess my main complaint is that some of the songs sound too similar to each other, but that starts to fade on closer examination. Oh well, first impressions are key often times. I'm also bummed that … Read more
If Explosions in the Sky's previous LP, Those Who Tell the Truth Shall Die Those Who Tell the Truth Shall Live Forever, could be called one thing, it would be called "derivative." Not that it wasn't an incredible record crafted by a band on top of their game, but let's be honest: it simply regurgitated ideas that the forerunners of … Read more
The Unseen: street punk for the masses. You could probably write this band's back history wihtout even knowing them. Hundreds of EPs, 7"s, and rare no-longer-in-production releases. Been around since the early 90's, all members have mohawks and/or dyed red hair, and their sound is influenced by bands like The Exploited. Lead single "False Hope" contains the line "Fuck the … Read more
I'll keep this short so you kids will understand me. I want the time back I spent listening to this. I feel cheated, robbed, and insulted. This is neither fun nor funny. It's devoid of any worth. It's stupid, it's banal, it's bland. So why does it get a 1.3? Two reasons: one point for not being pop-punk, a point … Read more
You've probably heard of Zombie Apocalypse because you like Shai Hulud. Well, then in a sense you've heard this whole thing. It sounds like a bunch of unused Shai Hulud parts played at 78 rpms. There are a bunch of samples, practically one in each song, which aren't that funny or special. Side projects are fun because you can hear … Read more
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