The problem with the hardcore scene is that its music has become so immersed in repetition, unoriginality, and generality, that people are beginning to lower their expectations to the pits of Hell. As a result of this dilemma, large amounts of hype start to swell for bands that really do not deserve it. Case in point: Modern Life is War. I have heard nothing but praise for this band. True, I'm certainly not Joe Hardcore and not really big on the genre, but usually when a band from the hardcore scene pulls this kind of hype behind them, I can usually see why the hardcore kids are going nuts about them, as overrated as they may be(ie; Give Up the Ghost, The Suicide File). Modern Life is War are simply not very good. People keep telling me that they've got an "original sound", yet I personally can't tell you what they're doing new, and most of the time, neither can the person who swears upon the band's imagination. Their uniqueness is so limited that I can only say "they have an original take on generic new school hardcore". Like most hardcore records, My Love My Way lacks variety and any … Read more
One of the best, if not the best, hardcore album of 2003 so far. If hardcore doesn't strike your fancy, … Read more
Nothing sucks more than seeing a band live and loving them, then listening to their recorded material and running into … Read more
Apparently These Arms Are Snakes's debut EP was meant to hurt me. I'm not sure what I did to them, … Read more
The sticker on the front of this CD's jewel case is going to sell lots of copies of it, I … Read more
Choose a year to view reviews of albums released in that year.
749 reviews
42 reviews
25 reviews
300 reviews
4865 reviews
19 reviews
Recorded under the name of the noises we make when no one is around (a name that aside from being wordy, seems quite appropriate), the music of Briton Craig Taylor-Broad reminds me not just slightly of the depressing folk-like music of American project Giles Corey. Though I could point out that Taylor-Broad’s material is rather downbeat however, I’d be more inclined to label noises we make... as being spooky and eerie, with androgynous, uneasy vocals being heard over solemn and mournful acoustic guitar strumming. Since the musical elements are so very low-key, it’s actually the troubled (and troubling) narrative of the singer and gloomy ambiance present in the project’s debut release the black box contained nothing but our deaths that makes the strongest impression on the listener. Without doubt, this … Read more
You've heard this record before. Honestly, you have. The last time that band you know jumped ship from their indie and put out a big budget major label debut, actually. Cave In already made this record earlier this year. Granted, Cave In had a mind-blowing first record to give themselves some credibility, which Thrice most certainly did not, but let's … Read more
Thrice have built quite a large fanbase in quite a short period of time. Perhaps this was one of the factors that led them to singing to a major label (Island) and subsequently shooting out a new record less than a year and a half after the release of their second full-length record, The Illusion of Safety. Illusion sparked that … Read more
Who knew that such an exciting and promising musical force was sitting right across the border from me? After hearing so much about this band and being severely disappointed when they postponed their Omaha show (and still haven't made it up), I was glad to finally get my hands (figuratively) on their newest album. In all its underproduced glory, "This … Read more
Upon listening to this in a moving automobile with my father, he was quick to inform me that the singer of this band sounded like vocalist of The Murder City Devils. I have no idea what he was talking about. Ten Grand manages to give off a raw sounding vibe without playing very simple music, which I'm sure is a … Read more
Ten Grand (formerly The Vidablue) are definately an acquired taste. Hearing their stuff before I thought it was just alright. Nothing to go nuts over. After seeing them live, my outlook on them changed drastically. I gave them a second chance and found out I had been kidding myself. This new record is no different. I suppose you could classify … Read more
On previous records, Ester Drang's output had an epic feel to it; it was more drawn-out and atmospheric than that on Infinite Keys. However, the strength and rise-and-fall aesthetic seemed to be more of a focus on density than precise instrumentation. Even as 2001's Goldenwest brought out more focused songwriting effort, the composition on Infinite Keys is leaps and bounds … Read more
The party starts to wind down and everyone is sitting in lawn chairs around the bonfire. There are at least 3 "marijunana cigarettes" being passed around while everyone kinda just kicks back and gets their chill on. Conversation goes back in forth in a mild manner yet there is always one guy dazed out to the music behind him. That … Read more
Every now and then a super heavily hyped record comes along and completely lives up to all of the expectations set by the preliminary buzz. This is neither now nor then. De-Loused in the Comatorium was hyped by some to be the "best album of all time", but alas, it's not even one of the best albums put out this … Read more
I've never heard The Mars Volta call themselves "experimental" or "out there," have you? Where does everyone get this idea? Why would anyone call their music experimental? They DO get spacey at times with their long, drawn-out segments of little or no music in the middle of a song (i.e.: "Cicatriz ESP," "Take the Veil, Cerpin Taxt," etc.), but the … Read more
As one of the few music geeks on the planet who wasn't infatuated with At the Drive-In, I approached this record with very few expectations. I'd heard the Tremulant EP and wasn't too impressed with it, but thought it was nice enough. De-Loused in the Comatorium sounds like a logical extension of that sound, with the same mix of guitars, … Read more
Every Time I Die has always been one of those bands that I thought were absolutely wretched. Surprise, nothing has changed. Songs like "I Been Gone A Long Time", feature some of the most terrible singing I have ever heard. With it's hardcore meets rock and roll feel that feels like Scissorfight at times, only twelve times worse. His vocals … Read more
It's a rare thing when the title of a band's record suits that record perfectly, but Every Time I Die has managed to do this. Once you peel off the slip case to reveal the liners littered with photos of two girls kissing, you very may well be saying "Hot damn!" Picking up where Last Night in Town left off … Read more
Electroclash seems to be a genre that died as soon as it was conceived, but that doesn't mean that all music that lies under that categorization is bad. Case in point, Stylex. A mix of instrumental disco punk and digital dance elements aids to the final product that is a fun dance collection. Although I wouldn't call this completely original, … Read more
One of Toledo, OH's most exciting young bands, Stylex, has graced us with a new EP by the name of False Start. I went to the record release yesterday just to pick this cd up. Well to see them too of course but that is how much I wanted to hear it. After their amazing show, I popped this in … Read more
Looking for the SPB logo? You can download it in a range of styles and colours here:
Click anywhere outside this dialog to close it, or press escape.