My initial fascination in Jason Molina and the Songs: Ohia crew began with a small, albeit inaccurate description of his music. It explained his songwriting past, including but not limited to blues, country, and metal. Although I still don't understand the last genre comparison to this day, the point it was trying to make was plenty clear to me. Jason Molina is a renaissance man of genre, and no matter how much he changes his sound, he's never going to do much wrong. Such is the case with his much anticipated and even more delayed follow-up to 2003's damnnearperfect Magnolia Electric Co., Pyramid Electric Co. If I remember correctly, this entire album was actually recorded in 2001, around the time that my favorite Songs album, Didn't It Rain, was composed. Even without knowledge of the time of its recording, any Songs fan will automatically recognize the sound and could more or less figure out around when it was written. Don't be mistaken, though, this album, while resembling Didn't It Rain in many places, is quite different. While stripped-down, Didn't It Rain featured exquisite backup vocals, which can be credited to Jennie Benford among others, and flawless accompaniment. But how well … Read more
This was always going to be a difficult record to make. Offspring have a strange legion of fans ranging from … Read more
Whenever I listen to the type of record that Yaphet Kotto or Envy would make, I always play the TV … Read more
"Atmosphere finally made a good record, yeah right, that shit almost sounds convincing...." Almost. Actually, not at all. Sometimes underground … Read more
Everyone needs something cute every once in a while... once in a while. Too much can make you vomit, but … Read more
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So after receiving the Becoming the Archetype full-length Dichotomy, I checked out the CD book before listening to it, remembering great tracks like "One Man Parade" off of Terminate Damnation, I immediately went to the last page of the album art to check the credits and see if there were any worth-while guests, only to find that Devin Townsend produced it. Excited and surprised, I eagerly popped it in, but to my surprise, the entire LP was laced with cheesy keyboard effect after another. The opener "Mountain of Souls" begins perhaps the most cliche way a metal album can open, however, every song progresses quite nicely with time, and drops the keyboard or uses them more appropriately. Most of the riffs on Dichotomy fit quite nicely with the context of … Read more
Since I've only heard a couple of songs from last year's solid debut, Oh, Inverted World, this review will be free of any mentions of "sophomore slumps." Chutes Too Narrow deserves better than that. The album completely shatters this notion to the point that it doesn't deserve recognition. That said, the entire album feels like a soundtrack to some wonderful … Read more
So, you want to listen to some FUCKING HARDCORE?! Yes, Madball, that loveable NYHC band is coming out with a new album aptly titled N.Y.H.C. How adorable! Despite my music knowledge, I've never really been into the hardcore scene, but now, after listening to this album, I understand what the hell all those hardcore kids talk about when they keep … Read more
I'm confused how a band can take themselves seriously whatsoever, and have an album called Rise Of Brutality. Although Hatebreed doesn't talk about their large amount of bitches they are keeping in check or forties they are consuming in the club, the whole feel of this music reminds me of gangsta rap, trying so damn hard to act tough and … Read more
I'm from California. I live near the ocean. I like driving. I like watching baseball. I'm the outside world's perception of a fairly typical American guy (except for my slightly unhealthy obsession with noise-rock, but this is neither the time nor the place to get into that). And like most Americans, Canada isn't really something with which I find myself … Read more
What if Ringo finally realized that he wasn't selling out shows like his buddy Paul? What if Paul's queen may have drained her spending account and put a considerable hole in his? What if both were afraid of their ties to an alleged murderer? The Beatles have seen their share of these sticky situations, and how do they get themselves … Read more
The members of Death Cab For Cutie equal far more than the sum of their parts; this much has been evident since a small, unknown label from Seattle named Barsuk released Something About Airplanes back in 1999. In the four years since that record, the band has released three 7" singles, two EPs, four full-lengths, and one compilation of singles, … Read more
Oh, the farewell. There are two kinds of retirement in music. The first is the graceful bow out of the spotlight, which may or may not be a good thing, depending on the artist, but always covers the band or artists's body of work in a veil of class and dignity. The second is a much more shameful route. Often … Read more
We are a generation that grew up with Mario, The Power Pad and the o so godly Nintendo Entertainment System as companions. It was just a matter of time until this part of our lives would be digitally inserted into our music. And although bands like The Advantage and The Minibosses pay homage by doing straight up covers of video … Read more
A nice hodge-podge of genres. I'm not going to get into the "genre" argument, though. This album is too good to waste a review on that moot point. Anyways, this is the first Against Me! album I've listened to (despite being told to listen to them from various sources), and I must say, it's pretty damn good. The sound is … Read more
Having carved a comfortable niche in the San Francisco Bay Area, by playing shows almost constantly for three or so years, Under A Dying Sun have created an album that breaks away from their original "emocore" sound, which judging by their last full-length, they have clearly out-grown. Instead of rehashing the same, tired, "screamo" formula with heavy melodramatics and melodic … Read more
The first words to leap out at you on the sophomore LP by the Strokes are "I want to be forgotten." How literally this can be taken is anyone's guess, but for a band under the amount of pressure the Strokes have been, Julian Casablancas' turn of phrase might be the downright truth. Five children of fortune who formed a … Read more
This one didn't immediately catch me like The Rains did. After maybe a half dozen listens, I think I'm starting to get it. I guess my main complaint is that some of the songs sound too similar to each other, but that starts to fade on closer examination. Oh well, first impressions are key often times. I'm also bummed that … Read more
If Explosions in the Sky's previous LP, Those Who Tell the Truth Shall Die Those Who Tell the Truth Shall Live Forever, could be called one thing, it would be called "derivative." Not that it wasn't an incredible record crafted by a band on top of their game, but let's be honest: it simply regurgitated ideas that the forerunners of … Read more
The Unseen: street punk for the masses. You could probably write this band's back history wihtout even knowing them. Hundreds of EPs, 7"s, and rare no-longer-in-production releases. Been around since the early 90's, all members have mohawks and/or dyed red hair, and their sound is influenced by bands like The Exploited. Lead single "False Hope" contains the line "Fuck the … Read more
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