Los Angeles quartet Dear Boy are firm favourites in their hometown's indie scene, but their new EP suggests that they could go much further. Dear Boy is fronted by Ben Grey, formerly of indie darlings Scarlet Grey, with guitarist Austin Hayman, bassist Lucy Lawrence and drummer Keith Cooper completing the line-up. The band has been together since 2012 and they released their Parts of a Flower EP in 2016, and in that time they've garnered a dedicated fanbase and radio play on local stations. The distillation period between Parts of a Flower and The Strawberry EP has given the band a more confident and defined sound. Their long-awaited new EP takes the band's sound up a notch, and shows them at their most creative. The Strawberry EP taps into the band's pop and shoegaze sensibilities, and captures the excitement of meeting someone who becomes a defining part of a particular period of your life, albeit fleetingly. The five-track EP comes to life with opener "Semester", a sweet, dream-like exploration of being infatuated with someone and longing for them even after they've gone ("I want you, and all of it/Oh you were my semester"), and sets the course for the polished … Read more
I recently wrote about Future Virgins, stating that the band tempers their anger, choosing more subtle reflection in their songwriting … Read more
This is the 30th year of The Bouncing Souls, which seems crazy in many ways – including that I’ve been … Read more
Dirtnap is a fascinating label in how they’ve developed a certain sound to their releases, regardless of what part of … Read more
There’s a lot I want to say about this album, but I’m torn because I try to keep things more … Read more
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It's not often that I sit down to listen to a hardcore record from a band I'm completely unfamiliar with, and fall in love instantly. Two weeks later I'm sitting in the same seat of my Algebra II class playing chest-drums to "Let it Take You Home." The thought that there are hundreds of local hardcore outfits like The Starting Point across the world pushing their hardest to get the recognition they deserve, baffles my mind. It's Something You Learn is The Starting Point's first full-length release shedding light on a more melodic associated group from the Booming Bay. The quality of this record, in terms of not sounding over produced, is top-notch. You can hear the guitar parts flow wholly as they match up with Brad's despaired vocals. This … Read more
Alex Barnett and Faith Coloccia are both distinguished members of the experimental ambient music scene, and have already proved that they are a force to be reckoned with when they collaborate. The duo has previously released two intriguing records of experimental, drone goodness in their debut record Retrieval and their sophomore full-length Weld. What was striking about the collaborations of … Read more
The distance between San Francisco and Manchester is 5,000 miles, but Californian psychedelic trio Cellar Doors are determined to bridge that distance on their self-titled debut album. The band is already making waves across the Atlantic, having caught the attention of ex-Smiths drummer Mike Joyce and enlisting Inspiral Carpets frontman Stephen Holt as their manager, and their album sounds as … Read more
Hexvessel’s pastoral folk has been gradually building momentum since their inception ten years ago and on All Tree, their fifth album, this forward motion comes to a beautifully morose head with songs that live in the undergrowth and call to mind ancient mossy forests and a longing for simpler times. While Hexvessel’s music is charming on the surface, what lies … Read more
There’s a lot to like on Forever, the third album from Vandoliers. They play a hybrid country-punk that’s a bit too upbeat for No Depression and too gritty for traditional country, while pulling influence from a number of Texas musical styles along the way. It’s a six-piece group, complete with guitar, drum, and bass, but also fiddle, brass, and more. … Read more
The Ejector Seats is a bit of a mystery band to me; it’s pretty hard to find anything about them online. I've learned about two other bands with this name, and a lot about ejector seats in general, but not a lot about the band in question. Discogs tells me the band members have adopted names like Fluffy, Ty Lennol, … Read more
American Steel always felt a bit under the radar, despite releasing albums on Lookout and Fat Wreck. While they’ve been on well-known labels, they don’t get the same accolades as some of their peers. It feels fitting, in that way, that the band just released a new 7” seemingly out of nowhere. The band hadn’t even played together in five … Read more
Does fun belong in music? Or more specifically: does fun belong in grindcore? And I don’t mean the porn or gore variant (I admit, some of those guys make me smile occasionally), just your regular meat and taters grindcore. The crazy heavy metallers of Beaten To Death seem to think so. How else to explain this album title of song … Read more
Rome’s musical output has been incredibly prolific over the last decade and a half of the project’s existence. Releasing albums at the rate of practically one every year, Rome has much to say and the band is Jerome Reuter’s way of expressing many emotions and opinions on revolution, love and the way forward, all within the neofolk genre in one … Read more
Portland’s Dark/Light pronounces their name phonetically, including the punctuation. They’re doubling down on that element by naming this 7”, released this past June, Dark Slash Light. SPB had the pleasure of hosting their earlier LP, Kill Some Time.As for this 4-song, 9-minute release, it keeps going in that tradition of gritty and to-the-point punk that pulls from ‘80s punk roots … Read more
I first saw Terror live in a garage with about 30 other people on New Year's Eve in 2002. I remember the day because I was blown away by the band's passion, intensity and musicianship, flowing seamlessly from fast verses to chorus breakdowns, peppered with perfectly-timed two-steps and singalongs. I still distinctly remember drummer Nick Jett's blistering snare fills cutting … Read more
30 years is a long fucking time. Those of us fortunate enough to break into our 30s know the wisdom and fragility that comes with clicking into that next decade of life. Things hurt more, from hangovers to inexplicable body aches. That said, we are also wiser, having learned from many of the mistakes we made in our early days, … Read more
Hot Snakes first formed in 1999 and ran until 2005. They re-formed in 2011 for some tours and finally bring the rock in the new album Jericho Sirens, released in early 2018. For those unfamiliar with the group, members also play in Rocket From the Crypt, Drive Like Jehu, Obits, The Night Marchers, and more. There’s a familiar overlap in … Read more
The last couple of years the Macedonian punk scene was a revelation to me. Fonija, Bernays Propaganda and Noviot Pochetok became personal favourites while other bands like Xaxaxa have had their regular time on my turntable as well. What these bands have in common is a sense of melody that is rather melancholic, the courage to develop their sound in … Read more
What started as a two-piece project after the disbandment of Chumped, Katie Ellen are making a name for themselves in their own right. Since seeing the band live this year on tour with Lemuria, I’ve been obsessed with their latest release Still Life. From the record’s hauntingly beautiful lo-fi appeal to the openness of the lyrics to the beauty in … Read more
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