In the past I’ve described Big Eyes as half-punk, half-classic rock in a Cheap Trick vein. It’s concise and punchy like punk, but the energy relies on more traditional rock hooks. It’s great, but a part of me fears for the band’s growth because most other band’s I’ve enjoyed that get compared to classic rock eventually end up writing self-indulgent six minutes jams after a while.So here we are in early 2019 and Big Eyes is back with Streets of the Lost on Greenway Records. It’s their first release since 2016’s Stake My Claim. Fortunately, my fears were unfounded as this one continues to hone in on those rock chops, but without the bloat. It boasts 10 songs but at just 31 minutes in total length, with only one song topping the 4-minute mark. To make a generalization, the sound is blue collar: it’s to the point and with a mental and physical toughness. Instead of excess, it’s a hard stare back at the world. That’s especially direct in “Lucky You.”There’s a lot to like on Streets of the Lost, and a few things I don’t enjoy as much. All in all, it’s a good record with positive vibes and … Read more
I came to this book through it’s author. Ian Lawrence Campbell Swordy aka Pony. His involvement in Bent Outta Shape, … Read more
Is artwork an important part of a record? I tend to think so. I am bit old-school and like to … Read more
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Lucero is a band that people feel passionately about. You either love them or hate them. Their fans are very adamant about which record is their favorite, and subsequently, the best in their eyes. With 1372 Overton Park Lucero has gone on to make what is one of the most fully realized albums of their career. Unfortunately, Lucero's vision for this new album alienated a bunch of fans. And for the people that have decided to toss this on by the wayside, you're missing out. This is the record that Lucero's been looking to record for quite a while, and the album that they deserved to make, and we should be grateful to have. The biggest addition to the Lucero sound here is the horn section. While slightly offsetting at … Read more
As a record reviewer, sometimes I find it hard to review different works by the same artists. There comes a point when I just say “this sounds like that,” which doesn’t help anyone. So as much as I’m trying to avoid that angle here, I’m going to start out by mentioning that Rivers Edge features members (and the same vocalists) … Read more
Vaura is an interesting act for multiple reasons. Firstly it is the brainchild of four incredible musicians in Joshua Strawn of experimetal, dark pop explorers Azar Swan, Kevin Hufnagel of technical death metal beast Gorguts, Toby Driver of elusive post-everything act Kayo Dot and Charlie Schmid, previously of extreme avant-metallists Tombs. What is even more intriguing however is that Vaura … Read more
With a name like Wristmeetrazor could assume what you would be getting with this record before heading in and pressing play. While you may not be entirely wrong you would most certainly be partially wrong at best. While you could assume the record treads in emotionally raw lyrics and you would be correct but to also assume there is a … Read more
Music is a form of expression and therapy and often times the only way an artist can make sense of the events going on around them. It's something Bob Mould makes very clear when he steps up to the mic. After years of dealing with loss and delving deeper into a darkness that surrounded him, he's letting his new album, … Read more
In the early ‘10s it felt like the progressive sludge scene had produced all of its great records, and that moving forwards the genre would settle in a plateau state. But in the underground, there was one band that was still not contempt with the confinements of the genre, and they displayed that with their debut record Sundown. Inter Arma’s … Read more
Chicago’s Oozing Wound have been riding the thrash train since their inception in 2011, yet this trio are more than just that label, instead they are a band that incorporates many different aspects of the metal world into their music and in doing so create high energy vibrations that enable them to put their points across in a fun and … Read more
From the start of Collecting Misery it’s clear that Nadir is one of those bands fronted by someone who is usually on a different instrument. Sure, the DIY production also influences the sound, but the vocals are just a bit less fluid than in most bands. It’s not a slight against the band, just that it sounds a little less … Read more
Much of what I listen to on the regular is of the three-chord punk variety. While I want the bands in that field to switch up their sound, to develop and grow, the differences are usually pretty subtle in that world. The Coathangers, though, are something else and for some reason I’m always surprised when I put on each new … Read more
Recently I picked up my longboard from the barn where it was in hibernation for quite some time. I have been cleaning the bearings and other necessary maintenance. All the while looking out the window checking if the weather was adjusting to the meteorological time of the year: spring! Why this urgent need to skate? A long answer short: this … Read more
Nightmarathons are a tough band to pin down. Sure, they fit somewhere under that ever-widening punk umbrella, but it pulls from different areas without fitting neatly into any single substyle. To make a blanket statement, I’d say its heavily influenced by ‘00s punk across the board, with different singers who take the songs in different directions. There’s some first wave … Read more
It had been a long time since I’d listened to The Bananas – and I have to ask myself why. It’s that peppy, poppy, yet underproduced DIY thing that I basically groove on. A few seconds of “La Touraine” is all it takes to get the leg bouncing and a smile on my face. I’m not going to say that … Read more
What’s in a name? Radical Fun Time. Well, it is radical. Just take a look at that artwork. Someone had fun with that! It hurts a bit on the eyes, but someone had fun. And sometimes you can judge a book by it’s cover. This sounds like a bunch of guys having a good time. I picture a couple of … Read more
I’m sure fictitious bands are a fun concept for the musicians writing the material, but I could care less if it's Tim Armstrong behind the mic or “Bagga” – they both sound the same. There are animated videos for this 4-song EP that develop the storyline of a fake 1980s punk band, which is the concept behind Landfill Crew. I’m … Read more
China isn’t the first country you think of when it comes to rock music but over the last two decades, Wang Wen has been placing their home on the musical map and in Invisible City the band brings a range of new emotion to their instrumental work. Wanting to record something warmer than the previous record, Sweet Home, Go!, the … Read more
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