I’m sure fictitious bands are a fun concept for the musicians writing the material, but I could care less if it's Tim Armstrong behind the mic or “Bagga” – they both sound the same. There are animated videos for this 4-song EP that develop the storyline of a fake 1980s punk band, which is the concept behind Landfill Crew. I’m not going to review the videos, though, because it’s not part of the physical package.And that’s where I’ll quit with the storyline and concept because while the story takes place in the 1980s, this sounds like turn of the century reggae-punk all the way. Fans of Rancid’s Life Won’t Wait and the Hellcat Records Give ‘Em the Boot II compilation that features punk-backed songs with reggae-fronted vocals should take note as it’s the core style at play with Landfill Crew, which also features reggae singer Tippa Lee (aka “Hux”) and J Bonner as members. While punk is at its heart and with a lot of my own hyphens in this review already, it’s not a straight-up hybrid punk sound. The opening eponymous track is more of a pop jam with a reggae breakdown and Tim Armstrong’s one-of-a-kind drawl. The second … Read more
I recently wrote about Future Virgins, stating that the band tempers their anger, choosing more subtle reflection in their songwriting … Read more
This is the 30th year of The Bouncing Souls, which seems crazy in many ways – including that I’ve been … Read more
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In what might be one of the longest case of collective breath holding since a band’s last previous album, My Bloody Valentine finally release the follow up to their landmark 1991 album, Loveless; and the single biggest question on many people’s minds has to be whether or not m b v is as good as the astoundingly enduring and growing legacy of its vaunted predecessor, and if that is not the biggest question in the person’s mind, then at least it lurks in the shadows of their conscious.Cursory listening to m b v reveals what may be an album that has been intentionally divided into three musical movements by its creative team as My Bloody Valentine seems intent on easing people into something (but what that something is, probably is … Read more
Dirtnap is a fascinating label in how they’ve developed a certain sound to their releases, regardless of what part of the world or what particular scene the musicians hail from. Sure, there’s the Marked Men connection with many of their releases, but that’s only a piece of what the label has put out.Good Shade is Shane Natalie, a one-man band … Read more
There’s a lot I want to say about this album, but I’m torn because I try to keep things more positive. I’ve given it a lot of thought and a lot of listens, and I just don’t like it. At its best, it’s a pop-punk version of The Hold Steady – and that’s not in that oversimplified “recommended if you … Read more
Alex Barnett and Faith Coloccia are both distinguished members of the experimental ambient music scene, and have already proved that they are a force to be reckoned with when they collaborate. The duo has previously released two intriguing records of experimental, drone goodness in their debut record Retrieval and their sophomore full-length Weld. What was striking about the collaborations of … Read more
The distance between San Francisco and Manchester is 5,000 miles, but Californian psychedelic trio Cellar Doors are determined to bridge that distance on their self-titled debut album. The band is already making waves across the Atlantic, having caught the attention of ex-Smiths drummer Mike Joyce and enlisting Inspiral Carpets frontman Stephen Holt as their manager, and their album sounds as … Read more
Hexvessel’s pastoral folk has been gradually building momentum since their inception ten years ago and on All Tree, their fifth album, this forward motion comes to a beautifully morose head with songs that live in the undergrowth and call to mind ancient mossy forests and a longing for simpler times. While Hexvessel’s music is charming on the surface, what lies … Read more
There’s a lot to like on Forever, the third album from Vandoliers. They play a hybrid country-punk that’s a bit too upbeat for No Depression and too gritty for traditional country, while pulling influence from a number of Texas musical styles along the way. It’s a six-piece group, complete with guitar, drum, and bass, but also fiddle, brass, and more. … Read more
The Ejector Seats is a bit of a mystery band to me; it’s pretty hard to find anything about them online. I've learned about two other bands with this name, and a lot about ejector seats in general, but not a lot about the band in question. Discogs tells me the band members have adopted names like Fluffy, Ty Lennol, … Read more
American Steel always felt a bit under the radar, despite releasing albums on Lookout and Fat Wreck. While they’ve been on well-known labels, they don’t get the same accolades as some of their peers. It feels fitting, in that way, that the band just released a new 7” seemingly out of nowhere. The band hadn’t even played together in five … Read more
Does fun belong in music? Or more specifically: does fun belong in grindcore? And I don’t mean the porn or gore variant (I admit, some of those guys make me smile occasionally), just your regular meat and taters grindcore. The crazy heavy metallers of Beaten To Death seem to think so. How else to explain this album title of song … Read more
Rome’s musical output has been incredibly prolific over the last decade and a half of the project’s existence. Releasing albums at the rate of practically one every year, Rome has much to say and the band is Jerome Reuter’s way of expressing many emotions and opinions on revolution, love and the way forward, all within the neofolk genre in one … Read more
Portland’s Dark/Light pronounces their name phonetically, including the punctuation. They’re doubling down on that element by naming this 7”, released this past June, Dark Slash Light. SPB had the pleasure of hosting their earlier LP, Kill Some Time.As for this 4-song, 9-minute release, it keeps going in that tradition of gritty and to-the-point punk that pulls from ‘80s punk roots … Read more
I first saw Terror live in a garage with about 30 other people on New Year's Eve in 2002. I remember the day because I was blown away by the band's passion, intensity and musicianship, flowing seamlessly from fast verses to chorus breakdowns, peppered with perfectly-timed two-steps and singalongs. I still distinctly remember drummer Nick Jett's blistering snare fills cutting … Read more
30 years is a long fucking time. Those of us fortunate enough to break into our 30s know the wisdom and fragility that comes with clicking into that next decade of life. Things hurt more, from hangovers to inexplicable body aches. That said, we are also wiser, having learned from many of the mistakes we made in our early days, … Read more
Hot Snakes first formed in 1999 and ran until 2005. They re-formed in 2011 for some tours and finally bring the rock in the new album Jericho Sirens, released in early 2018. For those unfamiliar with the group, members also play in Rocket From the Crypt, Drive Like Jehu, Obits, The Night Marchers, and more. There’s a familiar overlap in … Read more
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