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The Blind Shake

Key to a False Door
Castle Face Records (2013)

It’s no secret to long-time site readers that I’m a fan of The Blind Shake. The Minneapolis trio has released a run of albums now, both on their own and with psychedelic luminary Michael Yonkers. All the while, their distinct sound continues to evolve. Starting as, to coin a term, a power-crunch band, it’s moved more heavily into distortion and … Read more

200 Words Or Less

One Hundred Year Ocean

Where Were You While We Were Getting High?
Broken World Media (2013)

Where Were You While We Were Getting High?, the latest release from the seven-member Connecticut indie-emo band One Hundred Year Ocean, is a four-track collection of massive, breathtaking sonic concoctions.The EP starts with the slow, slightly depressing “Hospital Town”. “Soco Amaretto Bud Light Lime” immediately follows with a faster tempo and brighter feel. “Apples” preserves the happy vibe with upbeat … Read more

Aidan Baker & Leah Buckareff

Breathing Heavy Breathing
Thisquietarmyrecords / Broken Spine Productions (2012)

If the droning sounds were not an indication, then certainly the overall sonic motif is definitely all Aidan Baker, at least his solo piece on this split record with his partner Leah Buckeroff; and while Baker is certainly known for his moody reverb drenched droning that offers sweet sounds and hidden melodies, “Heavy Breathing” actually contains quite a bit of … Read more

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Long Lost

Save Yourself, Start Again
No Sleep (2013)

Long Lost first began life as the acoustic side project of Transit frontman Joe Boynton, shortly after the release of Transit's fourth album Young New England he turned his attention to Long Lost making it his main band. The result of this is Save Yourself, Start Again, an album of songs consisting of retrospective glances and attempts of retribution. Perhaps … Read more

Caïna

Litanies of Abjection
Independent (2013)

Litanies Of Abjection isn't your standard Caïna release. It isn't what you expect and it certainly isn't a black metal record. It's something new, different and it's also incredibly personal and as such a terrifying and oppressive listen. For those who have followed the musical career of Andrew Curtis-Brignell, the change and shift shouldn't really come as that much of … Read more

The 1975

Self Titled
Dirty Hit (2013)

If you were to walk past any major chain shop these days, there is an overwhelming high probability that you will spot multiple 'retro' items placed in the window display; frankly society's current infatuation with the 80's and 90's is starting to get to a rather worrying level. And if you are as a savvy as The 1975 appear to … Read more

Isis

Celestial (Re-Issue)
Ipecac (2013)

I could make a career out of doing reviews of Isis reissues. But what makes reviewing Celestial so difficult is that it is already a legendary album, to the point where everything to be said about it from a critical standpoint has been said before. So instead of trying to sell you on the album itself (because really, it's just … Read more

Avenged Sevenfold

Hail To The King
Warner Bros. (2013)

Look on the interweb and you'll find love for Avenged Sevenfold and you'll find hate. A lot of hate. I understand the love, but I don't quite understand the hate. The hate brigade's consensus would maintain that they're poseurs. Wannabes. Clowns in the metal circus. This is dismissive. I've always viewed them as a group of kids who don't quite … Read more

Nails

Abandon All Life
Southern Lord (2013)

The only reason Metallica is supposedly used as a torture tactic in Guantanamo is because the C.I.A. doesn't know about Nails. I mean that to sound neither glib nor uncomplimentary - there's a cruel relentlessness to Nails that I and other fans of extreme music will most certainly appreciate, but, and I'll avoid the arrogant use of the term understanding … Read more

El-P & Killer Mike

Run The Jewels
Fools Gold (2013)

Run the Jewels could easily have been a victory parade after the momentous 2012 that Killer Mike and El-P had. Before declaring themselves an actual duo, the two artists were both lauded for albums that were released a week apart of one another. Killer Mike's R.a.p. Music, produced almost entirely by El-P, combined Producto's electronic palette with the slow draw … Read more

Ormen Lange

Black
Stayposi (2013)

Chicagoan quartet Ormen Lange (probably named after the mightiest Viking longship, not the natural gas field on the Norwegian continental shelf) are far from a unique band--how many lightly progressive sorta instrumental artists can you name off the top of your head? Probably enough to feel as disillusioned as I. But despite my admitted jadedness with the genre, I still … Read more

Sigur Rós

Kveikur
XL Recordings (2013)

I came to know Sigur Rós through their early material, all very long, dreamy recordings with just a hint of pop rock bliss to ground them. Ágætis byrjun and ( ) are the albums that made the band a household name, and it's difficult not to look back on them and feel like, in some capacity, that's what the band … Read more

Princess Music

Odobenidae
Hot Congress Records (2013)

Princess Music's members all hail from various chamber orchestras, which would lead you to believe that their debut would be a collection of classical recordings. The album cover, however, seems to suggest something else entirely--it looks like it'd be more at home on the cover of a kitschy indie rock album than that of a classical quintet. But that's exactly … Read more

Eddie Spaghetti

The Value of Nothing
Bloodshot (2013)

For Eddie Spaghetti’s third solo LP, he’s taken a moment to quiet it down and get introspective while seeking answers to life’s big questions: meaty topics such as “If Anyone’s Got the Balls” and just who is “Fuckin’ with My Head.” Or, in other words, his solo work may be a separate project from Supersuckers, but the content doesn’t stray … Read more

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