There is one readily surprising thing about Arizonan post-metallers Temple: despite the loud ensemble sound projected in their music, the entire album is the result of the work of just two musicians. Unfortunately, that's just about the only surprise to be found on their otherwise unremarkable 2012 debut, On the Steps of the Temple.The issue is that, for all of its interesting atmospherics, On the Steps of the Temple is a phenomenally boring album. The compositions seems bare and sparse, without any real meat or life in them. Sure, the repetitious chords and phrases create an effective atmosphere, but it's one that quickly becomes tired and overdone before the album is halfway over. There are good ideas scattered about, but they're either driven into the ground or stay well past their welcome. Long story short, the end of the album comes as a relief, and that's not at all to its credit.Though there is plenty of space to be worked with in the traditional Neurosis sound, Temple haven't done enough with it to justify any interest. The band has immense potential, but they're still several steps short of where they need to be. Read more
Every so often bands live up to their buzz. Rumspringer popped onto my radar through the defunct Dangerous Intersections series … Read more
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Ah, the full-length record that so many of us have been waiting for. After the disappointing lack of new material found on last year's Adventure, Nostalgia, and Robbery, fans were certainly ready for this record to come to light. Now on the more widely distributed Triple Crown label, Detroit's Fireworks are only now appearing to garner the attention that I think they have always deserved. I've always praised Fireworks for writing catchy, down-tuned pop-punk, and their ability to put so much weight on every progression that each song feels like a constant bridge. I'll admit that I didn't think much of Fireworks the first time I heard them. I saw them jump on a Gilman show around the time they were releasing We are Everywhere, and none of it seemed … Read more
I grew up on Rancid and they introduced me, eventually, to a much wider world of punk rock than what I caught on late night Headbangers Ball and 120 Minutes episodes. Or, for those who didn’t get where this is going from that intro sentence: I feel that I have to qualify why I’m listening to In a Warzone, the … Read more
It starts off inconspicuously enough, a series of instrumental swells that set the sombre and dark mood for the rest of the album. And then the growls enter, delivered as if part of a spoken word piece, each individual syllable pronounced as if there was all the time in the world. The swells become broader and more intense, a series … Read more
Heisenberg's uncertainty principle dictates that nothing in this universe has a truly defined position or trajectory and by trying to define it, the momentum of the object becomes even more unstable and unpredictable. The lesser known certainty principle is this: there will never be a Dead Kennedys reunion with Jello Biafra at the helm. Ever. It's not going to happen. … Read more
What-A-Nights are a Japanese four-piece punk group, mostly falling on the pop-punk side of the spectrum, with some tight Buzzcocks sensibility seeping in. Their self-titled full-length, first self-released in Japan and now brought to the larger masses by Drunk Sailor Records, brings ten songs of soaring melody, hooky guitar, and positive vibes.The songs, while labeled as pop-punk, utilize the guitar … Read more
Who needs functioning eardrums anyway? A Secret Policeman’s Ball play post-punk indie music with new wave undertones, and there is only one volume their music should be played at: LOUD. The Tennessee band have a penchant for mixing pop-filled melodies with aggressive guitars and vocals that frequently turn into screams; what initially starts off as a song with sweet vocals … Read more
The gods of weird have unearthed yet another obscure group of misfits and re-unleashed them upon those of us that zealously engross ourselves in all things loud, fast and fucked up. This is the complete discography of Northern California’s short-lived thrashing party punks, Infectious Garage Disease. There is a whopping two-plus hours of material on this double disc collection. It … Read more
Since their split with Warprayer and their debut album Untold Wait there were no illusions that the band from Boston was onto something truly great. Now, two years after the release of their sophomore full-length, Asylum, Morne strike back with their latest sonic compilation with the band’s only purpose being to drag us into the depths of sorrow and misery … Read more
Here at Scene Point Blank we don’t give titles to our work. If I titled my Vacation review, though, it would be named after track ten: “Feedback Got Me High.” Vacation are a punk band but, you know, so were Nirvana (at least on a basic level). The point is this: there’s a lot you can do with those power … Read more
The enigmatic figure of Tristan Shone, a mechanical engineer/metal sculptor, is the driving force behind the Author & Punisher project. By developing custom machines, controllers and speakers (named Drone/Dub Machines) in order to produce an impressive array of different sounds, merging together doom and industrial music, Tristan Shone tried and succeeded in building his own Frankenstein’s monster.The sound of the … Read more
The Enid aren't your average '70s-era progressive legacy act. Far from abandoning experimentation and growth in their age as so many of their peers are wont to do, these guys seem dedicated to upholding a standard of quality that would be the envy of most. And though it's not their best album, their latest release, 2013's Invicta, nonetheless comes as … Read more
This review is part of my coverage of the 2013 Progressive Music Awards, on 3 September. Amplifier is one of the few bands in the small but noticeably growing post-progressive scene (proving, once and for all, that "post-" can be appended to anything). It's music that firmly falls into the progressive rock camp--you won't be at a loss for extended … Read more
Frozen Teens are tough sound to pin down exactly. It’s not because it’s 100% out there, it’s because it subtly pulls from different arenas, coming together in something of a power-pop/punk. The Minneapolis trio are releasing a 7”, Oakland Footsteps, here, and it’s a solid release through and through. It starts with the 3:10 “Oakland,” which covers way more ground … Read more
Part of me has waited so long to review the Yeah Yeah Yeah’s fourth album, Mosquito because I really don’t want to pan the Yeah Yeah Yeahs. In fact, I’d like to pretend Mosquito didn’t happen after three knock out albums that were filled with passion, rock and roll and intensity - Fever to Tell (2003), Show Your Bones (2006) … Read more
Guitars guitars guitars. When did you last hear a new band who's main focus is on guitars? Londoner Tilman Hartley's debut album To Basics is all about the guitars, teeming with frazzled barre chords and captivating riffs.Among all the near-faultless guitar playing Hartley's vocals have a tendency to veer all over the place. On "Belle de Jour" it's difficult to … Read more
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