Indian quintet Fragark have one of the bossest names for a death metal band ever. (Cheat sheet: it comes from the name of the sword wielded by Irish sea deity Manannán mac Lir, and literally means 'The Retaliator' or 'The Answerer'. Chills, I tell you.) But when it comes to music, their 2013 debut, Crypts of Dissimulation, falls squarely into "average" territory.The album starts out innocently enough, with an acoustic introduction just folksy enough to make you believe they might swing towards Opeth territory. But by the first full ensemble moment, it's clear that Fragarak occupy that well-trodden space on the precarious boundary between technical and progressive death metals, like 7 Horns 7 Eyes, or ninety percent of Chuck Schuldiner's career output. And, in all honesty, the band pull off that sound pretty damn well; everything on Crypts of Dissimulation sounds tight and capably performed, and for the genre, nothing is found lacking or unsatisfactory.However, for all of the considerable work put into the album, the final product just doesn't sound that great. The vocals are given entirely too much weight, crushing the rest of the band whenever they are present, to the point that the vocal lines are just … Read more
By the end of their erogenous fifth LP, the Arctic Monkeys have asked three questions: "Do I Wanna Know?", "R … Read more
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It's been almost ten years since Mogwai released their now classic debut Young Team and still countless younger bands are trying to emulate that almost entirely instrumental, post-everything sound that relies just as heavy on ambient noises as it does on actual musicianship. I give praises to Gifts From Enola for actually creating a disc that shows some promise of talent rather than a cheap attempt at being "experimental" by holding a sustained minor chord for three measures underneath loops of computer generated clicks and beeps. No, this isn't anything new, and no, they will never be Explosions In the Sky, but Local Eyes Betrayed the Mind is worth checking out if you're like me and enjoy driving around late at night, taking in the scenery with some nice background … Read more
Sebastian Plano returns two years after his debut album, Arrythmical Part of Hearts. The case of the Argentinian composer is a truly intriguing one. Born into a musical family, Plano became after years of training a multi instrumentalist and a magnificent music composer. Now, with his second album, Impetus, he expands musically even further, where his true genius lies, within … Read more
Sounds can create images. New York City based 4 piece Mainland have this effect on "The Stroll". It concocts an image of bright strobe lights that make you even more bleary eyed in your drunken stupor, as you stomp your heels off the sticky floor in time to the drums as though your life depends on it, before the bridge … Read more
Ulcerate are one of the few bands that can honestly claim to have invented a genre. (Well, a subgenre at any rate.) Blending equal parts atmospheric sludge and technical death metals, the freaky Kiwis sparked a huge following of bands eager to try the same thing. And though they haven't really changed their style much over the years, no one's … Read more
A band reinventing itself is not an uncommon occurrence, but a successful reinvention is, and the more drastic the shift, the less likely it is to succeed. There are some notable success stories, but let's face it, not every band can have the graceful chance of being, say, Anathema. One of the most recent bands to take the chance and … Read more
So, the three regular adults that make up Psychic Teens has found time in their adult lives to hash out another album of quirky skronking post punk that is somewhat coerced through a heavy (emphasis on the heavy) dose of disaffected charm and maybe some early nineties alternative rock (this is a purposefully broad stroke because there are many little … Read more
When did the Octopus Project add vocals? Well, it’s not exactly a lead singer—think more along the lines of Black Moth Super Rainbow (with whom they released a collaborative record in 2006)—it’s mostly loops, reverb, and effects, but it really changes the dynamic of the four-piece group from Austin, TX.Dubbing themselves “experimental pop,” Fever Forms is their fifth full-length and … Read more
Let's talk about cajones for a minute.Immanuel Kant's Critique of Pure Reason, aside from being a formidable, densely written, obtuse tome, is one of the most important books in the history of philosophy. But the reason philosophy students still struggle through semester-long courses in order to scratch the surface of this nigh-impregnable monolith isn't for the blind satisfaction of having … Read more
Maybe Defiance, Ohio are the height I hold the folk-punk genre to, maybe it’s just that they’re the first such band to really click with me. Regardless, on listening to The Wild’s second full-length, Dreams Are Maps, I find myself making several comparisons. Given the context that’s a good thing. Given the band’s overall sound, well, there are also some … Read more
To say Haiku Salut are an odd ensemble would fall several metres short of the mark, judging by their 2013 release Tricolore.Their music has influences from all over the map, unifying elements of indie, post-rock, electronic music, and even baroque pop. Their compositions, largely instrumental, rarely conform to expectations, with each piece taking more twists and turns than can be … Read more
SpokAnarchy! is a feature-length documentary about the punk rock and new wave movement that took place in Spokane, WA during the ‘80s. Even if you're unfamiliar with the bands or have never even heard of Spokane for that matter, it’s an engaging story told by a seemingly unending source of the scene’s survivors. Many of the characters in the movie … Read more
It’s no secret to long-time site readers that I’m a fan of The Blind Shake. The Minneapolis trio has released a run of albums now, both on their own and with psychedelic luminary Michael Yonkers. All the while, their distinct sound continues to evolve. Starting as, to coin a term, a power-crunch band, it’s moved more heavily into distortion and … Read more
Where Were You While We Were Getting High?, the latest release from the seven-member Connecticut indie-emo band One Hundred Year Ocean, is a four-track collection of massive, breathtaking sonic concoctions.The EP starts with the slow, slightly depressing “Hospital Town”. “Soco Amaretto Bud Light Lime” immediately follows with a faster tempo and brighter feel. “Apples” preserves the happy vibe with upbeat … Read more
If the droning sounds were not an indication, then certainly the overall sonic motif is definitely all Aidan Baker, at least his solo piece on this split record with his partner Leah Buckeroff; and while Baker is certainly known for his moody reverb drenched droning that offers sweet sounds and hidden melodies, “Heavy Breathing” actually contains quite a bit of … Read more
Long Lost first began life as the acoustic side project of Transit frontman Joe Boynton, shortly after the release of Transit's fourth album Young New England he turned his attention to Long Lost making it his main band. The result of this is Save Yourself, Start Again, an album of songs consisting of retrospective glances and attempts of retribution. Perhaps … Read more
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